Tanja Liedtke's Influence On The Contemporary Dance Industry
Tanja Liedtke passed away in 2007, after being hit by a truck. In May, a mere 3 months before her death she was appointed Artistic Director of the Sydney Dance Company. Liedtke is said to have created a ‘fresh innovative language for dance in Australia and beyond’, her constant intent to keep modern dance modern was one of the factors that led to her being appointed one of the youngest Artistic Directors. She managed to provide Australian contemporary dance with a fresh outlook on dance, and choreographed ‘rich, powerful and compelling art’. Her death has impacted the contemporary dance industry as they have lost a powerful voice, but her work and innovative ideas will be remembered and will remain as an influence for many generations of dancers
What Makes Alvin Ailey Popularize The Dance World
681 Words | 3 PagesAiley being an American choreographer shows how he was able to become a household name in the dance world. Ailey choreographed over 80 ballets which easily illustrates how Ailey became an acknowledged figure in his community. Ailey’s most popular show Revelations is being performed till this day which shows how Ailey was able to leave a historical footprint on the dance world. Ailey's choreographic masterpiece Revelations is believed to be the best known and most often seen modern dance performance in history.
Who Is Twyla Tharp Become An Innovator?
1924 Words | 8 PagesHer choreography continues to stay relevant in the contemporary dance scene and performed on stages across the country. “In 2004, 5 companies performed Ms. Tharp’s works, but the number has grown; 15 dances were licensed in 2005, and more than 20 so far this year (2006)...” (Kourlas 2006) Since 2006, Tharp’s works continue to be an essential part of many ballet company repertoires. While continuing to choreograph, Twyla Tharp wrote two books, including an autobiography entitled Push Comes to Shove in 1992 and The Creative Habit: Learn It and Use It for Life in 2003.
How Did Alvin Ailey Contribute To The Dance World
744 Words | 3 PagesAlvin Ailey was an extremely successful dancer and choreographer who broke the racial barriers of the dance world. Without Ailey, we wouldn’t have his artistic works and the racial divide between dancers still would be accepted in society. Ailey taught the dance world that being different should not only be accepted but encouraged. Also, he is a great example of a figure who overcame hardships to achieve their goals. Ailey has shown himself to be an inspiring individual who overcame racial prejudice and fought for equality, grew up in a single parent home, progressed in a dance career at a late age, and who has produced and created famous works.
How Did Nina Waymone Change The Music Industry
830 Words | 4 PagesA passionate American jazz singer, pianist, songwriter, and a Civil Rights activist, Nina Simone would change the music industry forever. She was born Eunice Kathleen Waymon in Tryon, North Carolina February 21st, 1933 (2;3). Evident early in her life was her talent. At the age of three, she started playing piano by ear, able to listen to a tune and play it back on the piano (2;4). Her parents were both preachers, so consequently, she grew up in the church (2;4).
Alvin Ailey Essay
1352 Words | 6 PagesThe Alvin Ailey modern dance company is known internationally for their works and dancers but how they began is a very interesting story. The company formed in 1958 and just two years later one of the most memorable and notable performances of the company was created, “.Revelations”. Although Alvin Ailey was the creator and director of this company, Ailey’s style and the technique he used and that the company still uses stems from Lester Horton. Horton was a pivotal teacher for Ailey and inspired him to create a company and carry on this technique from Horton. This paper will illustrate the beginning influence Horton had on Ailey and how the company has grown overtime.
How Did Katherine Dunham Contribute To Dance
773 Words | 4 PagesHaving these opportunities led to Katherine being invited to the Rosenwald Foundation where they agreed to finance any study contributing towards her dance career, thus where she then spent two years in the Caribbean studying all aspects of dance. Within the 1930’s Katherine Dunham transformed
Fishnets And Feathers Analysis
269 Words | 2 PagesFishnets and Feathers Extra Credit The speakers of this lecture included a panel of four former dancers of the Don Arden Production Shows in Las Vegas and Reno. LaVerne Ligon was a dancer who frequently toured with Don and the other dancers. She stated her career after starting fine arts at Howard University. Once she graduated she became the opening act for a variety of don’s shows such as “Hello Dolly” and “Joan Rivers Show.”
Summary Of Jane Desmond's Article 'Embodying Difference'
1098 Words | 5 PagesIn her article, Embodying Difference, Jane Desmond argues that dance offers important insights into the ways moving bodies articulate cultural meanings and social identities. In other words, she explains the importance of studying the body’s movement as a way of understanding culture and society. She has two main arguments. First, she argues for the importance of the continually changing relational constitutions of cultural forms. Desmond further explains that the key to shedding light on the unequal distribution of power and goods that shape social relations are the concepts of cultural resistance, appropriation, and cultural imperialism (49).
How Does Bob Fosse Affect Dance
1092 Words | 5 PagesRobert “Bob” Fosse was a man of many talents, skills, and before passing on in 1987; made a tremendous impact on dance, especially the mixing of dance styles for other choreographers to come. The performances he created for Broadway along with his reach in the movie industry formed a “Fosse” image that others hoped to reach on their journey through the dance industry. His own life lived up to the style, level of dance he required his dancers to perform at, demanding and physically exhausting, yet powerfully enough to capture an audience all around the world. His personality may have been a bit too aggressive for some, but this personality is behind works such as, Redhead, Sweet Charity, and Chicago. If the man came off strong, it was for good
How Did Ruth St. Denis Influence Modern Dance
2057 Words | 9 PagesThe Life and Work of the Divine Dancer, Ruth St. Denis The mother of modern dance paved the way for future generations of American modern dancers. Exotic and spiritual solos are the trademark of nearly all of Ruth St. Denis’s choreographic works. Greatly influenced by the Delsarte Method, Denis’s solos often had a focus on emotional intention behind the movements. Denis’s interesting style was a combination between the Delsarte Method and spirituality, both stemmed from childhood experiences.
Mambo Girl Shall We Dansu Analysis
1643 Words | 7 PagesMambo Girl (1957), a movie musical, follows Kailing, a talented young woman widely admired for her singing and dancing capabilities, as she searches for acceptance after learning the truth about her background. Shall We Dansu? (1996) follows Mr. Sugiyama, a Japanese accountant who goes on a secretive and intimate journey into the world of ballroom dance. Both Mambo Girl and Shall We Dansu? emphasize the close relationship between intimacy and Latin dance by linking Kailing and Mr. Sugiyama’s manners of dancing Latin to the emotional connection each has with other characters.
Sally Barnes Beliefs About Choreography And Choreographers Sally Barnes
365 Words | 2 PagesAlthough I felt that Doris Humphrey book emphasized her thoughts about choreography and choreographers Sally Barnes seemed to compare various choreographers including Humphrey. A central theme that I found was “motivation for the movement”. Doris compared the differences between choreographers who created piece from their own ideas or dreams and independent choreographers who created work for money and fame. Her work in particular was sometimes influenced by architecture because she thought it was impressive, but claimed ideas can be found all around us. The ideas developed into dances that did not have a deep meaning but really captivated the audience were masterpieces because the choreographers were very invested in their subject.
Joan Didion Why I Write Analysis
695 Words | 3 Pages“Artworks have ‘aboutness’ and demand interpretation” (Barrett 71). This statement creates a foundation for writing, specifically about dance, as each dance piece is always about something, no matter how simple it appears to be. As I began to write about dance I knew not only to provide a description of the piece, but utilize the description as evidence as I develop a possible meaning. Additionally he explains, “There can be different, competing, and contradictory interpretations of the same artwork” (Barrett 73). When I would begin to develop an explanation from the description I provided, I had to remind myself that my interpretation was only one view of the dance and I should not try to provide one comprehensive interpretation for the
Analysis Of Igor Stravinsky's Rite Of Spring
1032 Words | 5 PagesThe word “ballet” brings to mind words such as “grace” or “beauty” when heard by many people. The definition itself states that it is a form of dance that uses precise steps and light, graceful motions. This definition was in the minds of those who attended the Théâtre des Champs-Élysèes in May 1913, but rather they were greeted with the complete opposite. When Igor Stravinsky’s ballet Rite of Spring opened, the audience was greeted with swift, chaotic music that quickly became a whirlwind of sound. The music softened and the curtains opened to a primitive dance, causing mass hysteria throughout the theatre.
Multiculturalism In Ballet
1046 Words | 5 PagesIn the educational field more non-white ballet teachers are being educated to teach children of colour, so that they feel more comfortable in class and experience ballet as something that belongs to their culture as well. Financial support is offered for children of underprivileged families to avoid that they have to quit ballet for economic reasons. Courses for young arts administrators are set in place to diversify the ballet management. And last but not least black role models are being promoted to change the perception of a historically lily-white Caucasian ballet world. These ‘disrupters’ as called by Darren Walker, are generating a change in the notion of the ideal ballet body and the standard ballet attire.
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