Annotated Bibliography Tartuffe by Moliere
Working Thesis: In investing Tartuffe by Moliere, it is necessary to focus on the setting of the book and marriage as an institution affected by populism and hypocrisy.
Cashman, Kimberly. "The Performance-Within-A-Play and Gender Issues." Staging Subversions: The Performance-In-A-Play in French Classical Theatre, Peter Lang Publishing, Inc., Jan. 2005, pp. 61-92.
In the above article, the author has concentrated on expressing the setting; the performance within a play, as well as the social order; the marriage of two young individuals of the book Tartuffe by Moliere. Cashman notes that performance within a play is dominant in this book; hence implying a critical dysfunction in the social arrangement,
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The reason as to why Mass David wrote this article was due to the many critics Tartuffe play by Moliere received. To an extent, Mass quotes Dr. Sanford Berman, who state that no journal should be criticized without because it does not fit of fulfilling the preference of an individual. Apparently, Tartuffe play by Moliere is a comic. Notably, he is particular with the literary devices he uses because his intention was to mock surplus in emotion, behavior, or thinking as well as to highlight the sensible middle progress. Likewise, the journal emphasizes on Orgon, who is one of the main character and his decision on choosing spouses for his son; Damis and daughter; Mariane. Figuratively, Damis and Mariane are prisoners of dichotomous; emotionally and intellectually because they are powerless when it comes to deciding on their life partners. As a result, the author of the article presents the power of reasoning as it is displayed in the play by Moliere. More so, Orgon’s fuddle judgment is in question because of his religious beliefs. “Ah, brother, the man’s a strangely fashioned creature… who seldom is content to follow nature…” However, Cleante analyzes Orgon 's religious because of its surplus. "With Bright example to instruct and guides us…consider Ariston and Periander; their
Moliere states to the King: “ it is a piece of great temerity on my part to come and importune a great monarch in the midst of his glorious conquest” (Moliere, Second Petition). Moliere is captivated by the King and believes that he is not worthy of his time, but seeks assistance regardless. Orgon, in contrast, believes that
The cast of the play are unaware of the audience, however, the audience is able to listen to dialogue that occurs throughout the theater, whether it is in the headsets between technicians, on stage between the actors playing their characters in the play and between the director and actors who make adjustments when necessary. The third fourth wall was at its edge of breaking, where the audience is almost unable to tell whether what they are experiencing is real or not. As an observer of the rehearsal of this play, this wall was broken when I understood that what I was watching was a rehersal of a play, of a rehearsal of a play. It was difficult to describe or understand when the cast of 10 out of 12 were actually in or out of character. The complexity of this play lies in the use of metatheatre, which has been exploited to its fullest extent
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
The play “Trifles” by Susan Glaspell is largely based on stereotypes. The most prevalent one explores the difference between gender roles. Glaspell exerts the repression of women in the 1900s. During that time, women were highly looked down upon by men, and were only seen as the housekeepers and child bearers. This example is displayed throughout the play with the men, however, the women in this play prove that the stereotypes of gender roles held against them are completely wrong, which is shown through the characters, set design, and symbolism.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
The one-act play, “Trifles,” by Susan Glaspell, has several themes that are incorporated within it. There are several dominant ideas such as female identity, patriarchal dominance, isolation, and justice are themes that are all reflected in different ways throughout the play; however, gender is the main theme of “Trifles.” There is a considerable difference between the roles of the men and the women in this play. The men are expected to act in a more controlling, dominant way, while the women are expected to act in the typical ‘housekeeper’ fashion. The theme of gender is brought out through the play in many dramatic elements such as character, tone, and dramatic irony.
Tartuffe focuses on Orgon, the head of a French family who makes poor judgement in character when trusting the “holy” hypocrite, Tartuffe. While arguing over forcing his daughter to marry, Orgon states, “my girl, you take too many liberties. / I am
She uses Tartuffe’s lust for her as an advantage. Orgon refuses to believe anyone unless he has physical proof. Elmire uses deception to bring Tartuffe’s downfall and succeeds. Orgon refuses to listen to any of the men, but this time it is woman who uncovers the truth. During this century woman were still considered inferior than men, however Elmire contradicts that.
All these troublesome meet together that produce such a disorder in this play. The first severe thing is the incest. In Christian church and Christian society, incest is totally wrong in the culture. It is regarded as a serious sin that may lead to death. “Repetence,son, and sorrow for this sin: For thou hast moved a Majesty above with thy unranged blasphemy“(Ⅰ.ii.44-45)
While unique characters are very valuable in various forms of literature, authors can successfully utilize stereotyped characters to achieve author’s purpose. The character of Mariane in Tartuffe by Molière is a stereotypical “damsel in distress”, as the other characters must help her while they combat the hypocrisy of Tartuffe. When Orgon, blinded by his reverence for Tartuffe, announces that Mariane is to marry Tartuffe, it causes conflict between characters. Mariane has to express her opinion and defy her father, so that she will not marry a hypocrite and liar, despite being a generally submissive person. In Molière’s Tartuffe, the author successfully employs a conventional character through Mariane, to demonstrate the strife that fanaticism and
The trafficking in and around women’s bodies was a common theme in most of the works we have read for class. In particular, the trafficking of a woman’s body is prevalent in the play, Tartuffe. Tartuffe is about a woman, Mariane, who is being forced to marry a man, Tartuffe, who is only liked by her father, Orgon, and his mother in-law, Madame Pernelle. Furthermore, this is an aristocratic family that typically marries off the daughter to a hegemonic male for the smooth transfer of wealth. Marrying off the daughter for the transfer of money illustrates the great deal of control men had over women.
A Reflection of Psychology in Tartuffe In Moliere’s play, Tartuffe, the audience is exposed to a rich variety of characters that cause the readers to ask many questions. However, there is one character that seems to stick out the most. In Tartuffe, the audience cannot help but focus on Orgon’s actions and dialogue. For some, he could be seen as being manipulative.
Comedy plays an important role in the majority of Molière’s writing. It sets the tone for the play, entertains the audience and most importantly helps the playwright to achieve their theatrical objectives. In Le Tartuffe the nature of the comedy used is satirical. This essay will examine why Molière was inclined to use this style of comedy and how the comedic techniques accentuate the main theme of the play. Molière was one of France’s most successful playwrights of the 17th Century.
The origins of theatre are not known for certain because there are a collection of ideas and theories behind the origins, but one thing that we can be certain about is that ancient theatre in comparison to modern day theatre has changed and there must be reasons for these changes. I for one think that these elements range from large scale events to subtly changes in society and how we interpret ideas in general. Although the change in theatre is clear, in my opinion they were dependant on factors including Gender and equality, Theatre styles, Practitioners and Technology, but others may disagree that these were primary factors. In order to give a clear view on how theatre has changed I will be focusing on two relatively recent century’s in
INTRODUCTION “…the eyes widen to a stare and begin to feast” - Samuel Beckett, Words and Music The disconnected Word, the pervasive Name of the Father, and the motionless Law all become manifest in the patriarchal gaze that, in the very terms that Foucault conjectures in his book Discipline and Punish: The Birth of the Prison, serves to reinforce absolute surveillance and discipline. According to Sigmund Freud, specular gaze is anal and obsessive, and conceals a sadistic will to power. This obsessive love for looking, which he calls Scopophilia, is essentially an active foray into the vicissitudes of erotic impulses. The subject of this study, Samuel Beckett has been accused by many feminist critics of reinforcing gender hierarchies by