Technology is consuming the world of life and it’s only getting worse. Despite its harshness, this is the truth that Ray Bradbury, author of the novel Fahrenheit 451, believes humanity must be alerted of. Although written long before now, his ‘exaggerated’ prediction of modern society in the novel is not far off. People, to this day, use technology to the point where it becomes as dangerous as a whirlpool, constantly wanting more. Characters Montag, Mildred, and Clarisee all experience the effects of technology but in different ways. Mildred’s dependence causes her to lose the value of her relationship with Montag and develop an addiction, while Clarisse’s independence leads her to develop a personality of her own. These characters put to …show more content…
Mildred develops an obsession with a show on their TV, causing her to neglect Montag, which only deepens this rift made between them. The couple occasionally talks, but Montag can’t help but feel that when Mildred speaks, “it [is] only words” (Bradbury 39). The words have no real significance, and can’t hold a meaningful conversation. They’re just being stated as a way to merely ward off Montag and allow herself to return back to the show. However, this show that she so passionately follows, has no real storyline or plot. It interacts with its viewers by asking meaningless and repetitive questions to keep them engaged. When she overdoses, Montag is lost with worry but Mildred is ignorant and believes he, “should consider [her] sometimes” (18). Montag cares much for Mildred in ways that she can’t even recognize, because most of the ‘human’ interactions she has are with those on the screen. Her inability to analyze emotions is due solely to the fact that the TV characters neither have nor display them. This births the decline in their doomed relationship. Clarifying a bit more of Mildred's nature, in his article, Brandon further explores the idea of addiction. He …show more content…
It’s yet another thing Bradbury wants us to be wary of, being too heavily reliant on technology to fulfill all of one’s needs, including happiness. He exemplifies this through Mildred and her deep attachment to her show and the TV. In only a short amount of time after her near death experience the previous night, Mildred enthusiastically returns to her beloved show, even though it could have been the cause for her carelessness on overdosing. The parlor in the couple’s home consists already of three walls covered completely in screens, but Mildred insists on installing a fourth to make her experience more enjoyable. Despite the cost being as much as a third of Montag’s yearly pay, Mildred disregards it and even suggests that they, “do without a few things” (Bradbury 18). The problem is that when they got the third wall installed, they also got rid of some of their things. The desperation for another screen is clear through the fact that she is even willing to give away a large quantity of her personal belongings just to pay for an unnecessary item. The extent that she is ready to go is concerning and it can be seen that she relies way too much on the show to be her support system. The same can be said about the citizens of Wall-E; however, technology is quite literally their support system. After leaving Earth and losing many of the things that made them human, over time they developed to no longer be able to
Mildred’s lifestyle is everything but perfect. She is enjoying her pointless entertainment at the loss of her healthy relationships. She has a hard time remembering what she wants to tell Montag too. After Clarisse had not been around, Montag questions where she has been. Mildred surprisingly responds "I meant to tell you, I forget.
Montag questions his love for Mildred, and hers in return. He realizes that if Mildred were to die, he would not even be sad. All she seems to care about is her ‘family.’ When they try to remember when, where, and how they met [and realize they can’t remember], Montag starts to realize that he is in a loveless marriage.
In the text Montag noticed, “She had both ears plugged with electronic bees that were humming the hour away,” (Bradbury 16). This reflects on Mildred and Montags relationship because instead of talking to each other Mildred always has her ear buds in. She sits there neglecting her surroundings which shows Montag that she could care less about everything that's going on around her. As Montag starts to realize what the world really is, Mildred says, “Funny, how funny, not to remember where or when you met your husband or wife” (Bradbury 40). While Montag is frustrated with trying to figure out when they met Mildred casually laughs about it.
She never thought about anything and was comfortable with the uneventful life that she led. Mildred Montag is an example of people in this society not talking about anything. When Mildred has her “friends” (Mrs. Phelps and Mrs. Bowles) over, they talk about nothing that has substance to it. Montag describes them of being “blabbering tree apes.” Although Mildred and Guy had been married for 10 years, it was easy to tell that Mildred never truly cared about Montag; they might even be considered strangers due to the lack of communication between the two.
This contributes to the overall dystopian theme of this society because it displays how people have normalized this addiction to their electronic devices. Furthermore, Bradbury includes another example of Mildred’s dependency on technology when her friends come over to her home. The women were all peacefully watching a show playing on the parlor room walls, but
The screens and seashells in their ears are rotting their brains and making them so they don’t have any feelings or desires in life. In addition, when Montag asks where he and Mildred met she replies, “I don’t know” which shows she is so persuaded by watching the screens that she can’t remember a big moment in her life (Bradbury 40). The government is using all of this equipment that they have access to and using it on people just so there are no ideas in the world. The consequences and effects of technology are truly shown through Mildred and her friends’
She interacts with them as if they are actually there. Mildred confides in her technological family more than she does her actual, human husband. For instance, Mildred has been married to Montag for many years, yet she is still unable to have deep conversations with him, which is evident in her short, blunt responses. Through her consistent use of technology, Mildred becomes more and more disconnected from reality and, as a result, isolates herself from Montag. The effects of overusing technology are also
Montag never talks to Mildred about what’s going on in his life but after Mildred snapped at Montag and he revealed his secret about hiding the books, she went a little crazy. She wanted to make sure it was kept a secret and demanded that Montag get rid of them, but he didn’t. Throughout the novel she went from crazy to even more crazy, being demanding and not knowing how to handle situations she’s put in because the way that society conditioned her to be. She is short tempered, easily manipulated, impatient, and seems to lack any sympathy or empathy for anyone. At the beginning of the novel she attempted suicide.
The only thing she cares about is technology and how it serves to entertain her and keep her happy. Mildred’s interest in human interaction begins to
In this scene, Mildred, Montag's wife, cared more about the screen in front of her, than her husband. Mildred is a prime example of being brainwashed, and it’s not just in this instance. She is shown again displaying unusual behavior during another conversation with her husband. In this scene, Montag asks Mildred to tell him where they met, and her response was this, “Funny, how funny, not to remember where or when you met your husband or wife.” (pg 40).
Montag is analyzing his marriage “Funny, how funny not to remember where or when you met your husband”(Bradbury 40). It is very strange that Mildred does not even know any details from when they first met. Their marriage has really fallen apart and is now nothing. Montag thought “If she died, he was certain he wouldn’t cry.” (Bradbury 41).
Lilly Gomez Mrs. Nguyen English 3 IB 1 June 2023 Word Count: 1617 How does Ray Bradbury use the character’s relationships to technology in Fahrenheit 451 to create irony in their futuristic yet seemingly miserable society? While it can be said that the development of technology in society connects people more than ever, indeed the use of technology has made society more lonely than ever. In Fahrenheit 451, written in 1953, the author expresses the strong connection Guy Montag’s society has to technology and although it is painted as a very futuristic utopia at first glance, as soon as the reader takes a closer look at their society it can be seen how miserable and how destitute their society is of social interaction. Ray Bradbury’s use of
A Potential Future Technology is consuming the world of life, and it’s only getting worse. Despite its harshness, this is the truth that Ray Bradbury, author of the novel Fahrenheit 451, believes humanity must be alerted of. Although written long before now, his ‘exaggerated’ prediction of modern society in the novel is not far off. People, to this day, use technology to the point where it becomes as dangerous as a whirlpool, constantly wanting more. Characters Montag, Mildred, and Clarisse all experience the effects of technology, but in different ways.
Audiences learn that the importance of family/spouses in this society isn’t very much. And Montag realizes the emptiness he has in his life-the gap that is meant to be filled with family. ANd although Mildred might not want a promoted relationship, Montag does and realizes the difference it could make. He also feels slightly neglected by Mildred when she is always caring about her TV “family” than life and just wants someone to love him. “Laughter blew across the moon-colored lawn from the house of Clarisse and her father
What were they going to do? Well, said Mildred, wait around and see” (42). What followed was a display of colors and sounds, and the people were back to shallow words again. The TV that everyone spends their lives watching does not have a plot, purpose, moral or point. It is nothing more than unconnected sentences, bright colors and loud noise.