He used many different satirical devices, such as parody, incongruity and exaggeration. Arthur Miller used all those satirical devices very good. In The Crucible, Miller uses exaggeration a lot and very heavily. This quote is a strong one that explains how worried everybody was, “This is a clear attack upon the court!” You can tell he uses exaggeration a lot from just reading the play and seeing how much they exaggerate how bad it actually was. This quote helps explain how they assume everything is associated with the devil and everything is an attack against the court.
In the short story, “The Cask of Amontillado”, Montresor had lured in Fortunato, and now taunts him, laughing at his unawareness of Montresor’s desire to kill him. In the short story, Montresor toasts to Fortunato, stating, “And I to your long life” (Line 41). When Montresor says this, he wishes for Fortunato’s longevity, even though Montresor himself plans to kill Fortunato later. Through this interaction, the reader understands that Montresor is the villain and is horrified by his desire to kill and his lack of conscience. Poe also uses irony in the short story, “The Tell-Tale Heart”, where the narrator tries to convince the readers of his sanity, while his actions in the story says otherwise.
This makes Dorian paranoid and he fears that the painting will be discovered and his appearance will be forever tarnished to the world. Dorian eventually sees that “his beauty to him had been but a mask, his youth but a mockery,” (Wilde, 223) and the full weight of his sins begin to become apparent. Dorian however caught up in his vanity, refuses to confess any of his sins. Even after committing the most heinous of acts in murder, Dorian resorts to opium addiction to cure his sole. He wishes to erase the act from his memory rather
This is shown through numerous biblical allusions in the text. The opening paragraph begins with a monologue, “I knew enough about hell to stop me from stealing. I was holy in almost every bone.” Soto acknowledges the moral impurity and “sin” that comes from stealing, and yet due to him not being entirely holy, he cannot be voided from making mistakes and being a sinner. Multiple times throughout, Soto mentions a “howling” heard underneath his house in the plumbing. Each time, he describes an angelic figure, or even God himself, to be the source of the noise.
In the novel, “The Kite Runner,” by Khaled Hosseini, the imbalance in Hassan and Amir's relationship is obvious throughout the content. Amir regularly utilized his knowledge as a way to criticize Hassan. Hassan's insight is self-evident, however, his absence of schooling implied that he was ignorant and incapable to gain the delight of perusing, instead, he needed to depend on Amir as the reader. As the writer states that Amir’s malevolence gets to be obvious through his part where he states that his favorite part of reading to Hassan was when he didn’t know the meaning of the big words. “I’d tease him, expose his ignorance.
His book is a well thought out plot that indirectly recognizes our many problems. Three of such problems that are addressed in the book are that we are religious fundamentalists, we fear the unknown, and the fact that all humans have slight cases of megalomania.
The tone of both of these pieces is quite impressive. The scare factor from “Sinners in the Hands of an Angry God” is achieved to perfection, it was almost scary to read I can’t imagine listening to a Preacher scream that at a congregation of people. The governmental dryness to most constitutions has been spiced up with
After watching Myrtle get hit by a car, Wilson spirals into a depression fueled by madness, and although he eventually killed Gatsby out of revenge, George Wilson remains on of the more moral characters in Fitzgerald’s work. Wilson lived his life as a man of God, holding onto his values above all else, and when those morals failed him, he lost all sense of who he was. Those who hold a high standard of morals, such as George Wilson, often have more to lose, and as a result don’t handle tragedy well. Moral individuals in the lower classes have less to fall back on, and therefore more to lose. This can often lead to them not handling tragedy well, because they feel as though their morals have failed them.
Montresor is the story 's protagonist, as well as its narrator, meaning that the story is told in the first person point of view. Because of this, the audience has no idea what is true or what Fortunato is thinking; only the information Montresor remembers and chooses to disclose. Clearly, Montresor is unbalanced, and has a complete lack of remorse for his actions. The audience witnesses this most notably toward the end of the story, when Montresor describes “A succession of loud and shrill screams... I replied to the yells of him who clamored.
The portrait was young and juvenile, while Dorian was soon to grow old and immoral. Thus causing a mental epiphany that made Dorian realize he could not have his fellow peers discover he is not innocent. “” At least you are like it in appearance. But it will never alter,” sighed Hallward. “that is something.”” (Wilde 33) The reader begins to perceive that Dorian is both intrigued and disgusted by the never changing portrait of his innocence.