Not only is Young Goodman Brown betraying his own loved ones and beliefs but the ones he cares for are disregarding him right back. This plot is quite frankly like a train of dominos; one does bad, the same receives bad. Each example of betrayal helps move along and set up yet another example. Hawthorne gives his readers a harsh reality of betrayal in all types of relationships and the penalties that come with it. The message behind this story may be hard to discover but it needs to be widely
Brother not following these rules the doctor gave, ultimately killed Doodle. “The doctor said that the strain would kill him.” (Pg.345) That is a blatant red flag for guilty. This was another implied rule that doctor had. Massive amounts of strain can lead to heart failure/rupture. That is how Doodle died.
He goes as far as to change his name and pose as a friendly doctor. He uses this to get close to Dimmesdale and now he cannot think of anything else. He neglects his wife and doesnt even care for her. He just wants the man to be shamed as well. He mentally tortures the Reverend and all with glee.
He’ll only know someone is hurting him because Daddy was bad. He’ll be very frightened.”(Quitters 218) Morrison is so close to tears after hearing that and calls Donatti a “... filthy bastard.”(Quitters 218) This validates the thought of his wife and son suffering from his mistakes causes enough pain for him to avoid smoking. Further, When Morrison considers the
T tries to recreate his feelings by creating something else, “destruction after all is a form of creation”( Greene 55). While Trevor didn’t mean anything “personal”(Greene 60) that doesn't mean it’s ok to go to extremes by demolishing a house to feel better about what he lost. When T, a teenage boy, talks about his plan to tear down the house, and throws a fit when it is almost ruined it indicates a level of mental instability. The way Greene tells the story, Trevor's sanity was stolen from him, and he wants everything back but reacts to it in an insane/unjustified way. Trevor's insanity makes him feel like he has to make someone feel horrible about what had happened to them to make himself feel better.
Troy states that his father was greedy and would put his own personal needs above the needs of the family. This, in turn, caused Troy 's mother to abandon him, leaving him without love from a parent or anyone to show him the correct way to treat females, a sin that affects his relationship with Rose as an adult. His father 's treatment of Troy made Troy believe there was more to his suffering than what was humanly possible "The gal jumped and run off...and when my daddy turned to face me, I could see why the devil had never come to get him...cause he was the devil himself"(Wilson 52).This metaphor used by Troy, adds a certain weight to the gravity of his situation as a teen. His father wasn 't just cruel but was the devil, a symbol of pure hate and all evil. The way Troy 's father treated him would cause Troy to run away at a young age and would be forced to steal and rob.
Douglass uses flashbacks , deep characterization, and appeals to the emotions to address the negative effects of slavery. Douglass recounts his own life events to show the difficulties faced when a master plays the role of a father. He explains that the vile desires of the owner will destroy the lives of his children, “The master is forced to sell his mulatto children or constantly whip them out of deference to the feelings of his white wife“ (Douglass 17). This situation destroys the
Prompted by his frustration due to the discrepancy between his unrealistically ambitious expectations and his reality, we watch as his mental health takes a turn for the worse, and his story eventually ends in suicide. Biff, a consequence of Willy, attempts to bring Willy out of his fantasies and his see the realities of his life, but in the end fails to. The two are different in their ideas, demeanors and personas, yet have some akin characteristics. Willy and Biff’s physical traits are different. At what point, Willy tells his wife Linda, “I’m fat.
Jenny Fields feels the shame of being labeled as a sexual suspect, and replaces her shame with the pride of conceiving Garp by unconventional means. Garp reasserts his pride, and replaces his shame from Bonkers biting him, and covering his ear by biting Bonkers back. The two men who cover up their shame from sexually assaulting Ellen James resort to violence and cut off her tongue to reassert their pride. Kenny Truckenmiller Gains his pride back by murdering Jenny Fields who led the women’s movement, and who he blamed for his wife’s self education to hide his shame of his realization of his abuse to his family. Ellen James and Garp shame the Ellen Jamesians who Pooh Percy as an Ellen Jamesian reconnects with her pride by murdering Garp.
This demonstrates that family ties, even if not blood related, have serious impacts on Hamlet’s life which causes misery to overwhelm his life; this misery prohibits his success. During Ophelia’s funeral, the drama between Hamlet and Laertes magnifies which causes more hate between their families. Laertes provokes Hamlet into fighting him by Ophelia’s grave, with their families there to witness, by saying “[t]he devil take thy soul” (V, i, 243). Following this mishap, Laertes is informed by Claudius of a strategy to end Hamlet’s life in the near future. This immoral conflict being conducted in a place that already is commemorating death displays that they are inclined to cause more people to die.
"Death of a Salesman" can be seen as a Psychoanalytic play due to the fact that Willy confronts such a large number of issues that harm his life. His repression eventually prompts the loss of appreciation from his most loved son, Biff. His repression likewise influences his child Happy. Overall, Willy severity destroys the relationships he had with his children. Since Willy continuous attempts of trying to achieve the American Dream plays as a catalyst for his own self destruction which makes him kill himself.
To this scene, Elizabeth Griffith offers her view of the situation by saying: “Here our detestation and abhorrence … serves to heighten our reinforcement of the injury.”2 Indeed, the reader is pulled into this realm, like Titus, of wanting more blood, more hewn body parts to be added to the protagonist’s belt. It is interesting that, while he was so determined when killing his earlier son and causing the death the beloved son of a vulnerable and helpless, he is so desperate to save his sons from possible death. The answer is obvious: his sons are not dying by his command. Thus, it exposes the hidden desires of control and power within Titus’s heart despite his apparent submission to the tradition of the emperor in Act I. In truth, Titus’s sadistic and controlling attitude is deeply rooted in his unconscious, much more deeply that his supposed persona of
Domestic violence is indisputably a major problem in our world today, and is one that many people and animals are victims of. In the story “The Black Cat” by Edgar Allan Poe, the main character goes from being a lovely, animal-loving person to a horrible degenerate who abuses animals and people. His victims include his wife and his pets. He does this as an effect of his great addiction to alcohol, and this alters his mind in a terrible way. Ultimately, this shows that anyone develop the capacity to become violent.