One of my relatively favored films that I watch continuously every Halloween season is the
1980 horror film The Shining. This movie consists of drama, horror, mystery and suspense, produced
and directed by the legendary Stanley Kubrick himself and novelist Stephen Edwin King. The Shining
focused on the broad strokes of the original Stephen King story, while the visuals, atmosphere, tone,
and sheer terror of the moments Stanley Kubrick caught on film were more than enough to scare most
people to the bone. That's the lasting impression that was left. The twins, the hotel itself and the way it
was shot, the isolation, the eerie transformation of Jack, the room 237, the blood pouring out of the
elevator and flooding the hall, Jack wanting to sabotage his wife and son
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With wife Wendy (Shelley Duvall) and psychic
son Danny (Danny Lloyd) in town, frustrated writer Jack Torrance (Jack Nicholson) takes a job as the
winter caretaker at the opulently ominous, mountain-locked Overlook Hotel so that he can write in
peace. Before the Overlook is vacated for the Torrances, the manager (Barry Nelson) encounters with
Jack to inform him that a previous caretaker went crazy and slaughtered his family during the winter of
1970. Jack thinks it's no problem, but Danny's "shining" hints otherwise. Settling into their routine,
Danny cruises through the empty corridors on his Big Wheel and plays in the topiary maze with
Wendy, while Jack sets up shop in a cavernous lounge with strict orders not to be disturbed. Danny's
alter ego, "Tony," however, starts warning of murder as Danny is plagued by more blood-soaked
visions of the past, and a blocked Jack starts visiting the hotel bar for a few visions of his own.
Frightened by her husband's amoral behavior and Danny's visit to the forbidding Room 237,
In the introduction to Kendall Phillips’ book, “Projected Fears,” he discusses “horror films that made such an impression on American culture that they became instantly recognizable and, indeed, redefined the notion of what a horror film is.” (Phillips 3). This list of movies includes many favorites, such as Halloween, Texas Chainsaw Massacre, and Scream. Phillips later states his thesis, “...my argument in this book is that these [movies] are the most ‘successful’ and ‘influential’ in American history and that their level of success and influence can be correlated to broader cultural anxieties into which they somehow tapped” (Phillips 3).
June is getting really scared at night and hates it. “In paragraph 41, for up example , the character gets scared at night.” June thinks that the other June is coming up her stairs into her room. She gets scared at night because of it. This means that June is getting more and more scared of the mean June.
Danny Each abhor their true identity and constantly struggle to become something
Danny’s his quest for knowledge has ended, with the aid of his father. His father finally understands why Danny wants to be a psychologist. They both learned that a father-son relationship is a very
Clearly, Danny is hurt by this silence and searches for a reason for the silence. Also, he wants to renounce his spot it his family’s Rabbinical dynasty, and is thus highly concerned in his brother’s shaky health. When these subjects are brought up, the book takes on a tone of either depression or panic. Danny appears as though he is searching inside himself for answers concerning his father’s silence and his brother’s sickness.
The checkered past and symbolism of the Overlook Hotel in Stephen King’s novel ,The Shining, reflects the characters’ pasts and influences their actions in order to show the building as more of an antagonist (of sorts) than a setting. One example of support for the claim is when Jack Torrence is having a dream after discovering the blood and bits in the Presidential suite from a gang fight years prior, where he believes that he is killing an intruder of the hotel with a mallet, but as he threw the mallet down, “the face below him was not of the intruder but of Danny’s. It was the face of his son. Then the mallet crashed home, closing his eyes forever. Suddenly Jack awoke standing over Danny’s bed, his fists clenched tightly.”
They experience different circumstances and struggles, but when all else is stripped away, each character remains committed to a worthy cause. Danny Saunders demonstrates dedication and devotion to a personal goal. His ambition to read Sigmund Freud's writings becomes so strong that his initial failure discourages him greatly. During this period, the book describes Danny as "angry and disgusted, his face a picture of bewildered frustration" (169). However, despite his shortcomings, Danny perseveres and finally breaks through.
In all three texts, the parent’s lives have been drowned in alcohol because it is a way for them to cope with their own issues in life. However, their child is deeply affected by this because of the toxic relationship that they and their parent shares. When the child is older, they struggle with their dark memories but eventually finds understanding and a sort of forgiveness to their past. In The Shining, Jack is aided by alcohol to control himself as he believes because at times there is a urning to lash out and hurt his family. His way of helping himself only results in him physically hurting his three-year-old son Danny, by breaking his arm.
Wendy, in particular, is a strong and sympathetic character, constantly trying to protect her son from the dangers of the hotel. " Danny's alive," she tells Jack. " And if there's a chance to keep him that way, we're going to do it" (King, 359). Her determination in the face of isolation makes her a standout character in the
Jack is characterized as an aspiring writer and recovering alcoholic with anger issues troubled by past binges that, prior to the story, had caused him to accidentally break Danny's arm and lose his position as a teacher. Jack hopes that the hotel's seclusion will help him reconnect with his family and give him the motivation needed to work on a play. Danny, unknown to his parents, possesses telepathic abilities referred to as "the shining" that enable him to read minds and experience premonitions. Dick Hallorann, the chef at the Overlook, also possesses similar abilities to Danny's and helps to explain them to him, giving Hallorann and Danny a special
A correctly designed horror film would make any group of people scream in fright simultaneously. A horror film can heighten the terror by blending in “true life events”. The month the film is viewed in also sets a mood(October is better than December). Fink, Leslie. “Horror Movies: Why People Love Them.”
The movie depiction is able to elicit fear through cinematic techniques, and the novel uses fear in a different way than the movie which is more effective in frightening the reader. Haunting of Hill House is considered a cinematic classic. Using mise-en-scene the director can elicit fear. Hill House is full of statues and mirrors,
Yet, in the beginning of the novel, he quit drinking and seems to take control over his life. He seems to have the will to better himself and take care of his family. He sees his job on the Overlook, as a way of reconciliating with his family and to pursue his dream job, writing a play. Although it started of as a good idea, the Overlook eventually takes over Jack. On a more realistic kind of horror, Jack is a human that is struggling with himself.
The most critical part of a horror movie, is the suspense. The Shining did a satisfying job when it came to each scene, having its own little twist. These little twists added up in the end to make the film as striking as possible. With these little twists in mind it brings an example out from the movie. This is shown by the scene in which, the little boy named Danny is in his bathroom talking to his invisible friend Tony, in which lives in Danny’s mouth.
This already shows the audience that she is more capable of being strong and independent without her husband dominating her. What gives the concept that the hotel they are staying at is isolated is the high string intense music that plays throughout selected scenes in the film like when Wendy is trying to run away from Jack while he tries to find and kill her, there is nobody around and she is alone to defend herself, there is high intense string music playing. In the scene where Jack’s unpredictability shows is when he yells at her, seeming to blame her for something that is entirely black and white, his fault. He says “do you have the SLIGHTEST IDEA, what a MORAL AND ETHICAL PRINCIPLE IS, DO YOU? Has it ever occurred to you what would happen to my future, if I were to fail to live up to my responsibilities?