Albert Camus is a writer who has taken up with more decision and clarity, than any other writer that I have read till now, the intellectual and moral implications, as well as the human poignancy, of the absurdities of life (despair, rigid to accepting general solutions, evil inside every human). I loved the simplicity in which he dealt with an otherwise much complicated subject. The book has a voice which anyone can connect to some way or the other but somehow if it does not it will at-least resonate like a siren in your head. I connected to the voice; the voice of the anti hero’s assessment of the world, the meaningless life, the absurdities of a human being and the coldness towards the society ‘laws/solutions’. “Mother died today. Or maybe yesterday; I can't be sure.” …show more content…
He doesn't drop a tear during the funeral, denies to see his mother’s face for the last time, and the day after the funeral, he goes swimming, starts an affair, and then walks leisurely with the woman to the theatre to watch a comedy. A week later, he shoots an Arab to death by pulling the trigger; no, precisely the way Meursault says “the trigger gave way” 5 times. Why?? Answer: "Because of the sun." He is then found guilty of everything in his life: his personality, his habits, his tolerance, his indifference, his daily life, as well as his
2. Summary: Meursault, a shipping clerk living in Algiers, receives news of his mother's death. After hearing about the death of his mother, he travels to the nursing home that that he put her in after no longer being able to financially provide for the both of them. Unlike the traditional response to death by grieving for the deceased, Meursault continues on with his daily tasks as if his mother had never died. During a trip with Raymond and Marie, Meursault shoots the Arab, the brother of the mistress that cheated on Raymond, and is imprisoned.
As Meursault perceives life contains no meaning, he is a hollow man who can not see the reality of life. He is much ignorant and lives in the present. “whole landscape shimmer with heat, it was inhumane and oppressive”(Camus 15).The sun represents the intimidating power of the natural worlds over human action. The sun is not repeated once, but many times during the funeral, which distracts Meursault’s attention and prevails the emotions, Meursault is unable to deal with himself. The sun is also the driving force, which makes Meursault murder the Arab man at the beach.
Reflection Holden Caulfield, the main character in J.D Salinger’s book The Catcher in the Rye, goes through many tough challenges in life trying to figure who he is. He constantly pretends to act old than he is, but inside, he is scared of growing up. He is also scared of those around him growing up losing their innocence. To symbolize Holden Caulfield and his fear of adulthood, I drew Peter Pan, a Walt Disney character known his choice of never growing up and staying young forever.
Camus outlines this argument in The Stranger through the nihilistic anti-hero Meursault. Throughout the novel, Meursault exhibits very little emotion, which only filters into the protagonist’s stream of consciousness when he expresses physical discomfort or social frustration. The detachment from the world around him makes him a case study for one’s personal quest to find his/her own purpose. Camus’s secular approach deviated from contemporary understanding and challenged the existentialist and religious ideologies that preceded
If the goal of an author is to establish a relationship between reader and character in order to enhance a reader’s knowledge of a certain topic, then, creating sympathetic characters with whom readers connect is not only vital but also mandatory. Authors use various devices in order to create compassionate characters. A sympathetic character is employed to compel the reader to acknowledge the situational and emotional hardships and enhances the reader’s compassion. In addition to sympathy, readers often feel empathetic towards characters, which means that they not only acknowledge the characters struggle, but also have a personal understanding of the character’s struggle. These characters evince an emotional response from the reader.
Similarly, it is the reflection of the world we are living in today. The novel examines the distress, and behaviours of our society in the past, present, and possibly an unpredictable future due to our current actions. Before the story begins, their society was originated after a cold nuclear war where it wiped out most of the human population. “ the
H.G. Wells’s The War of the Worlds was undeniably the first of its kind, but after more than a century of science fiction authors drawing “inspiration” from his style, readers are left with a mere “alien story.” When aberrance is burglarized by contemporary writers, all that remains are flaws, which evince in a disappointing lucidity. Wells’s conceptions are now such a commonality that they are deprecated, and his pitfalls are exploited. Structure and audience are the primary defects of the book.
I chose to write my Cultural Reflection assignment on The Immortal Life of Henrietta Lacks. This book is about a young African-American woman, Henrietta Lacks, whose cancer cells played an important role in medical research since they were collected in 1951. When Henrietta was in her early thirties, she felt a lump on her cervix and decided to go to the doctor when she started experiencing unexplained vaginal bleeding. This doctor tested the lump for syphilis, but the test came back negative. He instructed her to go to the gynecology clinic at John Hopkins, which was the only hospital within miles of her home that treated “colored” patients.
He disagrees with the society’s way of living and is arrested for it, but he takes a step forward to change it. The author takes on different varieties of tone throughout the story such as gloominess, despair, and joy, which clarify the idea that he disagrees with this society’s
Albert Camus, though denying the tag of existentialism, was and still is a great name amongst French existentialist authors who helped sculpt and define the movement in literature. His works deals extensively with the philosophy of existentialism and existential questions, often resulting in the only answer provided by him, and that is of absurdism. His characters, settings, and situations are dipped in a “tender indifference”, as quoted by him in his magnum opus L’Étranger or The Outsider as translated in English, which was published in 1942. Camus presents his characters amidst different stages of life, whether they are dealing with a moral fall, an epidemic, or a death sentence, and shows the reaction of these protagonist embracing the meaninglessness of life, whilst continually trying to reach an end and also being unfazed by that end at the same time.
Meursault notices that during the trial, “there was a lot said about [him], maybe more about [him] than about [his] crime” (98). By having Meursault 's personality be the focal point of the courtroom 's dialogue, Camus implies that Meursault 's persona plays a crucial role in his trial. Instead of focusing on the murder of the Arab, the prosecutor repeatedly mentions Meursault 's "dubious liaison"(94), his "insensitivity" (99) during Maman’s funeral, and his friendship with Raymond, who is a man "of doubtful morality" (99). Through the emphasis on Meursault 's -according to society- 'immoral ' ways, the prosecutor eliminates any sort of sympathy the jury has for Meursault. Following Marie 's testimony, the prosecutor once again exhibits his confidence that bias against Meursault will stem from hearing about his behaviour.
(59) After long passages describing the painful violence of the sun, Camus’s transition into the murder is shockingly abrupt, provoking a sense of bewilderment at the unexpected randomness of the murder, conveying effectively the irrationality of Meursault’s murder of the man. However, during the trial, when Meursault reveals that he murdered the Arab only because of the sun, refusing to allow others impose their logical but false interpretations upon his life, “people laughed” (103) and even his own “lawyer threw up his hand” (103) as they are unable comprehend and accept such an irrational motivation. To protect themselves from this harsh reality of the universe, they can only fabricate and impose their own logical explanation for Meursault’s behavior. The prosecutor, for instance, is convinced Meursault murdered the man in cold blood, certain in the narrative he has constructed out of events completely unrelated to the murder, from Meursault’s “ignorance when asked Maman’s age” (99) to his association with a man of “doubtful morality” (99). In both cases, Meursault’s indifference for societal standards of morality has painted him as a man immoral and cold-hearted enough to premeditate the murder.
Apathetic Demeanors Many people in today’s society view psychopaths and sociopaths as ruthless serial killers who are menaces to the peace of society. Albert Camus’s novella, The Stranger, provides another look at a psychopathic and sociopathic characteristics in a person. Meursault, the protagonist in Camus’s novella, exhibits psychopathic and sociopathic tendencies; although Meursault displays both, he is more closely aligned with a sociopath which eventually leads to his execution. Meursault’s psychopathic outbursts and feelings cause him to take radical action against an innocent man and expose feelings about his mother which eventually leads to Meursault’s trial.
The philosophy that is central to the novel, Absurdism, has elements that are derived from conclusions made on Camus’s own sociopolitical environment and the course of his own life. The political tension and overall chaos of the world in the early 1900s included not one, but two world wars, global economic depression, and the peak of European imperialism and violence. In moments in history in which people felt overwhelmingly helpless to the whims of a chaotic world, some choose to turn to assigning meaning through religion or metaphysical philosophies and analyses that help people explain their situation and thus control it. Camus, like the others that lived during this time, chose to accept the evident pointlessness to the world. Camus projects his own philosophy onto Meursault, and declares, “I opened myself to the gentle indifference of the world” (Camus and Ward 122), approaching life as how Absurdism facilitates.
In his novel The Stranger, Albert Camus creates an emotionally incapable, narcissistic, and, at times, sociopathic character named Meursault to explore and expose his philosophies of Existentialism and Absurdism. Throughout the story Meursault follows a philosophical arc that, while somewhat extreme - from unemotional and passive to detached and reckless to self-reflective - both criticizes the dependent nature of human existence and shows the journey through the absurd that is our world. In the onset of The Stranger, following his mother’s death, Meursault acts with close to utter indifference and detachment. While the rest of “maman’s”(9) loved ones express their overwhelming grief, Meursault remains unphased and, at times, annoyed at their