Dela Cueva, Anthony A. HUM103
MET-2101 Oct. 18, 2016
Philosophy Paper (Film showing of “Les Miserables”)
A. Introduction – The movie production of musicals often have numerous opportunities to go wrong and risk losing the emotional a stage performance bring. Les miserables is not the one of those movie. Stage musical are more than just a showcase of talented singers/actors. A musical is an intense emotional journey that is strengthened by the addition of music. A character only sings when the emotions become too intense for words to explain. This is the center of les miserables and what the movie adaption of this musical excels.
B. Objective – discuss and analyze the philosophy of the main characters
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Anne hathaway’s portrayal of the broken and degraded fantine is nothing short of tear jerking. Director tom hooper’s risky decision to let the actors sing live rather than pre-recording a soundtrack pays off in Hathaway’s rendition of dreamed a dream. In fantine moment of complete despair, having been forced to sell her teeth, body, and hair to pay for her child’s care, Hathaway chooses not to belt and impress the audience with her vocal. Instead she pulls them in with her tearful and crushing solo, showcasing the pain and desperation Fantine feels rather than Hathaway’s own voice.
But Hathaway doesn’t have all of the emotion-filled moments. Samantha Bark’s (Eponine) song of longing and pining, On My Own, resonates almost as strongly as Hathaway’s performance. Eddie Redmayne’s (Marius) Empty Chairs at Empty Tables allows the audience share his pain as each of his tendons strain with grief and his chin quivers with despair.
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Even with these emotionally jarring moments, not every actor rose to the bar set by their cast mates. Hugh Jackman is an earnest and believable Jean Valjean, but he doesn’t quite encompass the raw and tragic emotion that even young Daniel Huttlestone (Gavroche) brings to the film. Russell Crowe, while an excellent actor in his own right, is not quite suited for the role of Inspector
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Thernardier orders cosette to go to the forest to fetch a bucket of water. Cosette is terrified of going into the forest at night and tries to delay, but mme. Thernardier screams at her to hurry. The forest is dark, cold, and terrifying, and when cosette fills the bucket, she can barely carry it. She cries out to god. Out of nowhere, a large hand reaches down and lifts the bucket from her shoulders. Though cosette does not know her rescuer, she is remarkable not afraid of the large man holding the bucket.
The man, who is valjean is surprised to learn that this girl is cosette. He follows her back to the thernardiers inn where he intends to spend the night. Valjean, is shocked to see how cosette is treated at the inn, and he throws money around to persuade the thernardiers to let her enjoy Christmas eve. The thernardiers realize that their guest is weaththy and begin to treat him better. They are particularly astonished when he steps out into the street and returns with an expensive doll as gift for
When Huck steps away from his cocoon on the raft, he witnesses the Duke and the Dauphin's attempt to sell Jim, Huck’s loyal runawayformer-slave friend, back into slavery. Huck is confused by the men’s desire to sell Jim, but eventually concludes that he “will go to hell” to defend his friend (223). Huck’s tenacity and unwillingness to let Jim, his loyal companion, remain in the socially acceptable slavery, as well as his willingness to sacrifice his spiritual well-being to save his friend, conveys the idea that Huck disapproves of slavery and its principles. Huck’s situation, which exposes him to the heartless nature of society, is caused by the conniving actions of the Dauphin. The Dauphin is a con-man, who to feed his drinking habit, sells Jim for forty dollars.
The two movies I will use in this analysis are “Girl Can’t Help It” and “Grease” they both are musical. “Girl Can’t Help It” is a romantic musical about down and out talent agent, washed up gangster, and a beauty. The washed up gangster has plans to marry the beauty but first he wants her to be famous because he doesn’t want to marry a nobody. So he hires the talent agent to make her a star. Due to here great looks he has no problem finding that to book her as talent but soon finds out that she lacks talent.
The Grandmother and her family encounter a runaway, The Misfit, who she immediately starts trying to sweet talk to try and save herself. The Grandmother says “I know you’re a good man… I know you must come from nice people,” trying to manipulate him to not kill her. The Grandmother stays true to her Southern lady class and never stoops down to The Misfits level. On the other hand, Brown falls into the trap of evil.
Introduction This essay examines the Cassavetes’s unique approach in his films he directed especially in Faces (1968) and Shadow (1959) in creating alternative forms of performative expression. Cassavetes’s approach focus on spontaneous, unstructured performance of characters, contradict to Stanislavski 's system that focus on emotion memory or actor’s past experience to bring out the expression on stage. In this essay, Cassavetes’s first film, Shadow, will be compared to his fourth film, Faces, to see development in Cassavetes’s approach in performance of character. Shadow is a film about interracial relations between African-American and white Americans in 1950’s New York, starring Ben Carruthers as Ben, Lelia Goldoni as Lelia and Hugh Hurd as Hugh, the only dark-skinned among three siblings.
They look at me, ready to hit me. I feel like I'm hitting them too. Through up and downs of life, one can see Rongione (Sandra’s husband) standing by Sandra’s side like a strong pillar – portraying the role of a realistically patient husband. ‘Two Days, One Night’ is a miracle - a virtuously compassionate drama. It is because of the honest delineation of the Dardennes and the emotionally sketched character of Marion Cotillard that ‘Two Days, One Nights’ ends up with such inescapable hard-hitting finale that counts as one of the most triumphant victory for the filmmakers.
Hamilton, the critically acclaimed musical, is a masterpiece that has captivated audiences around the world. But beyond its catchy tunes and breathtaking visual effects, it is also a masterful display of persuasive communication, utilizing ethos, pathos, and logos to great effect. In this essay, we will examine how Hamilton leverages these three appeals to effectively communicate its message. Whether viewed as a work of art or a persuasive communication tool, Hamilton is a remarkable success that has changed the cultural landscape of modern musicals.
I have always viewed movies as mood boosters. Whenever I watch a movie, I judge how good it is according to how well I understand the story. This is why I never truly understand how critics rate movies. However, upon reading John Berger’s “Ev’ry Time We Say Goodbye”, I start to understand how paying attention to the different components of a film helps in understanding the essence of a story. As Berger once said, “There is no film that does not partake of dream.
In conclusion, the modern-day motion picture La La Land has achieved success in a variety of ways like winning a variety of awards for its efforts, either from the cinematography and directing, to the acting and vintages ways of shooting the film. One can see how a modern-day musical can achieve such success with going back to basics and learning from the golden age of Hollywood to make such a wonderful
I Dreamed a Dream is a soliloquy piece, sung by Fantine during act one of Les Misérables (1980). Fantine has just been fired from her factory job after it is discovered that she has an illegitimate child and takes to selling herself on the streets to pay for medicine for her daughter. It is here that ‘I Dreamed a Dream,’ is sung as a way of progressing the story and providing a realisation by the character of her unfortunate situation in life with the song being composed as a way of expressing the feelings of Fantine as she wonders where her life went so wrong as to descend to her present predicament. Throughout the song an anguished, during and impoverished Fantine reminisces on happier days and descends back to the harsh reality that is her hopeless life. I Dreamed a Dream is set in common time (4/4) with a steady set tempo throughout the piece, de despite significant changes in dynamic, texture, modulation and emotion.
This essay will examine the historical accuracy of the film Les Miserables in terms of the social, economic and political conditions in French society post French Revolution. The film Les Miserables depicts an extremely interesting time in French history (from about 1815-1832.) Even though the story line does not depict every detail and event that occurred during the time period as well as the fact that some aspects are dramatized for entertainment purposes, the film effectively spans thirty years of economic, political and social aspects of French Society. However it also manages to bring in references to the past, the French Revolution (1789-1799) and the impact it had on the society portrayed in the film.
Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.
When we think of Old Hollywood musicals, what comes to mind? One of the best musical classics is the 1952 Singin’ in the Rain movie which showcase characters in a transitional environment. Now, La La Land brings us two main characters, Mia and Sebastian, on the verge of a drastic transition. Both characters go through a transformation that at the end brings them a bittersweet joy to their lives. We will examine the writer’s decisions for the dialogue used while taking note of specific leading scenes.
When one reads Les Miserables it may be assumed that Jean Valjean and Javert are opposites, but upon closer consideration, their similarities are more numerous than a first glance lets on. To begin, they are both men and will therefore both struggle with things of men, which gives immediate grounds for comparison. A ground for contrast is also present, for every man struggles with different matters. Jean Valjean and Javert are most similar in the way that both want to, and do, good - or at least what they envision as good. Jean Valjean aids the helpless, his enemies, his friends and gives to the poor.
“Godotmania” Samuel Beckett’s Waiting for Godot completely changed our perception of theatre as a whole, thanks in part to the unique and unusual path it took on the wide map of theater. It is perhaps those two words, unique and unusual, that best describe everything we associate with the drama, from its obscure plot and characters, all the way to the stories told of its curious production history. It is safe to assume that when Samuel Beckett’s Waiting for Godot was first released, nobody had expected that a nonsensical ‘adventures’ of two senile old men and their ludicrous inactivity would go on to have such an impact on theater. Ever since its release, the play had been treated as somewhat of an outlier, giving headaches to producers and actors alike. However, the few that had successfully tackled the production of such an absurd drama, can vouch for its importance.
It is a story with a long and intricate plot, of the heroic life of a simple and good man in the person of Jean Valjean. He is a very memorable character who is morally upright but guilty of certain thefts for which he feels remorse. To avoid capture and life sentence, he assumes the identity of Monsieur Madeliene, soon becoming the mayor of the small town he has adopted. It is a very beautiful story packed with excitement.