Dracula, by Bram Stoker, is told by way of letters, ships logs, and other media accounts that offer insight into the events surrounding Count Dracula. Dracula makes use of its framing to inevitably force the reader to question the integrity of their own modern scientific perspective. This framing which abstains from having a primary narrator or third person narrator to provide insight to the reader as to how to perceive each of the events recorded, leads to an uncertainty about each event, in addition to a necessity for the reader to make the ultimate decision about what the truth is. This uncertainty and stress created by Stokers framing in Dracula concerning the logs and ambiguous nature of the truth leads the readers to first become uncertain …show more content…
The group first get involved when they recount seeing a newspaper clipping about a strange dog running from an unmanned ship full of dirt from Dracula’s manor on the coast of England. Shortly after this report Mina, Harker’s Fiancee, follows a friend of hers named Lucy into a cemetery. Mina writes that she sees eyes over Lucy in the cemetery, and Lucy falls sick the next day in addition to having strange marks on her neck. Dr. Seward see’s Lucy but is unable to come to a diagnosis so he calls for his old mentor, Van Helsing. The reader is now seeing certain events from multiple narrators point of view, which begins to regain faith in the motives of Harker and friends. Van Helsing begins to treat lucy without much explanation for the other narrators. He wants them to come to the same conclusion he has come to without bias. This is a very interesting point if the reader were to think back to Stoker’s preface. Stoker states that the truth of the book will become clear at the end of the book. He does not want to bias your interaction with the truth just like Van Helsing wants the group to come to the conclusion on their own. The group eventually see Lucy praying on a child and believe Van Helsing’s theory. The group than want to collect evidence that points back to the Count, and begin looking in all of their personal accounts. After investigations through the use of their previous accounts the group decide that he is undoubtedly a vampire and they create a book of documents. The group has to forgo their new age understandings of the world to incorporate vampires into their reality. The reader by now is nearly convinced that Dracula is a vampire, wavering only because of if this is the truth of the book, than it is not truthful in their own life. The group makes efforts to track down Dracula however they begin using more ritualistic measures. Their big success is when
It takes time for Dracula’s foes to understand his true nature, and the novel builds in slow stages as they first suspect, then pursue the count, ultimately following him from England to the mountains of his home in Transylvania, in the country now known as Romania. Tensions build until the protagonist, Jonathan Harker, and his friend Quincey Morris encounter a band of gypsies who are transporting Dracula’s coffin. Professor Van Helsing and Harker’s wife Mina -- who is a victim of Dracula -- come upon the scene from another direction. By the time Harker and Morris fight their way through the gypsies, knocking the coffin onto the ground with the lid falling off in the process, the sun has set, and Dracula begins to wake. Mina observes his eyes
In Bram Stoker’s Dracula we follow the diary entries of a few characters, mainly Johnathon Harker a London solicitor as he travels to Transylvania to meet a rich nobleman, Count Dracula, to aid him in his move to a new estate in London, England. Harker is continually suspicious of his host and one night his suspicions are conformed as he sees Dracula crawl down the walls of his castle. Harker is later attack by three female vampires and fears for his own life. His wife Mina corresponds with Lucy Westenra, a dear friend, and discovers that Lucy has received proposals from three suitors Dr. John Seward, Arthur Holmwood, and an American named Quincey Morris. Once they meet each other in Whitby where a ship has crashed, Lucy becomes ill, bitten
The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).
In Stoker’s novel Dracula, Renfield is a patient in Dr. Seward’s mental asylum who has a desire to gain the life of small, living organisms (e.g., flies, spiders, and rats) by consuming their souls. Although the purpose of Renfield’s character may be considered irrelevant to the central plot of Dracula, it is of utmost significance. To elaborate, the Renfield sub-plot functions as an “abstract representation for a better understanding” and in-depth knowledge to the character of Count Dracula through Renfield’s actions (Dracula). According to Gray, the character of Renfield “parallels aspects of Dracula 's livelihood,” such as his need to consume life. The dark relationship that Renfield and Dracula share is evident in the scene when Renfield
The short story “Dracula’s Guest” by Irish author Bram Stoker utilizes a first person point of view throughout the piece. This can be observed through commentary from the narrator such as “I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English- of a very crude and broken kind- he always got excited and broke into his native tongue- and every time he did so he looked at his watch… he grew very pale, and, looking around in a frightened way, he suddenly jumped forward, took them by the bridles, and led them on some twenty feet” (Stoker 1081). The first person point of view significantly shapes the content of the text
Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.
When Lucy turns into a vampire, it is made a point to describe how she appears and behaves in opposition to the Lucy we were introduced to before her death. With Lucy as a vampire it gives her many virtues she didn’t possess when she was alive. In this novel she is portrayed as a predatory. The importance of being a virgin in the 19th century is perceived through Lucy’s transition into a ‘she-devil’ once Dracula takes away her purity. A person like Lucy, her sexuality is viewed as offensive, is apparent that the gender categories are challenging to gender categories more than
His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,
This shows how Dracula actively exploits women such as Lucy, Mina, and the three vampire daughters rather than killing them. During the Victorian
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
His vampire brides assist to Dracula’s dark deeds. What they all have in common is that they prey upon humans. On the other hand, the characters that are considered “good” in the novel are Jonathan Harker, Dr. Van Helsing, John Seward, Quincey Morris and Arthur Holmwood. Throughout the novel, the good characters are constantly doing generous deeds to save others from Dracula.
Dracula presents itself as a gradually transforming tale about bravery in face of the hidden evils of the world. The changing pace from slow, vivid scenes to a rapid conclusion allows the novel to encompass many different themes. However, there are some passages that read the same at the start and at the end. From pages 251 to 254 Stoker applies his writing expertise to indeterminately explain Lucy’s fate. On page 251 Seward confusedly asks Van Helsing about his strange fit of laughter at the thought of Lucy’s death.
A battle between good and evil is a common plot to Dracula. The forces of evil, Count Dracula and other vampires (the un-dead), try to take over Britain. The novel heroes Dr. Van Helsing, Dr. John Seward, Johnathan Haker, Quincy Morris, and Arthur Holmwood are the first responders for this evil invasion of the British Empire. In the novel the characters Dracula and Van Helsing play a major role for being the leaders of their respective groups, therefore they controlled the actions of their groups. Dracula’s actions in the novel have the purpose to flourish the rise of the un-dead, while Van Helsing’s actions aim to preserve and protect the human race.
In order to defeat Dracula, the protagonists use both religion and rationalism; as a result, arguments in favour of both sides of the debate are presented, which makes it impossible to reduce Dracula to one side or the other. The vampire hunters rely heavily on faith and religious objects, such as crucifixes and the eucharist, which presents an argument in favour of looking beyond rationalism and science to faith. As noted above, Dracula, by his fantastic nature, is something that defies reason, and thus religion is necessary to explain what rationalism cannot. Van Helsing makes a case for this when he urges “I want you to believe… in things you cannot.…I heard once of an American who so defined faith: ‘that which enables us to believe things
As for Chapters Nine through Twelve, we get to see more of the aftermath of the individuals who have some “link” to Dracula, such as Jonathan, Reinfield and in particular Lucy.