The power of film to shape our understanding of the stories and ideals that matter is surely reason enough to prompt serious study. The study of film is a valuable form of cultural history. Learning from films is motivating and enjoyable. In addition, films provide authentic and varied languages and visual context. The visuality of film makes it an invaluable language teaching tool, enabling learners to understand more by interpreting the language in full visual context. Movies are visual tools for teaching and influencing the audience. I love going to the movies! I love watching the films to experience new scenarios and to be entertained. Movies inspire and helps you in your own lives by teaching us lessons. I mainly watch movies to feel the …show more content…
Concepts from a book, a play, true stories, other movies or original ideas are often used to create a viable theme, synopsis and eventually, a script. Once an idea for a story is created, a treatment for it is produced. This is a 25 to 30 page description of the story, the characters and the mood. It usually comes with some visualizations to highlight the key points or moments in the movie. A distributor will be consulted regarding the market that is likely to be the target for this kind of movie and once that is settled, a screenplay is developed over a period of several months. Once a clear picture of the movie is painted, a pitch is then prepared to be presented to potential directors. When a pitch is approved, financial backing is then sought from a major studio, an independent investor or a film council. Negotiations are conducted and contracts are signed. The movie is now given the go signal to be produced. On this stage of the production cycle, plans and designs are made in preparation for the production of the movie. A schedule is drawn up for the actual shooting while budgets are allocated and storyboards drawn. Everything that is needed for the movie is prepared like sets,costumes, music, and makeup. The cast and crew are also recruited in this stage. These people include the director, the casting director, the location manager, the production manager, the director of photography and …show more content…
Where people can watch these films range from in the movie theater, on DVD, television, and even streaming it online. Distribution involves all the deals done to get the film shown including the promotion. This involves acquiring legal rights to show a film, releasing and sustaining films in the marketplace, distribution of prints/files to movie theaters and making and distributing DVD/Blue ray to stores. The distribution companies determine how many copies of a film will be made and where and when they will be distributed. I have noticed a big increase in the numbers of films that have been released early onto streaming movie services such as Vudu for a higher price to get customer to use their service in order to access the movie a week or two earlier than the DVD release. Films designed to nationally and, in many cases, internationally attract a large audience will premiere at a large number of movie theaters. The timing of distribution is another way film companies shape the film experience according to social and cultural expectations. The most obvious example is the seasonal scheduling of movie releases (e.g., summer films that appeal to youth and their desire for adventure and fun or Christmas releases that highlight family and holiday themes). This sense of urgency relates, of course, to the social and political climate of our times. The film industry has,
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
We knew that these movies were current because of the magazines that we read. These movies also introduced us to the latest in fashion, cars, and trends from various parts of the world. My cousins in the cities were deprived this because they lived quite a distance from their movie houses, and could therefore only watch movies once in a while. We were privileged in that we could go whenever we had enough money. Our exposure tot the world also came through the people who lived in out town.
Storytelling has been a part of people's’ lives since the beginning of time. It started with just verbal communication, then it was translated into written word, and now there hundreds of ways to tell those same stories. Movies and books, for example, are two very different ways to tell stories to an audience. A story can be a book, but not a movie or vice versa. Many books are made into movies, but lose major elements in translation.
The three-act structure is the most widely used formula for writing movies in American cinema. Some swear that this structure is the perfect formula for creating a successful film that will top the charts and bring in the most revenue. As the name states, it is composed of three distinct acts: the setup, the confrontation, and the resolution. Each of these three acts has their own partitions called beats. The beats are checkpoints for important events that screenwriter and film analyst Blake Snyder says are imperative for writing a screenplay that will both captivate and entertain it’s audience.
Film is a story of people and a story made by the people. Since society is a world of community where people creates atmospheres and interact with one another, through films we can look into the mirror of the society at that time. The French society from the mid 1950s to the mid 1960s was the time when the postwar modernization for France had begun. During this time period there were many values that the society reflected and various cultures that were embedded into the people’s lives.
•Power of Suppliers Suppliers in the movie producer industry allude to assets necessary to make a movie. This may incorporate innovation suppliers, gear makers, and imaginative ability. The movement from hand drawing to CG/outsourcing multiplies the suppliers required. Nevertheless, bargaining force for these suppliers are controlled in that, in spite of the fact that it is critical and often hard to select the best assets, there are numerous choices accessible for movie producers to
It uses cinematography and film techniques such as misé en-scene, shot duration,
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
The cinematic language that we hear in modern day movies would not be as it is today if we hadn 't had synchronous sound recordings from the beginning of film. Cinematic Language is the systematic method by which movies communicate with the viewer. Some examples of cinematic language are, Mise-en-scène, camera angles, the use of long takes, & depth of field. Barthes theory of Expressionism, the use of lighting techniques, montage and elaborate props push to make The Wizard of Oz appear to be a spectacle of realism.
To begin my reflection of my of my journey as an English major here at the department I should first say that any work I completed in my freshman and sophomore year will not be included as I do not have access to them. I have chosen to use pieces that were written in my film studies course and Native American Studies. There are four pieces total that will be looked into three of the four will be pieces will be work from my two film studies courses Film Theory and Criticism and Japanese Film Directors, the remaining one piece as stated above will be from Native American Studies. Initially when signing up for the course in Film Theory and Criticism, I did not know what to expect as we all know how to watch a film, summarize it, and give an
Through movies’ ability to stay grounded in some truths, yet also push social boundaries, it is clear that films shape culture, and culture shapes film, making more important now than ever that filmmakers are aware of what they are putting out and the implications they will have. Not every movie producer
With an investigation of the likeness and dissimilarity of culture, film classifications, and showcasing media amongst Hollywood and Bollywood, it is simpler to appreciate the genuine thought behind the specific filmmaking procedures and way to deal with progress. Hollywood and Bollywood both have advanced over the previous century with one of a kind and particular qualities while being equivalent in a couple of viewpoints. As far as the narrative in script writing is concerned there can be no comparison between the two as both are completely opposite and equally competent in their own right. Hollywood and Bollywood are two words that depict the $80 billion world silver screen industry.
The Hollywood institution has been the dominant force throughout motion picture history due to the studios’ cooperative control of distribution as well as production. During the 1930’s, five major studios that became known as The Big-Five and
In our society today, every individual’s ideas can be exchanged in various creative forms. The short film medium, being a form of social commentary, is a pertinent driving force behind shifts in personal values. Thus short films as a textual form have great value and impact to society due to their versatile delivery. Steve Cutts’ Happiness (2017) is a satirical film whose fast-paced nature prioritises meaning over matter to critique the constant pursuit of happiness in misplaced interests. Erez Tadmor and Guy Nattiv’s Strangers (2003) depicts a singular scenario and builds tension to convey the overcoming of entrenched racial divides.