The Awakening Chapter 27-30 Analysis

Edna developed a yearning for the pursuit of passion and sensuality, two major qualities that were absent in her marriage and home. She became enchanted with the idea of passionate love. This is shown by her relationship with Robert and with Alcée. These relationships resulted in a sexual awakening in Edna’s life. Mademoiselle Reisz 's piano performances brought an emotional awakening in Edna and fed her need for some drama in her life.

Her frequent vacations to the island, like her frequent dips into the ocean, begin to spark a personal change within the woman. A Creole man, Robert, shows Edna a new dimension of feelings she never knew she lived without, and she begins to look through life through a new lens. Having been awakened for the first time, she sees injustice and mistreatment where she saw none before. Chopin uses Edna’s new observations and reactions to the culture around her to illustrate the myriad ways women were marginalized. In an ironic twist, the white woman from Kentucky proves to be more liberated than her more traditional husband, who grew up

This married woman with two children had inadvertently fallen in love with another man. Although he leaves, Robert is the most important part of Edna's awakening. He is the one who gives her the love that her own husband will not. She starts to truly blossom when she falls for Robert. After he leaves, she often goes to Madame Lebrun's home to look at Robert's baby pictures.

As people grow old they tend to realize the mistakes they have made in life and try to make up for them. These realizations are mostly internal; however, there could be some external manifestations. The Awakening, by Kate Chopin shows how Edna has a realization that having a family is not what she wanted in life. Chopin is able to create a feeling of suspense and excitement through this event by illustrating Edna’s inner thoughts, including her past, the way she starts to act towards others and demonstrating the steps she takes towards freeing herself up. A reflection of Edna's past is described in the novel in order to represent how she wants to go back to her old self.

Kate Chopin’s The Awakening is a piece of fiction written in the nineteenth century. The protagonist Edna is a controversial character, Edna rebels against many nineteenth - century traditions, but her close friend Adele was a perfect example in terms of a role of a woman, mother and wife at that time. Chopin uses contrast characters to highlight the difference between Adele and Edna. Although they are both married women in the nineteenth century, they also exhibit many different views about what a mother role should be.

The scene of Edna’s rebirth, leaves the reader with the infinite possibility of ways the story could conclude. However, in the end, Edna finally escapes society completely. When Edna swims out in the water for the first time Chopin gives the reader insight to Edna’s freedom and strength. However, Chopin foreshadows Edna’s tragic death when Edna feels a sense of loneliness and she begins “to lose herself,” (48). Edna will lose herself to the seductive voice of the sea.

Streater argues that Edna cannot completely bond with Adele because the loss of her mother at a young age has left her with a “psychological void” (411). However, Edna’s confidence in Adele suggests otherwise. Edna opens up to Adele. She tells her about things that bother her, past crushes, and the reasons for her marriage. Likewise, Adele inspires Edna’s transgressions and encourages her to live unapologetically.

The Awakening In “The Awakening” Edna has mixed feelings for people. Including her husband. After her husband goes away she decides he wants to leave him. “The Awakening” by Kate Chopin was challenged for sexual and suicidal content, as well as its explicit cover; however, many argue against its banning because of the positive themes addressed in the novel.

The most rewarding attributes of this experience for Edna would be the feeling of satisfaction of conquering something in a world where woman are seen as nothing; much like a child’s excitement at their newly gained knowledge. In Chopin’s own word she describes “A feeling of exultation overtook her as if some power of significant import had been given her to control the working of her body and her soul” (page27). Although she is not ashamed of who she is becoming there is still a need to hide which is greatly caused by her surroundings. This can be seen when Edna takes her turn reading a shared book that has been passed around the cottages. Reading this book left her wonderstruck

In addition, the search for self-identity is viewed as important in today’s society. Thus, these confliction attributes lead the reader to identify Edna as morally ambiguous. Categorizing complex characters as purely good or purely evil is not one of the easiest of tasks. As a result, it is best to characterize them as morally ambiguous. In Edna’s case, she is morally ambiguous due to her romantic affiliations and role-defying actions, but both are immensely vital to Kate Chopin’s “The Awakening” as a complete whole.

Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.

Keaton Anderson Mrs. McClain AP Lang 24 October 2016 The Awakening Diction The author’s use of words generally have a strong contribution towards the story’s purpose. Several diction strategies are used throughout “The Awakening.” Kate Chopin’s purpose in “The Awakening” is to inform the reader about a 19th century woman who defies her role in society.

No multitude of words could have been more significant than these moments of silence , or more pregnant with the first felt throbbing of desire” (Pg. 30) the sexual impulses that had once died down first became awakened at this point of the novel. Edna Pontellier resurrected the optimistic view of lovemaking once more, but is usually never cognizant of the actions she commits. Ednas sexual awakening is split into two parts, emotionally and physically. Edna Pontelliers emotional sexual awakening is brought to life by the hands of Robert. When Robert leaves her the first time, she is upset, unable to believe he left so abruptly, and without saying goodbye.

Edna’s marriage to Leonce “was purely an accident, in this respect resembling many other marriages which masquerade as the decrees of Fate. It was in the midst of her secret great passion that she met him. He fell in love, as men are in the habit of doing, and pressed his suit with an earnestness and ardor which left nothing to be desired” (Chopin 18). As Edna’s awakening develops, she begins to act out of character, driven by her inward desires. She starts spending more and more time with Robert, and while Leonce is aware, he pays no attention to the affair.

If he were to say, ‘Here, Robert, take her and be happy; she is yours,’ I should laugh at the both of you” (108). Throughout the story Edna’s feelings for Robert grow stronger and deeper, so that by the end of the novel she simply longs to be with him. Yet parallel to that growth Edna has discovered her self and developed her own identity. The idea of a transfer of ownership of her person from one man to another is abhorrent to her, so much so that it would cause her to abandon her dream of being with Robert. Though she wants that very much, she is unwilling to lose her own identity in the process as she did when she was with Mr. Pontellier.