The yin-yang symbol has its roots in the Chinese philosophical religion of Daoism. Yin and Yang represent the balance of everything within the universe. They represent the sun and the moon, the summer and winter, and the good and the evil. One force cannot exist without the other. Bram Stoker, a well renowned gothic novel author, depicts the balance of forces represented by yin-yang in his novel, Dracula. England and Romania are the two fundamental settings within the book Dracula, and each place differs in their own ways, representing different ideas, and each showing their own meaning of the work through what they contrast. Bram Stoker knew that when he was writing his novel Dracula, that he wanted two separate settings, each having …show more content…
In the first chapter, we are introduced to one of the main characters, Johnathan Harker, who is on his way to Count Dracula’s castle in Romania. He gets picked up by a carriage in the middle of the night, and while on his way, he witnesses “A faint flickering blue flame. The driver saw it at the same moment. He at once checked the horses, and jumping to the ground, disappeared into the darkness. I did not know what to do, the less as the howling of the wolves grew closer. But while I wondered, the driver suddenly appeared again, and without a word took his seat, and we resumed our journey” (Stoker 10). It is through the paranormal activities like this one in Romania, that we understand the full potential of the power of Count Dracula. Often times, the abnormal activities occur at night, when the powers of the evil forces are at their maxim power, rendering any victim nearly helpless. In contrast, Bram Stoker chose England to be a place of …show more content…
England shows us an example of a spiritual world full of Christ, a world that will lead us through to the kingdom of God, while Romania shows us an example of a world full of material wealth, a world full of distractions that stray us off the path to righteousness. They both show us the two extremes of people that we will encounter in our lives. England presents to us illustrations of those who will only bring us back up, like how Johnathan Harker’s acquaintances nurtured him all the way to his full health after his encounter with Dracula. On the other end of the spectrum, Romania presents to us the people who will only drag us down with them. Romania was where Count Dracula acted upon Johnathan Harker like a parasitic organism, draining every drop of sanity out of the poor soul. Bram Stoker most likely did not know it at the time of writing his book, but the Daoism symbol of yin-yang was incorporated beautifully within his novel. This visual symbol expresses the light and the dark exceptionally well, England being the white, and Romania the black. The white dot within the black represents when the assembly of colleagues invaded Romania to kill Dracula, and the white dot within the black whole represents how Dracula invaded the clean state of England to carry out his atrocious deeds. It is how in every good, there is a little evil, and in every evil, there is a little
In Stoker’s novel Dracula, Renfield is a patient in Dr. Seward’s mental asylum who has a desire to gain the life of small, living organisms (e.g., flies, spiders, and rats) by consuming their souls. Although the purpose of Renfield’s character may be considered irrelevant to the central plot of Dracula, it is of utmost significance. To elaborate, the Renfield sub-plot functions as an “abstract representation for a better understanding” and in-depth knowledge to the character of Count Dracula through Renfield’s actions (Dracula). According to Gray, the character of Renfield “parallels aspects of Dracula 's livelihood,” such as his need to consume life. The dark relationship that Renfield and Dracula share is evident in the scene when Renfield
At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the
The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that
In “Dracula”, vampires are seen as the “other” in society. While Count Dracula is quite striking to us in various ways, embodying many human ideals and desires such a power and immortality, he can be viewed as an “other” and is separate from human society. Not only is Dracula a foreigner, but he is powerfully sexual, with disturbing and unpleasant eating habits ,and is also quite possibly “the devil incarnate” (Marigny e) Count is further separated from society by the fact that he is un-dead – an unnatural state that presents good reason for terror all by itself. All these attributes paint him as contrary to Western norms and values, and he was therefore uniquely effective at provoking revulsion and can be seen as an object of horror.
Worries of the future in Dracula During the British imperial rule, Bram Stoker wrote Dracula in which throughout the novel, hints at some of the anxieties and fears during that time period. Three of the main parts of the British imperial rule include the colonization of foreign land and discovering of new land, the industrialization era of technology taking over the old ways and the modernization of the role of a woman. Bram Stoker uses the portrayal of a vampire, Dracula and the story of a man, Jonathan Harker, who travels to foreign land to see The Count. Throughout the novel, these anxieties and fears are expressed through the words and actions of many
Finally in Dracula, the castle is as much of an oppressive and astounding force as it owner, it was like a labyrinth to be understood much like the Count and his various secrets. Thus, the setting in these stories is tied to its characters and the story’s development. They serve the function of showing the development of the story and its characters as well as being symbols of the Gothic in these gothic
Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.
Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.
Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.
”(48) He then says that as he waiting he felt “ecstasy” as their “fair cheeks, blazing red with passion” (48) descended upon him. As Dracula notices what is happening he is furious. Harker describes him as having red eyes that were “lurid, as if the flames of hell fire blazed behind them” (48), then pushes the women aside. Dracula then yells at them saying, “‘How dare you touch him…
This can even allow the reader to possibly ‘fill in the blanks’ about the unknown character with her own fears, adding to the horror of the novel. Count Dracula’s first appearance takes place in his castle in the Carpathian Mountains of Transylvania when Jonathan Harker arrives to discuss a real estate transaction. When Harker arrives at the castle, he first hears Dracula approaching in an ominous manner before he actually sees the Count. “I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light,” Stoker writes, “then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back”.
He is supposed to represent science and advancement, yet he relies in the use of old fashioned or ancient practices to resolve conflicts in the novel. Dracula himself has been roaming the world for centuries; he is ancient. In a way his practices are ancient
Harker discovers Dracula’s enthusiasm about England, apart from significant business interests: “The books were of the most varied kind, history, geography, politics, political economy, botany, geology, law, all relating to England and English life and customs and manners. ”(Stoker 22). He speaks German and “excellent English, but with a strange intonation.” (Stoker 17). Stoker conveys that foreigners seem as enthusiastic about England as England is about other countries.
n Bram Stoker's novel "Dracula," there exists a correlation between xenophobia and disease, in the sense that the spread of disease is frequently employed as a metaphor for the spread of foreign influence or the fear of the foreign. It is one of the most prominent themes and is particularly evident in the portrayal of Dracula himself, who is often regarded as a symbol of otherness and foreignness. This anxiety is used to legitimize xenophobia and exclusion as a means to safeguard British society from the perceived hazards of foreign contagion. Through his portrayal as an immigrant from Transylvania who brings a deadly disease to England, Stoker highlights the xenophobic attitudes prevalent in Victorian society and the fear of foreign contagion
“Fear can challenge our sense of humanity and understanding of the world” This is a broad statement and in a book with over 300 pages, I will be focusing on certain parts in each of the books. Proving that fear can and really does challenge our sense of humanity and understanding in the world, from the start of the book where they tried to make up a rational solution to make this all seem like it wasn’t real, to actively fight against the evil they had so vehemently protested against existing. Bram stokers 19th-century fictitious Gothic novel 'Dracula ' is incredibly complex with many different characters from the meek and underestimated Mina, to the courageous and respected Van Helsing.