If you were stuck on the canoe who would you pick, the Bass or Sheila? First, he could always pick Sheila because he has been in love with her forever. He thinks that she is quite beautiful and cares for her greatly. He also adores her because of her long tan legs and enjoys watching her tan during the summer. He thinks her white dress shows off her figure more than her normal bathing suit. He also has the option of taking the Bass over Sheila. This Bass is by far the biggest bass that he has ever seen and has been working to catch it for months. The line was running wild; the Bass was clearly putting up a fight. The rod was bending like no other, and he saw the line tighten but ignored it and stayed focused on Sheila. Why would he choose Sheila
In the book “Two Kinds” by Amy Tan, it’s about a little girl who is pressured by her mother to become something she doesn’t want to be. Jing- mei , the daughter, is forced to become a prodigy(child actress), by her mother, and she doesn’t want to be one. In the story, Jing- meis’ mother uses allusions such as Shirley Temple to push her into becoming a prodigy. Although at first Jing- mei is excited to become a prodigy, she later realizes its something she just doesn’t enjoy doing. Consequently, the uses of allusion in the story help Jing- mei discover to not be a prodigy and that what her mother wants for her is not always important. However, some of the things her mother showed and did got her excited to become this.
The mother shows her strictness towards Jing Mei for her to follow and obey. For Jing Mei, her belief of being herself stands out to her. The two character's point of view on the world are very unlike, Jing Mei believes of being herself nevertheless what the mother forces her to
In The Bass the River and Sheila Mant, W.D. Wetherell uses character development of Sheila and internal conflict of the narrator in order to show that the choices you make to please others are not as good as the choices you make to help yourself.
One dynamic that false expectation strains is the relationship between Suyuan and her daughter Jing-Mei. In a vignette told from the perspective of the latter, Suyuan has the notion that Jing-Mei should be able to perform something at the level of a prodigy. She begins
The Rebellious Daughter: Analyzing the Theme of Amy Tan’s “Two Kinds” The story “Two Kinds” by Amy Tan explores the deep familial emotions between a mother and her daughter. Jing-Mei’s mother had left China to come to America after losing her family, and had been raising Jing-Mei in America with her second husband. Despite her mother’s grand hopes for Jing-Mei to become successful in America by becoming a child prodigy, Jing-Mei did not share the same opinions.
Both her and her mom want her to be a prodigy of Beyonce. Both of their parents want them to become a prodigy of somebody. Jing-Mei’s mom wants her to be a prodigy of Shirley Temple. One other allusion in “Two Kinds” and modern day society is Peter Pan. Peter Pan never wants to grow up and neither does Jing-Mei.
On the other hand, being born into this country, Jing-mei is against wanting to live up to the expectations her mother sets on her. Two kinds reveal two different sides of the cultural spectrum, and their opposing view towards their values. Jing-mei 's mother felt like an outcast existing in a dominate population. Grasping the same idea, she held onto her hard time back in her home. Jing-mei is her last hope to prove that her homeland can be just as talented as Americans.
In The Joy Luck Club, written by Amy Tan, we are introduced to Suyuan and her daughter Jing-Mei “June” Woo. As with any relationship, there is conflict between Suyuan Woo and her daughter, as it seems that Jing-Mei doesn’t understand her mother’s Chinese culture and ambitions. In the Chinese culture, women are seen as inferior and often lack basic rights such as the right to marriage or financial holdings, thus deprived of their potential. This is why the rights in the U.S. are seen as privileges to Chinese women, among other minorities, and why Suyuan endeavored for her daughter to become a prodigy and excel in anything and everything. Yet as Jing-Mei was forced into this ideal, and the more her mother tried to enforce this idea, the further she begun to despise her mother for attempting to turn her into a “fraud”.
Jing-mei’s call to adventure is different from others in the novel; Jing-mei is thrown into her journey by losing her mother and learning her long lost twin sisters, Chwun Yu and Chwun Hwa, from China are still alive. Before her journey began, the relationship between
“After losing everything in China…She never looked back with regret. ”(Chunk 1 ¶3). Jing-Mei’s mother is a Chinese immigrant with the typical ‘everything is better in America’ mindset. Jing-Mei, being raised in America, had more of an American mindset. “You want me to be someone i’m not…I’ll never be the daughter you want me to be!”
Jing-Mei comes from China and Chinese background has to adapt comfortably with being in American culture. “Only two kinds of daughters, those who are obedient and those who follow their own mind; only one kind of daughter can live in this house, obedient daughter.” What I interpret from this text is that the obedient daughter in Jing-Mei's mother’s case is the Chinese daughter, while the daughter who follows their own mind is the American daughter. The mother wants Jing-Mei to be the obedient daughter. Culture can detrimentally change a
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.
An-Mei’s mother taught her that she has to swallow her tears, to conceal her pain, and distrust others. After An-Mei’s mother’s death, she learned to stand up for what is right. During the funeral, An-Mei crushed the fake pearls that the Second Wife gave to An-Mei’s mother. Ying-Ying lost the control on her life when she married an American man. She redeemed her control of life after talking to Lena.