Mexican Muralist Project I have selected Lázaro Cárdenas a mural painted by an unknown artist, Partition of Land by Diego Rivera and The Blood of the Revolutionary Martyrs Fertilizing the Earth by Diego Rivera These all show the changes that the Mexican Revolution brought to Mexico. The Lázaro Cárdenas painting represents Mexico reclaiming their oil. The painting by Diego Rivera was created in 1924 in Mexico. It represents how the land was redistributed back to the poor people of Mexico. The other mural by Diego shows that the revolution made it possible for Mexico to grow and prosper. The murals show that the Mexican Revolution was a true Revolution that brought social and economic change to Mexico. One of the greatest accomplishments of …show more content…
The Lázaro Cárdenas mural shows the process of land being redistributed. In the direct middle of the page there are men in suits that are frowning. Assumed to be the owners of the land that are not happy that it’s being taken away from them. In the middle right of the page a darker man in a suit is holding a big blue piece of paper. It seems to be a map of the land, the land that they’re splitting up. Around the man many people in white clothing are surrounding him. They appear to be the poor civilians that are there to receive land. This mural shows that the land was in the process of being redistributed. The amount of people that showed up seems to show that many people needed or wanted land. Before and during the Mexican revolution, Mexico had a huge problem with social inequality. Giving land to or back to the people helped close the gaps of social classes. The Blood of the Revolutionary Martyrs Fertilizing the Earth by Diego Rivera is a mural that shows that the revolution made it possible for Mexico to grow in all sorts of ways. At the bottom of the page there are two dead bodies wrapped in red cloth under the earth surface. They seem to represent those who died in the Mexican revolution and the revolution itself. At the the top half of the mural there is a field of corn crops. They seem to represent Mexico itself. The death of these people “fertilized” the land and allowed
Historians often divide the Mexican Revolution into three main periods of fighting due to its length and complexity. Of the three periods, the one that had the most impact on Mexican society at the time was the first phase in which Francisco Madero overthrew Porfirio Diaz as new revolutionary leaders such as Emiliano Zapata and Pancho Villa arose. This period allowed people that were not usually involved in politics to become more involved. The phase of the revolution that had the most potential to create change in Mexican society later was the third one that saw Conventionalists take on Constitutionalists for control of the country. This stage created the Constitution and led to a single political party gaining control of México.
In chapter three of Guisela LaTorre’s book Walls of Empowerment, she discusses the problems with graffiti and mural art and compares graffiti to mural art. She also discusses the gender inequality within graffiti artists and muralists, the influences of graffiti on LA, and east coast influences on muralists in the 1980s. Finally, she concludes that although mural art gains more approval than graffiti, both art forms serve to reclaim space in which the government and society traditionally denied to disfranchised
In today’s society many successful artists portray their personal life experiences, historical movements, events they witnessed etc. through their art work. Frank Romero is an American Chicano artist, who created the master piece of The Death of Ruben Salazar. Through Romero’s painting we see how Ruben Salazar’s death occurred and the historical event behind it and the impact it, had in the East Los Angeles Community.
In the book Night, the main character, Elie Wiesel sacrificed a lot. As a child, Elie had to sacrifice the life he had once lived with his family after being taken to the concentration camp. As soon as he gets to the camp he starts to make these sacrifices, not only for him, but also for his father. When the Nazi’s were going through the women and children, Elie lied about his age so that he could stay with his father and work. Elie did not know at the time, but making this decision saved his life.
The Virgin of Guadalupe is a worldly known work of art; Jeanette Favrot Peterson questions the meaning of this iconic symbol in her article The Virgin of Guadalupe: Symbol of Conquest or Liberation? Peterson argues that this symbol is not only of religious connotation but of political value to freedom as well. Furthermore, paraphrasing her claims, that it was not until the nineteenth and twentieth century’s did the image reach its fullest potential of bringing together a fragmented people and become known as the “Mother of Mexicans.” The legend says that Juan Diego was visited by the Virgin on the hill of Tepeyacac and that she sent a message with him that she wanted a church built in her name, only after the third visit was he able to convince
The painting “American Progress,” shows indians leaving their land and settlers behind them who seem to be pushing the indians away. There is also a woman with wings holding wire that is connected to power poles. She can be seen as a symbol of westward expansion because she is bringing power towards the west. The illustrator seems to be supportive of expansion, and believes the americans wanted to obtain all the land they could. The
The musical phenomenon corridos came about in the 1800s. However a dramatic increase of this music occurred until the Mexican Revolution. The Mexican Revolution started on November 20, 1920. The revolution started because of a very corrupt government that was ran by Porfirio Diaz. His 34-year term called El Porfiriato, was violating the principle and ideals of the Mexican Constitution (EDSITEment).
In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.
The documentary “The Fight in the Fields: Cesar Chavez and the Farmworkers’ struggle” gives the audience a small glimpse into the first ever successful organization lead by Cesar Chavez and his vision towards a better life for all farmworkers for generations to come. Viewers can also make a more profound connection of sympathy just by listening to family members of just how they lost everything back in Arizona including the farm and unfortunately had no other option except to migrate to for a better life. However, the State of California during the 1960’s was no promise land which was also immersed in unforgettable change. The Civil Rights movement of the South with the treatment of African-American community during the 60’s had eventually made its way out to the West Coast. The fight for Civil Rights took on a more profound struggle within the agricultural business of white farmers which was built upon the generations of cheap laborers ranging from the Chinese, Filipinos, Okies, Mexicans, and Chicanos.
“Aztlan, Cibola and Frontier New Spain” is a chapter in Between the Conquests written by John R. Chavez. In this chapter Chavez states how Chicano and other indigenous American ancestors had migrated and how the migration help form an important part of the Chicanos image of themselves as a natives of the south. “The Racial Politics behind the Settlement of New Mexico” is the second chapter by Martha Menchaca.
For this week I decided to write a summary of chapter 11: Anglo-Saxons and Mexicans. The new political ideologies were created between 1830 to the 1840s. These new ideas were influenced by pride and obvious racism. These beliefs inspired the idea that American Anglo-Saxons were the dominant force and that they should be the ones to shape the destiny of others. The idea of the American Anglo-Saxon race was influenced by the American Mexican war.
I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.
Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.
Octavio Paz, a Mexican poet and essayist, is one of the many philosophers with a written piece regarding his understanding of Lo Mexicano. Paz’s “Sons of La Malinche” was first published in the Labyrinth of Solitude in 1950 and is a rather grim interpretation of the Mexican character, however, it captures the crisis of identity that Mexico was burdened with after the conquest. Paz uses the Spanish term “chingar,” (when literally translated means “to screw, to violate”) and its associated phrases to understand the conquest and the effect
What is “la Mexicanidad”? Mexican Identity has been ill-defined for years. This misconception could be attributed to the ambiguity of how the first Mexican was created. As a consequence, this has resulted in different kinds of identities established by the Mexican people. Creation of different identities is not a surprise because just like culture, identity is not simply a fact but a social construct.