As the story progressed on, Esther slowly became depressed. After learning that she has not been accepted into Harvard, something she has dreamed about all the time and the relationship with her mother, which was once good but turned troubled, it was normal for Esther to fall into a depression. Her depression got worse and Esther was unable to read or write, “when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right almost diagonally, as if they were loops of string lying on the paper, and someone had come along and blown them askew” (Plath 106). This quote showed the struggles Esther had with writing. Esther decided to get help by meeting up with a psychiatrist but, the sessions were unsuccessful, and so she tried to commit suicide for the first time by, crawling into a cellar and trying to overdose on sleeping pills.
Therefore, on February 11, 1963, Sylvia Plath committed suicide. Plath committed suicide by sticking her head in the oven when it was on while her children were in the exact same room. The attempts of suicide impacted her life because she expresses to the readers the life she was going through and made her more successful from the poetry and novel she has written. The mental illness, depression and anxiety that caused her to commit suicide influenced her to continue
However, things do not always go as planned and Esther found her life spiralling downwards as she began to display symptoms of major depressive disorder. Even from the beginning of the novel, Esther had begun displaying symptoms that meet the DSM-5 criteria for Major Depressive Disorder. Even though she was living in the glamorous New York City, Esther was in a depressed mood most of the day, nearly every day. She could not help but feel
Esther Greenwood- magazine editor by conformity, yet secretly suicidal by choice. She is the first seen victim of caving in to what she thinks she must act like within Plath’s novel. There are many highlight moments to depict how everyone, in a way, is just like Esther- hiding yet seemingly unafraid. From the beginning, we are told that she’s surrounded by popular, beautiful women and as far as we can infer, she had the dream job as an editor. However, we also find out that she hasn’t been happy since the age of nine and has attempted suicide on multiple accounts.
The bell jar, the fig tree, the mirror, and electricity all relate to Esther’s mental illness and elaborate on her growth and development. Plath’s novel uses an abundance of literary devices to engage the reader, however her use of symbolism creates a deeper meaning behind Esther’s battle with a mental illness. Symbolism is an important aspect in writing, and Sylvia Plath uses that to her advantage to connect her audience to Esther, and appeal to their
Despite the successful career, Plath’s personal life was not as positive. She married a poet Ted Hughes in 1956 whom she had two children with, but their relationship was not ideal and worsened with time. In 1962, Hughes left his wife for his mistress and this caused Sylvia Plath to fall into a severe depression (“Sylvia Plath Biography”). It is during this time
Although the novel did not receive much attention immediately upon it’s release, Sylvia’s untimely death created much publicity and a new level of interest for readers who saw it as a window into the late author’s life. The Bell Jar is the fictionalized autobiography of Sylvia Plath. Sylvia is represented in the book by the nineteen-year-old Esther Greenwood. The novel follows Esther as she deals with the obstacles of womanhood and those of becoming an adult. It begins during her time as a guest editor at a fashion magazine and covers the events leading up to her nervous breakdown and suicide attempt and the months she spent in a mental hospital.
Pressures from society and those around you can feel like a bell jar hovering over you. In the novel The Bell Jar by Sylvia Plath, pressures from society and self doubt lead a bright young female college student with loads of opportunity to fall into depression and eventually insanity. The main character, Esther Greenwood, battles with what society wants her to be as a woman and as a person in the 1950’s. When Esther is presented with a prestigious scholarship program for journalism in New York City she is eager to go. She is ambitious and intelligent but the weight of societal expectations, expectations of those close to her, along with her own self doubt cause her to go into the downward spiral of insanity.
Ethan should’ve chosen happiness instead of sticking around with Zeena and being sad and depressed in their relationship “ Must he wear out all his years at the side of a bitter querulous woman?” (Wharton 67). Mattie was his chance at freedom from Zeena and becoming happy but he was too worried about all of the consequences that would come if he had pursued his happiness. Happiness wasn’t Ethan’s first priority when it should’ve been, instead he chose to be unselfish which on most occasions is good, but in this case should’ve been avoided. Later on Ethan began to regret this decision he had made and soon it was very clear to him that he should’ve chosen happiness instead of staying with Zeena and being unhappy in his “unfulfilling marriage”. This regret is shown towards the end of the book, after Ethan made his decision to stay with Zeena and Mr. Hale explains to the narrator Ethan’s circumstance, “ When I see that, I think it’s him that suffers most… anyhow it ain’t Zeena, because she ain’t got the time… It’s a pity, though,” (Wharton 93).
Chanel Courant Poetry Analysis As two 20th century female poets who served as feminist figureheads for the literary genre, Sylvia Plath and Adrienne Rich's works experience some expected crossover in thematic content and overarching ideas about the stifling entrapments of womanhood, abuse of power, and pain as means of freedom. Plath's "Lady Lazarus" focuses on the control that comes with the vulnerability and entertainment tied to public displays of mental illness, while Rich's "Valediction Forbidding Mourning" depicts the female struggle to express emotion within the confines of male dictation, and the two find their commonality in the search for autonomy in a world where women are not afforded the luxury, and where their feelings are watered down to spectacles to be watched or immaturity to be subdued. Plath's works are overwrought with autobiographical sentiments of suicide and depression, and