In a dictatorship, thinking is a crime. So if there is a need for thinking, it is needed to be thought in silence. In 1967, Brazil suffered a coup d’état carried by the Brazilian army against the current president, João Goulart. With the decree AI-1 (Ato Institucional Número 1) the military took control of the country, removing all the power of the people and public officials. From 1968 until 1985, the country was ruled by six different military presidents. The decree AI-1 meant that everyone who showed to be against the new government could end up in exile or in prison. Therefore, all artists with a viewpoint that were different from the new regime felt repressed what reflected their work. As the dictatorship consolidated its power, the population’s expressions became more censured. The majority of the Brazilian population did not support with the actions taken by the new rulers. Consequently there were rebels, most artists, who would use their work to criticize the regime in a hidden way. …show more content…
This essay has the objective of arguing how the Brazilian dictatorship surprisingly had the power of provoking new forms of expressions and bring new thoughts to their population. Further evidence about the militaries policies and censorship and artistic expressions will support my argument. This investigation will access the research question: How did music responded to the military censorship with the dictatorship in Brazil
Time of the Butterflies by Julia Alvarez is the inspiring story about the four Mirabal sisters who grew up in the dictatorship of the Dominican Republic. The novel depicts the events that leads up to the deaths of three of the sisters: Patria, Maria Teresa, and Minerva and shows how the remaining sibling, Dedé, deals with both grief and regret. Alvarez explores the dangerous history of the Hispanic Caribbean through fiction in hopes that her readers will be able to truly grasp the impact the lives of the Mirabals had on the Dominican Republic. While many different topics are discussed in the book, the violation of human rights and political unrest is what drives the plot of the book.
1) Compare and contrast the British colonial rule and acquisition of colonies with the Spanish model in the 16th and 17th centuries. The first American colonies was founded by the Spanish in the 15th century. Britain began establishing colonies almost a century later. While extracting resources and profit from the new land, both empires had to with Indians and new systems of trade and farming.
Rafael Trujillo’s evil personality allowed him to do cruel acts and in order to fix the problem, many laws have been made to prevent this era to occur again, a pluralist democracy was beginning to emerge, and the
Musical Journey Till The Kent State Massacre Music serves as a platform for commentary on important social issues. Social events are an inspiration for creativity, and often, this creativity gathers momentum to tackle these societal concerns. The mutual relationship between music and social issues is seen evidently throughout the history. The Vietnam War serves as a great example to showcase the interdependency between the society and music.
African-Brazilian religions are represented, among other experiences, chiefly by Candomblé and Umbanda. They are characterized by spirit possession - the Orishas, or ancestors - who take possession of the body of a person, the medium, and meet the demands of subjects who seek their guidance. They are derived from the knowledge of African religious beliefs that came to Brazil with the black diaspora, and that brought a great amount of knowledge about how to treat disease and preserve health. This knowledge associate a comprehensive response to a series of somatic, psychological, social, spiritual and existential dissatisfactions, offering people explanations about the disease events generating pain and suffering. In this context, the aim of
Racial disparity in Brazil is best explained in Abdias Nascimento article, Quilombismo: An Afro-Brazilian Political Alternative. “I believe that the Black and mulatto the Brazilian of colour must have a racial counter-ideology and a counter position in socioeconomic terms. The Brazilian of colour must strive simultaneously for a double change: socioeconomic change in the country, and change in race and colour relations.” In 1968, through these words, Afro-Brazilian scholar, artist, and politician Abdias Nascimento called attention to the potentially divergent but essentially related nature of the two main objectives of Afro-Brazilian activism: first, to effect concrete change in the distribution of social and economic power in Brazil, and second,
Military death squads roamed the streets, picking up suspects and taking them off to unknown military installations, where they were often beaten, tortured, and never seen again. The military junta filled the presidency
In Gabriel Garcia Marquez’s book “The General in His Labyrinth”, readers are given a fictionalized account of President Simon Bolivar, the General, and his fall from power. Marquez weaves historical fact and his imagined, detailed scenarios of Bolivar’s time as president that align with the facts, but are not verifiable. The book begins with a fatally ill, fleeing Bolivar, who had just learned of the public’s negative opinion and assassination attempts (Marquez, 7 and 12). Throughout the book, Bolivar reflects on his term as president and the failures he suffered while trying to gain independence for and unify Latin America, many times while suffering through a fever.
Introduction Brazil's independence takes place in a relatively short period of time. Which can be officially placed between February 18, 1822 and March 8, 1824, which, compared to other wars of independence in different parts of the world, we can say that it is smaller, and also comparing the way it is carried out After this independence, we can say that, although the conflict was not totally peaceful, it was a less bloody war, in comparison with the majority of the wars of the other Spanish-American countries. The most important issues about Brazilian independence, which takes place as a result of the Napoleonic wars, will be discussed. To begin to give a context to this event, I will begin by saying that the most important trigger for
Despite both being from the same school of thought, the Frankfurt School, Walter Benjamin and Theodor Adorno found themselves debating the value of art in a world on the brink of war. The basis of Benjamin’s and Adorno’s argument was not a critique of the art itself, but rather ever-growing trend of the reproduction of art. For Benjamin, as described in, “The Work of Art in the Age of Mechanical Reproduction”, the reproduction of art and the novelty of film, which stemmed from technological marvels, was a natural progression and a detractor to the growing fascist presence. However, for Adorno, as discussed in “The Fetish Character of Music and the Regression in Listening”, the simplification of art, specifically music, to a mass producible
After exploring the hidden truths behind the culture, I have discovered this: The cultural identity of the Brazilian community is far more diverse and dynamic than what is portrayed in society and the media. One of the most important contributing aspects to a community’s culture is its history. Brazil was discovered by Pedro Álvares Cabral on April 22,1500. From that point on, the Portuguese ruled over this land, focusing greatly on its vast sugar-cane plantations.
According to Bourgois, he explained that he felt structural oppression was the main cause of what affected Primo and Caesar’s life choices and opportunities. Structural oppression is when people of a society identity group are mistreated and the treatment of these people are supported by society and its institution. Throughout the book, we see several cases in which Primo and Caesar and mistreated in various ways. In the beginning, Bourgois talks about the history of Puerto Ricans and how the immigration from Puerto Rico to New York City consequently affected the growth and development of their own culture in El Barrio.
Brazil, by both land mass and population, is the fifth largest country across the globe. The country is divided into five regions becoming one of the most geographically and culturally diverse nations on the earth earning the nickname "land of contrasts. " The different areas of the country all have many different cultures within often expressed through artifacts as well as traditions and ceremonies. Nationally, the culture can be expressed through many various forms such as language, literature, art, music, and religion. The blended and diverse culture of Brazil helped amplify many celebrations around the world.
Happening spontaneously, its execution took place indoors or outdoors, in gardens, bullfights, retreats, streets and alley, taverns, cafés de camareiras and casas de meia-porta. Evoking urban emergence themes, singing the daily narratives, Fado is profoundly related to social contexts ruled by marginality and transgression in a first phase, taking place in locations visited by prostitutes, faias, sailors, coachmen and marialvas. Often surprised in prison, its actors - the singers - are described in the faia figure, a fado singer guy, a bully of a rough and hoarse voice with tattoos and skilled with a flick knife who spoke using slang. As we will see, fado 's association to society 's most marginal spheres would definitely make the Portuguese intellectuals reject it
Sebastião and the subject of the original portrait, Jean Paul Marat, share a fair amount in common. Marat was a political revolutionist known for taking a stand against oppressive leadership stripping away human rights from the poor. With inspiration from political texts found in the dump, Sebastião created a union for catadores, looking to improve the lives of poor, underprivileged people. Along with this, Marat had a skin disease which disgusted people of his time and forced him to spend most of his life in a bathtub. This is similar to Sebastião’s situation as Brazilian society is disgusted by the work that Catadores do.