The Cask Of Amontillado Mood Analysis

London engages the reader through the use of literary devices, combining setting, total omniscience point of view, symbolism, and foreshadowing. By presenting the setting to the readers, London begins to show them that the tone is very unhappy and fearful. Like setting, the narrator presents the somber tone of the story through the total omniscience point of view. Additionally, various symbols are employed throughout the story to help support the narrator’s dark tone. Finally, the usage of foreshadowing from the start to the finish of the story helps to maintain the fearful and dark tone.

In this unusual short story of persistent revenge and terror, the reader is in suspense from the beginning because Fortunato has allegedly committed against Montresor and of the redress that he has outlined. Poe starts by telling you the characters plans. Part of Montresor’s plan was to lure Fortunato to the location by offering him irresistible wine. Montresor knew that “in the matter of old wines he was sincere” (3).

One who would read the story would tell you that the whole thing is about revenge and it can be looked at as revenge twists the mind of a person who is vengeful, to begin with, or as revenge is a driving force behind a person going so far as to commit a murder. Such a person might be so obsessed with vengeance that he imagines reasons to obtain it are the right doing. In this story, Montresor 's family prides itself on leaving no insult unavenged. Montresor 's obsession with this has perhaps made him imagine that Fortunato has insulted his family just so that he, Montresor, has something to try his family 's pride on. As when the narrator says ‘’THE thousand injuries of

Dark Romanticism evolves from works of the Romantic Period (1798-1870) with characteristics of horror fiction and death. It is taken as a reaction of the Transcendental Movement, which originated abreast the Romantic Period from 1830 to 1860. Known writers like Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne found that the ideas displayed in the Transcendental works were idealistic and rose-colored, as a result, they opt to alter these works adding their own element hence this was the birth of the subgenre. To explore more about this subgenre we have three Americans mentioned above that are considered as major Dark Romantics authors. Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809.

The abnormal way in which these sexual anxieties are presented permits the discussion of these apprehensions. The supernatural renders Lucy inhuman — her twisted face resembles “The coils of Medusa’s snakes ” (Stoker 250) — and as such, the sexual and moral dangers she posits in her independence are punishable by the four men. The same men who once desired nothing more than her pure affections are those who persecute her to the grave, for Lucy now personifies the destructive morals of the transgressive female. The violence employed in their fight against the vampire, in addition to their destruction of Lucy’s egregious body, demonstrates that male anxieties and fears often transform into hatred towards that which questions their masculinity.

Iago uses descriptive words to make Othello see the what he wants him to see. In the final scene of the play, Othello kills himself after he realized the truth. It is the conflict between Othello’s deception from Iago and his willingness to mentally distress himself that gives him a tragic ending. Iago’s evil plot against

He uses his skills with deadly accuracy to achieve his ultimate goal: the destruction of Fortunato. Turning Fortunato’s own weaknesses against him , Montresor is able to lure Fortunato deep within the catacombs. He is clever and patient, biding his time until Fortunato is inebriated and away from the sights and sounds of the carnival before approaching him. Montresor is elaborate and methodical in his planning.

Whereas, in The Cask of Amontillado, the reason behind the murder is revenge, “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge.” Additionally, Montressor’s jealousy is another reason because of which he murders Fortunato. The other difference noticed in the short stories, is that in both of the short stories the aftermath of the murder is different. In The Tell Tale Heart, in the near end of the story after the murder, the narrator feels very happy , and

The Cunning In the story “The Cask of Amontillado.” Montresor is the narrator of the story as he was the one who murdered fortunato. Considered fortunato a friend Although he only saw him as an acquaintance and because of this he caused Montresor great pain which later turned to montresor leaving fortunato to die. As said in the text, fortunato caused him “THE thousand injuries”( Poe 2). Because of causing montresor this pain that wasn 't explained explicitly.

Fortunato has done many things against Montresor that slowly get to him. " The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge" (p.1 1-3). Montresor got tired of Fortunato doing him wrong, so he decides that he was going to get back at him. Montresor would make sure that Fortunato never does him wrong again, proving that he is a man full of revenge.

“I took from my waistcoat-pocket a penknife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket!” (5) The narrator’s actions illustrate his insanity just as well as his inner thoughts. In “The Masque of the Red Death,” the main types of characterization present are reactions/thoughts of others, and physical appearance/attitude. The prince is a haughty, cowardly, and

The dastardly conspiracy for revenge undertaken by Caliban is focused upon the physical ruination of Prospero; Caliban wants him dead. Through Caliban’s vivid language , of the tortures Prospero has inflicted on him, the motivation for Caliban’s murder plot was formed. The overall plot of The Tempest, is paralleled by Caliban’s murder plan in his comedic subplot. Without it, Prospero would never have to deal with the effects of vengeance upon him and Shakespeare 's exploration of revenge would lose thematic significance.

In “The Cask of Amontillado” by Edgar Allan Poe, Montresor is shown as sly, sadistic, and irrational. Montresor is shown to be sly in the story when he uses Fortunato’ s weaknesses to trick him into his own death. Montresor said, “ I have received a pipe of what passes for Amontillado, and I have my doubts.” (Poe 374). This quote shows that Montresor is sly because during this part, he is drawing Fortunato in because he knows that his favorite thing to do is drink so he wouldn’t be able to resist the temptation of tasting the Amontillado.

“The Cask of Amontillado,” written by Edgar Allen Poe, has a very suspenseful mood and it is portrayed with various key details. Some scenes that prove suspense is the theme are, when Montresor explains to the reader that he is seeking revenge on Fortunato, when Montresor captured Fortunato, as well as, when Fortunato sobers up while chained to the rock. In the first sentence of this passage, Poe writes this, “...I had borne as best I could, but when he ventured upon insult I vowed revenge.” What did Fortunato do to make Montresor so mad, what is Montresor going to do to Fortunato--these are only two of the many questions that the reader inquiries. This creates suspense because it hooks the reader and makes the reader want to continue reading.

Human behavior will determine the success of our world. Humans can destroy themselves if they are malicious like shown in the short stories The Cask of Amontillado, The Veldt, and The Lottery. Human nature is slowly decreasing in value in the world. Characters in those short stories prove to be the wrong answer to healing the wounds of the world today, like the injustice, and overall ignorance the world carries on its back. Although humans can be kind and selfless people, sacrificing loved ones, hurting innocent bystanders, and plotting revenge can reveal the dark side of human nature.