After the three murderers killed Banquo, they go to recount the news to Macbeth. Showing no reaction to the news of his former comrade’s death, Macbeth only thinks of himself: “Then comes my fit again. I had else been perfect” (Shakespeare 99). Macbeth, asking if Fleance is dead, is only tormented after hearing that Fleance escaped and remains a threat to his crown. Macbeth’s quick transition of concern from Banquo to Fleance exhibits his disregard to the people close to him, a distinct behavior often tied to sociopathic people.
However, they are also different since Titus had a fighting spirit and fought his enemies until his death. Hamlet was skeptical to the idea of revenge and even opted for the option of suicide. Titus and Hamlet help us clarify the distinction between the typical and mannerist conceptions of principle. Titus uses revenge to discover emotional responses to events circumscribed by rigid justice systems. Hamlet uses revenge to discover responses to an ethical dilemma where common moral codes generic seem inadequate.
He lost the adoration for his life, his dad, and needed to murder somebody who symbolized his identity. The passings and bodies that are on his cognizant, his hands make Hamlet helpless. This all initially happened in light of the fact that his uncle murdered his dad. For that, Hamlet needed to correct his requital. His dad wouldn 't have the capacity to be in peace on the off chance that he didn 't.He was completely mindful of his activity.
“Iago belongs to a select group of villains in Shakespeare who, while plausibly motivated in human terms, also take delight in evil for its own sake” (Bevington, 2014, p 607). Understanding his sense of self might reveal another tragedy regarding how egos across the human condition demonstrate unique frailness. “Critics often debate Iago's motives. What drives him to act as he does? Some people believe Iago is simply, but purely, evil, doing immoral things merely to be bad” (Hacht, 2007, p, 657).
He is unsuccessful and eventually arrested, tried and sentenced to death for his outspokenness. Proctor's tragic flaw is his pride. Although he felt remorse for the affair with Abigail, he did not want to admit that he ultimately made a mistake, and that his error was directly
Other than appearance the men’s background can also be compared. Perry’s home life can be interpreted as rough from both works of “In Cold Blood”. It is easily decided within the audience which killer was dealt the lower hand in life. With Perry having to deal with both an abusive father and a mother succumbing to the temptations of alcohol, he is looked upon as the unlucky child who grew up in the wrong conditions. Realizing the killer who was handed a better childhood turned into a ruthless killer leads the audience into blaming Dick completely for his actions as he has nothing to fall back on as a scapegoat.
“To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day”, the repetition and personification used shows the significance is to show Macbeth 's discontent with life. Life no longer has meaning, now that the love of his life is dead. This also shows he doesn’t realize the contribution she made into making him a heartless killer and that now he is possibly oblivious to it all. Macbeth at the beginning was valued and was genuinely a noble man, where as to this point he has let himself be misguided to become a man of destruction now called a “tyrant, bloodier villain, dead butcher”. Macbeth refuses to take responsibility for all the pain he has caused and he doesn’t want to die without a fight, although this is the finish to all of Macbeths destruction he does not want to kill Macduff “Of all men else I have avoided thee; my soul is too much charged with blood of thine already” this metaphor used is showing how he already has so much blood on his hands, he doesn’t need any more, this can be seen as slight integrity but he still goes on to fight even though its already known of his deeds, “They have tied me to a stake; I cannot fly, but bear like I must fight the course”.
The characteristic traits that Holden and Hamlet share, define who they really are. Hamlet's sorrow towards his father's death has greatly affected him in a negative way but when Hamlet reveals the real answer towards his father's death, Hamlet reacts in a violent manner. “Ghost:
That alone was enough for Hamlet a reason to kill his uncle even before knowing what his uncle had done. And another moment in which Hamlet had hesitated the most was when Hamlet and Ophelia’s Brother were sparring. And even in Hamlet’s false madness he could 've killed the king however Hamlet had no evidence and still wanted a proper death for claudius so Hamlet primarily used his false madness to buy time to retaliate. Hamlet was likely hesitant to kill a king. My argument is mostly theoretical.
One of the most discussed topics of the Hamlet is whether Hamlet is insane or if he was just pretending the whole time. When the play first began Hamlet did not seem crazy but more depressed and suicidal after his father’s death, he did not begin to act crazy until learning about his father’s murder.”How strange or odd soe’er I bear myself, to put an antic disposition on...”, here Hamlet tells Horatio that he will start to act crazy but for them to just ignore it. After this when Hamlet only acts mad around thoses who he does not trust but when
Villa had numerous opportunities to slaughter his uncle, however his fury exceeded his better judgment; and he held up until the ruler could see no great in Claudius, and afterward strike him down into a universe of unceasing punishment. "Presently may I do it pat, now he is praying...A miscreant murders my dad; and for that, I, his sole child, do this same lowlife send to heaven. "[Act 3, Scene 3, lines 74-98]. Village holds up until he can execute his uncle while he is performing a wrongdoing yet sadly for Hamlet, his next opportunity to correct vengeance on Claudius is his own demise. Retribution, being the main thrust in the play Hamlet, is likewise one motivation behind why it is a catastrophe.