Frankenstein 's arrogant and impetuous character comes back to bite him as he hastily demolishes the creatures companion, even with knowing the risk of doing so. The creature was abandoned ever since he was brought to life, and was forced to fend for himself. Not being able to fit in with human society is what provoked him to ask Frankenstein to create a companion for him. Although it took awhile to convince Frankenstein, he reluctantly agreed and began to create a new creature. However, quite abruptly “with a sensation of madness on [his] promise of creating another like to him, and trembling with passion, [he] tore the thing on which [he] was engaged.
His appearance scares the people he encounters, and his only desire is love. Further in the novel, there are many situations where the Monster is the victim. Shelley uses words that provide imagery for her readers. Readers will think Victor is the antagonist. He realizes if he would show the Creature love, the Monster would not kill the people.
"Believe me, Frankenstein, I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone?" (M. Shelly 114). Therefore the daemon's nature must be loving and compassionate, but because he experienced a lack of nurturing, that he was expecting to receive from his creator, Frankenstein, this then caused the daemon to be monstrous and seek revenge upon his creator; therefore Frankenstein's pain was a result of his own failures. The character of Frankenstein argues that both nature and nurture influences the behavior of people through his actions against his very own monster and in turn the effect of those actions on himself. Frankenstein left the monster alone, and the monster reacted for seeking that Frankenstein should feel just as much loneliness and woe and he did by killing off his entire family.
The creature, after having his creator abandon him, runs away, isolating himself from the rest of civilization. The creature never learned how to love, creating a heartless killer who, even after telling Victor his story, is hated, leading to the death of everyone Victor loved. If Victor had just sat down and tried to understand where the monster was coming from, it might have led to a different outcome, one quote, “I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous” (69), shows that the monster was miserable, therefore making him a savage, and that the lack of love and happiness can truly make a
Frankenstein by Mary Shelly is many things. It is horror, romantic and well, science fiction. The story dwells into the ugly of not only science but of man, monster and loneliness, as well. The novel is a classic, adored by many and an inspiration to modern culture, all forms of media and so much more. The novel mainly centers on Victor Frankenstein [the young student scientist] and his 'monster’ creation.
The thought of the monster turned superior to the book itself. In the novel, Frankenstein Mary Shelley put in the picture the tale of Dr.Victor Frankenstein, and ruthless man who embarked upon the mission of generating a being from a lifeless item. The tale is told by the three storytellers Captain Robert Walton, Dr. Frankenstein and the
As being the creator, Victor shows dissatisfaction by rejecting and abandoning his own creation as he is “[being] unable to endure the aspect of the being [he has] created [and] rushed out of the room.” (Shelley 84) He is supposed to take responsibility of creating the “monster” by providing support and care; in fact, he runs away from reality. In opposite, Walton shows his kindness and fatherly by nursing Victor who is found in a sledge. Walton and his crew members take care of Victor with “[wrapping] him up in blankets and [placing] him near the chimney of the kitchen-stove” to keep him in warmth. (Shelley 59) Also, one of the main differences is Walton survives in the novel whereas Victor dies. As Walton listens to his fellow crew members, he has “consented to return, if [they] are not destroyed.” (Shelley 214) With his recognition of life, Walton is able to follow the members’ instincts in which he heads south and returns home.
James Whaley is an English born director whom participated in several films for Universal studios where he eventually took up the task of directing Mary Shelley’s Frankenstein novel following the popular release of Dracula that same year. The success of Frankenstein was rooted in it’s genre being a horror film and the immediate success it brought to movie producers. The interpretation by Whaley is highlighted by several plot transitions which are not shown in the movie as well as certain alterations like Henry Frankenstein (Victor in the book) using a criminal brain rather than any other brain collected as implied by Shelley. Other major differences in the plot of the movie compared to the novel involves the monster Frankenstein himself and everything about the character. In the movie Frankenstein is portrayed as an impulsive monster only capable of fulfilling his most physical and animal like actions.
Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings. Not even hours after the Creature comes to life, Victor feels “mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were
And who is it who in fact enjoyed his solitude and seclusion from society? That would be none other than Victor Frankenstein himself. The disturbing reality that Victor is part god and part wild beast for his cruel actions towards his creation displays the evil that comes from a man when he removes himself from society. The Monster partially experiences these effects as well from his unwelcome seclusion from society when he is also slowly pulled back and forth between good and evil. Mary Shelley made no mistake in making this clear through her writing, however.
Frankenstein 's monster, from the story Frankenstein, is an example of a byronic hero. A byronic hero is usually a loner who might be rejected by society, have a troubled past, self-destructive, and usually misunderstood. Frankenstein 's monster is an excellent example of this, as he starts the story being brought to life through impossible ways (Shelley 42). Almost immediately, his creator despises him and eventually abandons him, giving him the rejected aspect of a byronic hero. As the monster progresses in the story, he eventually begins trying to befriend multiple people, just by knocking on their cabins only to be attacked by them and chased away (Shelley 78).
He was broken that his creator left him so he was confused on what he was. This, would lead Frankenstein to kill people who were close to his creator. Frankenstein didn 't know any other way to express his emotions. He seemed to only do bad things, but he helped a girl from drowning and helped out a group of poor peasants. His appearance was the biggest factor.