Any rational, compassionate individual who reads Nathaniel Hawthorne’s “The Birth-mark” would be aghast at how Aylmer treats Georgiana, his wife. Aylmer treats Georgiana as an object, or rather a specimen, for Aylmer desires to “possess one living specimen of ideal loveliness, without the semblance of a flaw” (Hawthorne 13). Aylmer’s misogynistic approach to his wife and her birthmark, “this single imperfection” (15), then, comes as no surprise. The “imperfection” does not rest with Georgiana, however—it rests with Aylmer and his detrimental objectification of her through the male gaze.
The male gaze, Freud theorizes, “is a phallic activity” with the aim of “sadistic mastery of the object” (Sarup 137), who is “cast as its passive, masochistic feminine victim. As long as the master’s scopophilia (‘love of looking’) remains satisfied, his domination is secure” (137). Aylmer’s scopophilia rests in his desire to love what he wishes to see: no birthmark on Georgiana’s cheek. His desire for “sadistic mastery of the object” is certainly made evident in his behavior towards Georgiana; for instance, he remarks callously, “I even rejoice in this single imperfection, since it will be such a rapture to remove it” (Hawthorne 15); and, later in the story, the verbal abuse even turns into physical abuse: “He rushed towards her, and seized her arm with a gripe that left the print of his fingers upon it” (17). Aylmer’s objectification of Georgiana, the desire he projects onto Georgiana, has
In the story “The Birthmark” by Nathaniel Hawthorne, he uses several techniques to help build his story. Hawthorne tells a story of a man of science whose name was Aylmer. He married a beautiful women named Georgiana, although she was quite beautiful she had a birthmark on her face which, in Aylmer’s eyes was an imperfection. Aylmer tries to perfect Georgiana, but in the end Aylmer’s attempts to change Georgiana causes him to lose her. Aylmer does not accept the idea of imperfections in people.
These scholars’ arguments contribute to the story, “The Birth-Mark”, Nathanial Hawthorne expresses the common personal issue that individuals possess. The Birth-Mark was about a man named Aylmer and his obsession of science and the birth mark on his wife’s face. The birth
Georgiana took note of Aylmer’s displeasure of the birthmark from the dream and through his stealthy stare, causing Georgina displeasure (Nathaniel Hawthorne 114). Aylmer’s further loathing of the birthmark, causes Georgiana to give up for the sake of his happiness. She tells, Aylmer after bringing up the conversation of the birthmark, “Either remove this dreadful hand, or take my wretched life!” (Nathaniel Hawthorne 114). Aylmer could have avoided tragedy, however he failed to listen to his assistant Aminadab, who stated he would “never part with that birthmark” (Nathaniel Hawthorne 114).
Intro: Nathaniel Hawthorne’s fictional short story “The Birthmark” and The Twilight Zone’s darkly romantic episode “Eye of the Beholder” both use gothic elements and delve into the realm of science to explore concepts of beauty and perfection. Through their contrasting characterizations of the scientist and employments of irony and allusions, each work comes to its own conclusions about how to define and treat beauty. Body #1: The Birthmark From the very first paragraph, Hawthorne’s story revolves around Aylmer, a scientist who supposedly gives up his career to marry the beautiful woman of his dreams, Georgiana.
Being in an unhealthy relationship is something women nowadays are not obligated to put up with. If they ever feel that their husband is not treating them good; they have the right to ask for a divorce. Otherwise, they could end up with mental problems or death. Back in the nineteenth century, divorce was not an option for women. Females were forced to stay with their husband whether they were treated right or not.
A character having an ability to be an influence of fatality is a dangerously powerful trait to have. The victim’s life is placed into the hands of the influencer. This power of fatality can be seen within Robert Frost’s poem, “Out, Out,” when a personified buzz saw cuts the hand off the boy using it. This injury causes him to die. This power of fatality can also be seen in Nathaniel Hawthorne’s short story, “The Birthmark,” a scientist, named Aylmer creates a risky and unreliable potion that was expected to remove his wife’s birthmark but, it ultimately kills her.
In The Birthmark, Hawthorne depicts the obsession for perfection, the tole it takes on one and the consequences it has. The quest for perfection is unrealistic and unobtainable as we are only mere humans incapable of reconstructing our DNA. In The Birthmark, Hawthorne tells the story of a woman named Georgiana and her scientist husband Aylmer, who are both fixated on a birthmark similar to the look of a tiny human hand. Aylmer is disgusted by Georgiana’s birthmark, wanting to please her husband Georgiana is willing to do anything for him to look at her in a normal manner “Danger is nothing to me;for life which this hateful mark
When Georgiana saw Aylmer looking at her she “shuttered at his gaze and her cheeks changed into a death-like paleness”. (Hawthorne 292) It seemed that Georgiana had a fear of Aylmer that made her extremely uneasy. Aylmer knew that staring at Georgiana would make
Hawthorne uses imagery sense of smell to get readers to imagine the scene, “When Georgiana recovered consciousness she found herself breathing an atmosphere of penetrating fragrance, the gentle potency of which had recalled her from her deathlike faintness” (Hawthorne). “The Birthmark” also creates irony with “Aminadab, the less inferior man to Aylmer is the one who speaks sensible to Aylmer by disclaiming that if Georgiana was his wife, he would not try to remove the birthmark” (“The Birthmark”). The figurative language helps enhance the story. Nathaniel Hawthorne’s meaning for the story was a man’s strive to perfection only caused the death of his wife. Aylmer was too focused on what perfect could be, and Georgiana blindly agrees with him and decides to remove the birthmark, despite never having a problem with it.
Although both Georgiana and Jane lived the same era, in which their husbands dominated them, their behaviors, social reputation, and tolerance differed. Georgiana from “The Birthmark” and Jane, from “The Yellow
The hand serves as the image of mankind. Aylmer sees his wife’s birthmark as “the symbol of his wife’s liability to sin, sorrow, decay, and death” (2). The way he views the mark on her cheek serves as a reminder that death is inevitable for both him and Georgiana. It contrasts Aylmer’s idea of achieving perfection through science and it disturbs him. When Aylmer dreams of removing Georgiana’s birthmark, he sees that the hand’s “tiny grasp appeared to have caught hold of Georgiana’s heart; whence, however her husband was inexorably resolved to cut or wrench it away,” (3).
Equally Aylmer and Dr. Rappiccini, both characters in Hawthorne’s works causes destruction of human life with selfish aims to perfect the woman of their choice. In the case of Aylmer’s love interest in science, just as with the case of Beatrice’s father, blinds him to the true beauty and humanity of the woman before him. Aylmer views Georgiana’s birthmark as a symbol of imperfection and tries to remove it. At the end of the story, Georgiana say, "My poor Aylmer," she repeated, with a more than human tenderness, "you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer.
When Aylmer and Georgiana got married, Georgiana was taken from her mothers home, making her complete dependent on Aylmer and his opinions. In addition to this, Aylmer’s belief hat he is better than God, and has the ability to remove Georgiana’s birthmark, creates inequality in their relationship. Finally, due to Georgiana’s obsession with what Aylmer thinks of her, paired with Aylmer's rude looks and comments, leads her to do something
“Good fiction creates empathy. A novel takes you somewhere and asks you to look through the eyes of another person, to live another life”. (Barbara Kingsolver) Fiction is an imaginary thing or event, postulated for the purposes of argument or explanation as defined by Dictionary.com. There are many literary devices that writers incorporate into their works. The main reason literary devices are used is to connect with the reader.
Aylmer is consumed with a pursuit of perfection in his scientific studies and also in nature. The leads to Aylmer being appalled at the blemish on his wife Georgiana’s cheek. He tells Georgiana “you came so nearly perfect from the hand of Nature, that this slightest possible defect..shocks me, as being the visible mark of earthly imperfection” (216). This is the catalyst for Aylmer's seeking for perfection in his wife who is a natural being. Aylmer recognizes that there is a “fatal flaw of humanity, which Nature...stamps ineffaceable on all her productions” (216).