The first word of god in Oedipus the King commands the citizens of the plague-infested city to “drive out, and not to leave uncured within this country, a pollution we have nourished in our land” (96-98). As a character soon clarifies, it means that in order to end the plague, the killer of the past king must be driven out. This heavily implies that the plague is a product of the gods that is meant to punish Oedipus. If the prophecy does not exist, or if the plague does not exist, or even if the condition for relief is
Greek tragedies are known for their fateful plots and calamitous endings. Sophocles delivers such a dramatic play with his tragedy Oedipus Rex. Oedipus is a tragic hero with unusual origins. His actual origins are unknown to him at first, but when all is revealed, his tale ends in an inevitably tragic resolution. A prophecy that cannot be ignored or altered, no matter how much Oedipus tries, tells a twisted tale of Oedipus’ actions, and its fulfillment reveals Oedipus’ crooked relations with his mother and father.
In all literary tragedies, the tragic hero suffers and usually dies at the end. A tragic hero is a character that makes an error in judgement that leads to their downfall. Prince Hamlet is an example of a Shakespearean tragic hero. A tragic hero must possess many good traits, but also possess a flaw that ultimately leads to his downfall. In the Shakespearean play, Hamlet, the tragedy of a young prince’s attempt to extract revenge upon the man who murdered his father is the central idea.
However, he murdered Polonius impulsively. Hamlet’s inability to make decisions properly led to his impulsive actions, which caused the death of the people he cared about. He had many opportunities to kill Claudius and complete his revenge before anyone else died, but he refused to act. Hamlet himself realized that and said, “But I am pigeon-liver 'd and lack gall / To make oppression bitter.” Hamlet didn’t feel he was capable of righting the wrong Claudius committed. If Hamlet had accepted Claudius as king and forgiven his mother or had completely committed to carrying out revenge, the play would have ended much differently, but Hamlet’s indecisiveness presented him from doing either.
(Scene 1. 39-42) Creon must rule with iron fist in order to gain respect from the people. He loses two family members,, takes the throne, and must banish the prayers for his poor, fallen nephew. Additionally, Creon loses his wife and son in scene five. CREON.
Throughout Book 22, Achilles tries again and again to chase down and kill Hector, and is finally able to do so. Before he actually kills Hector, he tells him “I wish my stomach would let me cut off you flesh in strips and eat it raw for what you’ve done to me” (Iliad, Book 22, 384-86). Shortly after Achilles allows the Greeks to stand around and continually stab the corpse of Hector. However, not even this brutality satisfied Achilles. Eventually, he ended up completely disgracing Hector’s dead body in front of all of Troy, tying him up to a chariot and dragging him around, being “defiled in his own native land” (Iliad, Book 22, 449).
The stress of liability under the powers of the throne caused a lot of built up rage to come out through Creon during the time of the prince 's deaths. The king carried a very palpable fault with him which shined through in this rulings and reactions about Polyneices ' burial. However, a personality flaw is one of the most self-evident characteristics of a tragic hero. Creon 's hubris, or extreme pride, leads him to many irrational choices and conversations with his closest loved ones. At the news of his nephew 's deaths, Creon makes a sudden decision on behalf of the men stating that "Polyneices... is to have no burial.
This much is true for Victor’s failure to take responsibility for not only teaching his creation about life but also failure to take responsibility for the actions of his creation. “Frankenstein! You belong then to my enemy… you shall be my first victim” (153). Victor’s knows that he is responsible for the death of William because he abandoned his creation and made the monster learn the hard way that he would not be accepted into society. But he has no choice but to let Justine take the fall for the death of his brother because he fears being seen as a madman.
The guilt is eating him alive. Macduff is a part of Macbeth’s fate as well. From day one, Macduff is suspicious of Macbeth’s climb to the throne. For example, he leads a crusade to take down Macbeth and reclaims the throne to Malcolm. Macbeth’s fate is not just determined by Malcolm reclaiming the throne, but revenge for murdering Macduff’s family.
Hamlet: A Complex Tragic Hero A man cannot become a tragic hero until he comprehends the reason for his own demise, a rule which provides the framework for all tragedies. Hamlet, by William Shakespeare, is a play set during the late middle ages in the royal palace of Elsinore with the grieving prince Hamlet in center stage. Many argue that Hamlet is the quintessential tragedy, as it is dominated by one character and his struggle to justify his father’s death at the hands of his uncle and now stepfather. Hamlet’s tragedy and tragic flaw specifically highlight the delicate nature of revenge and procrastination. Aristotle once said, A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language; in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.