Colorless Chrysanthemum “The Chrysanthemums” is a short story by John Steinbeck that is about a woman named Elisa, a woman who spends all of her time gardening her prized chrysanthemums; these prized chrysanthemums symbolize Elisa’s role as a woman. Steinbeck shows this role as a woman in several way; the chrysanthemums first symbolize Elisa’s maternal instinct, and her want for children, the chrysanthemums then symbolize Elisa’s sexuality and then her femininity. The chrysanthemums first symbolize Elisa’s natural maternal instinct, and her want for children. Elisa is thirty-five year old woman, and while it is still possible for a woman of her age to become pregnant, it is quite a bit harder, with a tendency for more complications. Since …show more content…
Elisa tends to the chrysanthemums frequently, and is very protective of the flowers, just as a mother would tend to her child frequently, and would be very protective of her child. Elisa also keeps her chrysanthemums fenced in, separate from the ranch and protected from chickens, cattle, and dogs. This literal barrier put in place by Elisa keeps her symbolic children out of harms reach. Elisa also keeps her chrysanthemums safe from pests like aphids, sowbugs, snails and cutworms. Elisa does this with “[h]er terrier fingers [which] destroyed such pests before they could get started” (205). These aphids, sowbugs, snails, and cutworms are all harms to the health of the chrysanthemums, and as a good mother, Elisa removes all these pests before they can do any harm to her children. Since the chrysanthemums symbolize her children, Elisa is proud of them just as she would be of a human child. When Henry compliments Elisa’s …show more content…
Elisa is not the most feminine woman, “[h]er figure look[s] blocked and heavy in her gardening costume…” (204). This imagery of a heavy, blocked figure is very masculine which contrasts from the feminine, nurturing imagery of Elisa caring for her chrysanthemums as if they were her children. This hard and masculine image of Elisa leads to a lack of romance within her and Henry’s marriage. Elisa feels as though Henry doesn’t see her as feminine which causes her to be hostile toward Henry. While Henry seems aloof of Elisa’s needs, Elisa is not quick to tell Henry what her needs are; this lack of communication not only adds to Elisa’s frustration, but leaves her unable to properly handle the Tinker. When Elisa meets the Tinker, her masculine, hard façade, quickly diminishes and completely disappears after he says a few pretty words. As soon as the tinker admires Elisa’s chrysanthemums, Elisa tears “…off the battered hat and [shakes] out her dark pretty hair” (208). The image of dark pretty hair that the tinker sees is completely opposite from the blocked and heavy figure that Henry sees. Since the tinker shows what Elisa believes to be, genuine interest in the chrysanthemums, Elisa begins to literally shed her masculine image, and replaces it with the femininity that Henry is unable to see. The
Lizabeth and the children “hated those marigolds”, those peculiar organisms “interfered with the perfect ugliness of the place” their beauty “said too much”; it “did not make sense” nor did the necessity to uproot “weeds” (Collier 8). The children, or the weeds, felt intimidated by these beautiful and loved marigolds. They feared the imbalance. Revenge was sought. Lizabeth and the children would destroy the flowers.
Further supporting Henry’s expectations, the way Elisa dresses while she gardens, downplays her femininity. As Elisa is busy working in the fields, her hair gets in her way and she moves it to the side. In the process she “left a smudge of earth on her cheek” (1). Having dirt on her face did not concern her, and so she did not take time to remove it. In Elisa’s mind, tending her garden allows her to find inner happiness amongst her chrysanthemums.
Innocence is as delicate as a flower. The innocence that a young child possesses is something that can’t withstand the harshness and roughness of the world. In the short story, “Things That Don’t Kill Lightning Bugs'', written by Brenden Willey, the main character in the story is a young boy who is forced to face reality because of the reaction of his mother towards reuniting him and his father. The boy and his father go on a trip to re-establish the relationship that was broken. Willey uses natural symbols like the horned owl, the lightning bugs, and the dog to display the growth and response to losing his innocence.
The next day, Lily goes to meet August by the beehives. August shows Lily a beehive that’s missing a queen bee. As they look at the hive, August reminds Lily of the story of the runaway nun. The point of the story, August claims, was that in Deborah’s absence, the Lady of Chains could be a mother for Lily. She adds that Mary isn’t just a statue: she’s something inside Lily.
Like Elisa the chrysanthemums are confined to a restricted area where they are not for sale so others may enjoy its beauty. The chrysanthemums stay in the garden just for Elisa’s enjoyment. Elisa is seen the same way by being confined to her life on the farm and in her marriage, where she is
3. Explore how Hurston uses elements of nature as a metaphor for Janie's life. Hurston shames us immodestly with grotesque glimpses of our protagonist, Janie, whose life delicates through painful metaphors within the terrestrial veils of her world. They flutter and furiate like a beating heart, gasping in the polluted industry of sentience. In Their Eyes Were Watching God this chivalry of language erotosizes the ideas that human existence can translate into forms of seemingly ethereal aesthetics.
The Chrysanthemums Literary Analysis One of the themes of “The Chrysanthemums” by John Steinbeck is gender inequality. In this short story, the main character Elisa Allen was a strong, smart woman who was stuck being a common housewife. Elisa wishes she could go out and be like the tinker, sleeping under the stars and adventuring every day of her life. Elisa’s husband owns a ranch of some sorts, and when he tells Elisa of the business deal he’d just made he gave her an unspecific explanation, or a dumbed down one so he doesn’t “confuse her”.
The name “Daisy” gives the image of beautiful flowers. Daisy’s presence is like the presence of beautiful flowers used to be displayed. There is nothing terrifying about the image of flowers. In fact, flowers are just known to be objects that display its own beauty. The purpose of Daisy’s presence is to just display the beauty and the brightness of her beautiful face, just like flowers purpose to be displayed is to show its beauty.
In John Steinbacks “The Chrysanthemums,” the shift of the setting from the ranch to the road plays an important role in the development of the main character, Elisa. Therefore, in the first setting, Elisa is in her garden attending to her the chrysanthemums, which she loves and cares for. Immediately, we’re placed in a rural setting, where women happen to live in isolation and man is manly. Elisa sneaks quick glances towards the men by the tractor shed, who is talking to her husband, waiting for them to leave, so she can throw aside her gloves and work her fingers into the soil of the garden. However, Elisa shows her fearless side by quickly digging in the garden, with her eagerness to grow her chrysanthemums, right after the men leave.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
Throughout the play Mama has a small potted plant that she cares deeply about. Not only does this small plant represent her family’s delayed dreams for a better future, but it also represents Mama’s constant care for her family. “Growing doggedly in a small pot by the apartment’s kitchen window, Mama’s plant has “spirit” despite the fact that this little old plant...ain’t never had enough sunshine or nothin.” This plant connects to the family by sharing the need of desires. For example, the plant needs sunshine to thrive and grow big and strong.
An azalea is known for its softness and is often given to the ones you love. Maudie makes sure to be soft and gentle with the children as they are emotionally hurt from the result of the trial.
In a simile, she compares gardening to “boxing… The wins versus the losses” (Hudes 16). Through this comparison, Hudes conveys Ginny’s deep desire for a sense of control and success in her life. This desire is fed by the memory of her father, who was only bearable when he was gardening. Specifically, the assertion of this desire for control is evident as she recalls that her father “was a mean bastard…” but “became a saint if you put a flower in his hand” (Hudes 15). From those experiences of dealing with her father, a psychological analogy between nature and peace was instilled in Ginny’s mind at a young age, and is what she relies on as an adult to handle her emotional trauma.
There are many times in life where a person’s actions, while dishonest, will not have a large effect on the lives of other people and can therefore be considered insignificant. However, this is not the case regarding Mayella Ewell, a young girl who lied during the testimony of her own rape case, leading to the wrongful conviction of the defendant, Tom Robinson. The following arguments will explain why Mayella should be held fully and solely responsible for her actions regarding the Tom Robinson case.
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.