The Colour Out Of Space Literary Analysis

Monsters and Narrative : The construction of the fears from within the text in Frankenstein and Dr. Jekyll and Mr. Hyde Gothic literature, more often than not, deals with monsters. The monster is a representation of the strongest fears and the more hidden desires of the society in which the book is written. In The Strange Case of Dr Jekyll and Mr. Hyde, as in Frankenstein, this fear is also contrasted with the narration of each story. In other words, the fear represented through each monster is exalted with the way each story is narrated. In both stories the monster is a creation of scientific research but each one threatens the world in different ways.

Lady Macbeth wants to be a controlling figure in his life and please him rather than herself. It is prone for women to burn-out and become depressed because they are more likely than men to be people pleasers who often ignore their own needs (Cape Times 2013). Although she demonstrates a strong character in the play, sometimes characters lead to their own downfall. With all these troubles that build up, Lady Macbeth deteriorates more and more each time to the point where she visits a doctor. The doctor concerns about her mental health and says, “Look after her./

Irrationalism-- Frankenstein as Gothic Fiction Gothicsim, also known as black romanticism, is a literary genre that emerged as a reaction to the Enlightenment, the Industrial Revolution and neo-classicalism and is a revival to irrationalism. These novels are usually set against the ruins of an ancient castle or the wilderness. The horror of the plot is filled with death, murder, incest and usurpation, ghosts and all kinds of unexplained supernatural phenomena. The atmosphere of the novel is gloomy and mysterious.

Blanche ultimately deteriorates to madness when she lies to herself and others repeatedly telling others that Shep Huntleigh will come take her. She eludes herself to the extent of taking action by writing a fake telegram to him starting with "Darling Shep. Sister and I in desperate situation."(78). but cannot seem to keep up the illusion as she stops writing the telegram. She believes her own lie so much that she does not realise that Stella, Unice and Stanley are taking her away to a mental institution.

Horror, by definition, is a fictional novel in which the writers intention is to scare, disgust, or frighten the reader. Common elements of horror include paranormality, mystery, dread, fear, surprise, etc. Horror stories could have a good development, or sudden terror and fear. In a horror novel with long development, dread is an essential component. As events build up, dread builds up, making the reader anxious for the next action.

Other than the fact that Gulliver’s Travels is a satire and a fantasy novel, what else does it represent? Gulliver’s Travels as a comedy, travelogue and a Science Fiction Gulliver’s travel is a novel written by an Anglo-Irish writer Jonathan Swift. Jonathan swift used to be a writer for The Whigs, and later he wrote for the Tories. Gulliver’s

By the end of the play, Lady Macbeth realized the consequences her and her husband are going through. She tried to save her out of control relationship by drawing him from plotting. However, she was too weakened by her own psychological guilt that left her drained and was unable to stop Macbeth. In fact, due to her guilt of taking part of the murdering, she started sleepwalking and having delirious visions. These visions make her believe she has blood on her hands that can’t was off, symbolizing what’s done cannot be undone.

Living in a society lacking knowledge or proper medical procedures, it is reasonable that many people, including the narrators of the two stories, would deny their condition or try to avoid being placed in a harsh environment. Being highly misunderstood, however, mental illness was still treated as taboo. As such, those suffering disorders may not be taken seriously--especially if you were a woman. Elisabet Rakel Sigurdar outlines this issue, prominent in “The Yellow Wallpaper”: “The story depicts both the insanity of the narrator, as well as the helplessness that came with being a woman in the nineteenth century. The narrator's husband oppresses and infantilizes her, constantly belittling her needs and dismissing her concern that the treatment is only making her worse” (Sigurdar 18).

A recurring theme within Bradbury’s writing is, people are dispensable. Mildred Montag, the protagonist’s wife, is a morbidly depressed woman who is one of the many victims at the heart of this truth. With not much of a connection to her husband, she turns to technology to help numb her. She is constantly listening to her “seashells,” our equivalent of earbuds, blocking out who and what is happening around her or engaging with the television instead of spending time with real people.

The husband decides everything for the protagonist and thinking it’s for her own good, but eventually his methods proves to worsen her illness, she can’t even write. She also has a brother, who is a doctor that doesn’t really help her on her sickness and just orders her to rest. The poor character has two family members that should be helping her, instead they are making her worse, even though that is not their intentions. In the story, she suffers from a mental breakdown after she obsesses over a wallpaper that consumes her every moment. She starts acting paranoid because of the things she is seeing in the yellow wallpaper.

I almost wonder if Gilman was trying to speak out facetiously through the story about how mistreatment of the mentally ill is a phenomenon that will continue to take place in the future. Furthermore, Jane was ill, and having been mistreated in her circumstance only made her existing condition and also the unpleasant topic for me worse. Looking at this story with Feminist theory in mind would be fitting, as her husband dismissed her voiced needs because he believed he knew what was best for her and she did not. I interpret this selection of text as sexism; though I’m sure he loved her very much, he was still controlling and believed she couldn’t think for herself for she was a woman.

Throughout the whole story, many can be picked in the parable that has characteristics to a typical dark romanticism. The characteristics show on the Black Veil in the style that is unique to Gothic literature and other elements. The Black Veil is known as the secret sin of Mr. Hooper, many want to know what it is but Mr. Hooper keeps it to himself. This shows the characteristic known for his mysterious face that is covered by the black veil which translates on the mystery and suspense. This is a typical characteristic of the black veil being fearful and interesting to know about.

While creating the play Hamlet, William Shakespeare was able to incorporate different literary words and have them reflected into the characters personalities. Alienation takes four different forms; commodity, others, self, and identity. All four of these forms reflect different ways in which people become alienated by something, whether it be from other people, intended tasks or thoughts. Alienation specifically was evident in the character Ophelia. Her inability to be taken seriously at any point in her life and having no control over the decisions in her life shows how she is alienated in multiple forms.

Human beings have been long recognized as individuals who have a fundamental need for social contact. When a person is isolated from society, it becomes evident to how essential social interaction truly is. Isolation can be defined as a reduction in the level of sensory and social stimulation experienced, with possible limitation on physical space or movement, potentially leading to feelings of loneliness (Gilmartin, Grota & Sousa, 2013). To further identify the concept of isolation, Gilmartin et al (2013) defines two major attributes that will be discussed, this includes social isolation and confinement. Social isolation refers to an individual who is separated from other persons, consequently interfering with the ability to communicate.