The Concept Of Death In The Art Of Damien Hirst
Introduction
The concept of this essay is to explore the idea of death in artworks of Damien Hirst. His works recast fundamental questions concerning the meaning of life and the fragility of biological existence.” [0] “ Hirst explores different human experiences like: love, life, death, and loyalty through unexpected and unconventional media.”[1] Blurring the lines between art and business like Warhol before him. For the viewer, looking through the vitrine is “Damien concept looking through the window or barrier, seducing the viewer into the work visually while providing a minimalist geometry to objectify his subject.”_
Damien Hirst was born in Bristol, UK in 1965. And became one of the wealthiest living artists today. Looking at Hirst’s artworks death is the central theme in its works, and the most known series, of the artist is the series called “Natural History” created in 1989 It includes the dead animals like a shark “The impossibility of death in the mind of someone living “1991, sheep “Away from the Flock 1994” and a cow “Mother and Child 1965” in formaldehyde.
Damien Hirst is a leading member of a group of the Young British Artists. Who were known for their unusual materials, which were used and appeared in a great, shocking work for the viewer, for example a formaldehyde and shark. He is an influential successful and controversial artist that created a shift in thinking about art. His use of the title and use of controversial media expand. His art is in popular
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