1), will be done for further understanding of the points and how it relates to its design. Critical regionalism was first introduced as an architectural concept by Alex Tzonis and Liliane Lefaive and later by Kenneth Frampton. According to Frampton, the strategy of critical regionalism is “to mediate the impact of universal civilisation with elements derived indirectly from the peculiarities of a particular place” (Frampton 1983: 21). The role of critical regionalism is to create a form of resistance to certain methods of architecture like “normative, universal standards, practices, forms, and technological and economic conditions” (Eggener 2002: 395). Critical regionalism is difficult to define
Enric is best known for his experimental regionalist style due to his attempt at blending traditions with a modernist twist. This paper is to re-evaluate Enric’s architecture and show how regionalist interpretations of his work within ‘regionalism’. I want to show how his work has been inhibited by a form of thinking within modernity. Critics have failed to
The key topics covered comprise of: - Principles of whole life building cost analysis. - The use of information and data sources for whole life building cost analysis. - The link between sustainable buildings and whole life cost analysis. - The mathematical models and calculations used in the whole life building cost analysis. This includes drawbacks and associated critics to these methods with respect to ascertaining
Theory of phenomenological approach toward the Devine and Light Architecture and Design is an experience,unique responsibility of an architect. The theory of phenomenology acknowledges these responsibility by implementing sensory design in order to establish experiential, architectural space. Phenomenology demonstrated in architecture is the manipulation of space, material, and light and shadow to create a memorable encounter through an impact on the human senses. The theory of phenomelogy provides a completely different perspective towards architecture and what architecture is to society. promoting the integration of sensory perception as a function of a built form.
In these cases, new additions can be removed or to make the exterior more compatible with the character of the historic building (Grimmer and Weeks, 2010) to determine if an existing additions are significant or not. In addition, the roofline is important because it should be protecting the character and appearance of the existing building. New additions should be compatible with the historic building and the character of the neighborhood. Compatibility is achieved thorough application of the following design principles such as Structure, Massing, Materials, Roof Shapes, Details and Ornamentation, and Reversibility (Grimmer and Weeks, 2010). Mentioned information should be considered in the design of rooftop extension that would be discussed in this
At that point instructing our own particular dialect to our descendants has the impact to some extent, of setting their considerations in a scholarly point where they can imagine the world in their own particular form (Piattelli-Palmarini, 1980). As per Geller (1982, p. 72), Maslow theory infers that the burden of cultural standards is unessential and damaging of our remarkable potential as humans. Maslow inability to recognize the need to learn cultural standards may have originated different sources. Maslow may have expected that pluralistic social orders are the main reason for this one of a kind blend of need we each acquire. A final problem identified with Maslow 's nativist thesis is that it concerns values instead of logic, that we need to live with what we have provided by nature.
Facade as a primary first element to encounter (its responsibility to expression) Because of facade registers first, when we approach any building, that identifies the building.thus designing facade is a crucial part. As the facade is principal front/face of the building that faces onto a street or open space, to mitigate building with outside context facade needs to express the responsibilities. "the facade, then, is a place where, in the service of rhetorical effect, the corporeality of architecture is compromised. It may well rely on the emphatic inclusion of material substance, even if faked, as an especially powerful expressive device." - Charles Burroughs.
Introduction The aim of this essay is to study the relationship between spaces, buildings and cities in deep and how they contribute to each other by learning from previous influential architectural principles in the early age and generate towards a new type of integrated theory for current Hong Kong architecture. Theoretical preliminary Space is created and enveloped by numbers of surfaces, which usually houses particular function. It is the core / spirit of architecture, which allows people to receive immediate primary sensation that architecture expresses. The sensation could be an expression of the architect or a memorial of special moment or events in different time period. According to Bryan Lawson, in his book “Language of Space”,
As the concept of identity in Architecture is based on a theoretical view which is that the elements, shapes and variant aspects of architecture reflect the lifestyle of the people and the society that produces it. Place identity involves a set of ideas about the place and its identity in many fields including urban planning, landscape design, and urban sociology. This term regards the meaning of places, their symbols, and the significance they have on the inhabitants and the users. Consequently, place identity frames an item of personal identity out of which individuals portray themselves in terms of belonging to a particular space. It can be referred to as the urban character, local character, and neighborhood character depending on the scale.
This statement expresses the importance of both, the built and the un-built spaces in the urban fabric. Both co-exist and are of vital importance to the development of any city. In his book, The Architecture of Towns and Cities, Paul D. Spreiregen mentions that the spaces of the city range from the space of the street to the space of a park system and, ultimately, to the vast space in which an entire city exists; these spaces can be thought of as two basic types: Formal or urban spaces: moulded by building facades and the city’s floor Natural open spaces: represents nature brought into, and around, the city (Spreiregen, 1965, p.55) Piazza del Campo as an example of a formal/ urban space Source: www.canberra.edu.au A natural Open Space Source: