In both Rive’s The Dagga-smoker’s Dream and Gqola’s Clarity of a Third Class Compartment the narrative perspectives have a significant effect on the reader’s interpretation and experience of their stories. This effect will be explored by comparing and contrasting the events in these stories and how the narrative perspective influenced how they are understood.
Narrative perspective can also be called focalisation as it is concerned with the question of who is seeing or perceiving (Grunbaum 3). In Rive’s story the narrator is a man, Karel, an active participator in the story while in Gqola’s story the narrator is an unnamed woman who never truly acts out. The difference in gender of the characters as well as their roles in the stories’ plot
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The narrator in The Dagga-smoker’s Dream is the culprit telling the reader about how he horrifically and for unknown reasons to himself kicked Honey, who the reader can assume to be his girlfriend, “insensible” and how he then proceeded to harass another girl on the train, for entertainment’s sake, to the point that she had to leave the compartment (Rive 127). This is a very negative and destructive narrative, without any solution to the issues raised like racism, domestic violence and poverty. Meanwhile in Clarity of a Third Class Compartment the narrator’s emotions range from irritation at the filth and crowds of the train station, fear of the gang, embarrassment of her cowardice, relief for the girls safety and finally to optimism that “things are really not as bad as they sometimes seem” (Gqola 94). A story ending in a positive and hopeful way, knowing that the evils as in The Dagga-smoker’s Dream do exist but that no greater force for unity exists than a common enemy. As a unit people can stand up against the difficulties of society. She also saw the smaller things in her day that made her happy and the last word is “okay”,
Just as the yellow wallpaper symbolizes gender inequality, escaping from the this cage of discrimination and oppression on women springs the rising of feminism. At the end of another story, the narrator is able to grasp an understanding of Sonny’s values and struggles, along with a salvation of his own. For all this time a seemingly rebellious and depressive figure of Sonny is illustrated, a soul of freedom and his values are conveyed in the music. Contrastingly, despite of a stable life of being a middle-class high school teacher, the narrator is trapped in Harlem both physically and mentally. Unlike Sonny, escaping from the neighbourhood of “boiling sea” that’s filled with people of rage and depression rarely seems an idea that occurs to the narrator ’s mind.
As I sit and contemplate of ways to get by, I can barley contain my hunger from the aroma of roasted peanuts and the whisky from the two overbearing guys. **Train sound** I cautiously close my weary eyes only to be awaken from a fearfulness dream of bystanders laughing and a train pursing me. The curtain is slowly ascending this could be my only chance for my love to survive.
Can point of view change how you develop a character? By using first person point of view, the authors of The Georges and the Jewels and Black Beauty: The Autobiography of a Horse quite effectively develop each character. For example, if the reader did not know that the bit tasted bad and the straps were uncomfortable, he/she may assume that the bit was made for a custom fit for the horse and the mouthpiece tasted like strawberries. First, in The Georges and the Jewels by Jane Smiley, a girl’s father has her ride and train horses even though she think the horses have feelings and don't like the gear and the training. Paragraph 10 states,”...
The aforementioned perspectives are explored through the limited omniscient third person narrator, who narrates in a factual tone and provides the lens from which events are viewed. Although the narrator is omniscient in the traditional sense, as he or she has access to the thoughts of all characters, the narrator is limited in that he or she solely follows Anton’s journey. Consequently, the events that transpired previous to and following the assault remain ambiguous and fluctuate as new information is introduced by supporting characters. Within the exposition, The Assault features Anton’s perspective on the events leading up to the incident.
Narrative point of view can express a different perspective to the reader by presenting experience, voice, and setting. Perspective is a particular way or attitude of considering events, by whatever character’s point of view the narrator takes. A character’s background and experiences in their life is a key to help the reader relate to the character. Culture may provide more insight about the circumstances, and can change a reader’s perspective, as well as the voice of the narrator - sophisticated or naive.
It might surprise readers to know that, by the use of this lens, traces of these subjects can be found in almost any work despite the original nature and intent of the tale. A prime example demonstrating the power of the Marxist lens can be seen when the lens is applied to Kate Chopin’s short story, “The Story of an Hour”. This short conte depicts the brief sentiment of freedom felt by the fictitious character Mrs. Mallard as she learns that her husband has been killed in a railroad accident. However, her blissful reverie is put to death by death itself when her husband, alive and well, walks through the doors of their home to meet her. On the surface, this would appear to be a tale void of social, political, or economic association; how could such logical themes develop in such an emotional tale?
The narrator is no longer able to determine the difference from reality from her illusions. Such as seeing the woman in the wallpaper move, which means that the narrator is the touch with reality and wishes to do what she wants. In addition, she also sees the woman not only in the wallpaper, but imagines that the room she is staying in used is meant to be something but in reality, it was a room to keep her. Moreover, the narrator cannot express herself because society will not allow it and is dominated by her role as a woman. People have beliefs that short stories that are deemed reliable.
In literature, writers use a variety of points of view to convey their plot; these points of view can be first person, second person, or third person. In “The Tell-Tale Heart”, the unnamed narrator describes he or she killing an old man. “Harrison Bergeron” is a dystopian story about Americans in the future that have handicaps in order for them to be equal. “A Good Man is Hard to Find” tells the story of a grandmother and her family taking a trip to Florida that went wrong.
In the analysis of “Geraldine Moore the Poet” by Toni Cade Bambara the reader can see how the three aspects tie into the theme. The point of view of a story in the angle in which it is written. It shows the reader the opinions or feelings of an individual. First person, second person, and third person are the three major kinds of point of view in which a story can be told. Third person can sometimes break off into third person omniscient or limited.
In Alice Munro’s short story, “Dimensions”, we follow a young woman, and her addiction to her husband. The theme is of course dependence/independence as we go by the main character’s development, from being dependent, to become independent. We as readers get dragged very deep into the characters and their circumstances, as the narrator is a third-person narrator. This
“On the Subway,” written by Sharon Olds, is written from the perspective of what is presumed to be an upper class white woman, who finds herself on a subway with a lower class black boy. In “On the Subway”, Olds focuses on the controversial issue of racial conflict, and the theme of White v. Black. She does so by use of contrast between whites and blacks, by using harsh enjambments, powerful imagery, and by using the tone to convey the purpose. A major strategy used by Olds throughout the poem is contrast; in this case, the contrast between blacks and whites.
Have you ever dived head first into a piece of writing that has you swimming laps across the pool because of all the great things the writer fills the piece with? Brian Doyle is such a writer that could do just that. He is mesmerizingly alluring throughout his writing to say the least. Most all of Doyle’s pieces seem to reflect his appreciation of language; words, phrases, sentences, how things sound and more. The essay entitled “The Meteorites”, by Brian Doyle, is really well written due to the fact of his well thought out diction, which flows throughout the essay while having imagery intimidatingly piggy back along.
In order to appreciate Joyce’s expertly crafted tale, one must examine the way in which
This shows a balance between gender roles, as well as the embracing progressive changes within culture and society. In the story “The Story of an Hour,” by Kate Chopin, a third-person omniscient narrator, relates how Mrs. Louise Mallard, the protagonist, experiences the euphoria of freedom rather than the grief of loneliness after hearing about her husband’s death. Later, when Mrs. Mallard discovers that her husband, Mr. Brently Mallard, still lives, she realizes that all her aspiration for freedom has gone. The shock and disappointment kills Mrs. Mallard.
Introduction Nawal el Sadaawi employs a frame narrative and first person perspective in her novel ”Woman at Point Zero” in order to invoke a sense of authenticity and immediacy of the story, and by using this form of narrative, is able to give the character of Firdaus a powerfull voice which speaks with dignity and truth. The frame narrative and first person perspective in the novel is used as a way for readers to identify with the doctor. The character and the narrative are used to introduce the power and dignity that Firdaus possesses and provide readers with a reliable and trustworthy source. In effect the doctor serves as a replacement for the reader and shape the way in which we understand the character of Firdaus.