In Frankenstein, Mary Shelley tells a fictitious tale of the scientist Victor Frankenstein executing his dream of forming life. As soon as his creation awakens, Frankenstein sprints away full of disappointment and dread. Consequently, this sparks the beginning of the creature’s infamous attitude of anger. Despite him carrying around the stereotype of emitting evil, the creature counters it throughout the novel. Part of the novel examines his immense kindness and his unavoidable loneliness.
Beginning with Victor abandoning the creature at birth, the series of revenge and hatred-filled events begin to occur as both attempt to find justice and retribution. The creature stole the lives of everyone beloved by Victor, and Victor stole the monster’s chance at happiness by abandoning him. As the characters continuously harm each other, their isolation increases as well as their sanity. In the end, numerous family members perish, Victor Frankenstein dies of physical exhaustion, and the creature conveys his desire to
Mary Shelley, the author of Frankenstein wrote the novel as an attempt to be involved into a group ghost story writing competition what she did not know was the effects it would have on literature for the rest of time. The story Frankenstein is about a young man named Victor Frankenstein who is obsessed with discovering something that has never been seen or done. In seeing a tree being stricken by lightning he gets the idea to create life out of dead skins and body parts of the dead to create this being. What he did not know was going to occur was that this monster would be the death of him. Mary Shelley uses the idea of progress which is the consequences or effects of a person or a thing in another one’s doing. Throughout the book Mary Shelley
Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”
Though, the creature is often referred to as the monster, he cannot be viewed as one-dimensional. He is responsible for the murders of William, the younger brother, Henry Clerval, Victor’s friend, and Elizabeth Lavenza, as well as being responsible for the hanging of Justine, the maid of the Frankenstein’s. Although the creature took revenge because of his anger and bitterness, it can be said that he was not born with those character traits. He became such a being due to Victor’s rejection. He experiences hate from the very beginning as Victor is horrified by his creation.
By denying both main characters the sensation of domestic affection, or any other kind of social belonging, Mary Shelley highlights the importance thereof. The resulting isolation became the driving force behind both Frankenstein and his creation’s abominable actions which, in turn, shows that trying to avoid isolation and seeking the feeling of social belonging is the primary message of Mary Shelley’s Frankenstein and of
The novel Frankenstein brings to light many problems and situations that shed light on the faults of mankind. Cruelty was a huge factor in the novel; throughout Frankenstein is cruel to his body and to his creation. When he first makes the creature he runs from it, leaving the creature to fend for himself; even when reuniting with the creature he continues displays cruelty. The creature, in turn exhibits Victor cruelty right back. Within Frankenstein cruelty can be attributed, often affecting both Victor and the creature; serving as a crucial motivator and revealing their anger, pain, frustration till eventually both die.
However, according to Laurence M. Porter, as soon as Frankenstein actually succeeds in his goal, he “at some moments rejects his creature with horror and at others recognizes it as a sort of double,” both terrified and enthralled by its unnatural implications. However, Frankenstein’s shortsighted response to The Creature cause his failure to predict The Creature’s wrath and his narcissism causes his failure to prevent it. To illustrate, he cannot work up the courage to admit his indirect responsibility for his brother’s murder, instead allowing innocent Justine to take the fall, showing how his narcissism further accelerates the disintegration of his family. Instead of concerning himself with
Frankenstein: From Benevolent to Feind “I was benevolent and good; misery made me a fiend.” (Shelley 69) Said by Frankenstein’s monster, this quote truly defines him: initially an affectionate, love-seeking creature, he transformed into an enraged killer, angry at humanity for the undeservedly poor way he was treated. Victor Frankenstein is an unique, complex individual who encounters a similar change of nature for similar reasons. The quote—though spoken by the monster—encapsulates the evolution of Victor Frankenstein’s personality; misery—a product of isolation and loneliness—aroused a deterioration of temperament from an initially benevolent Frankenstein.
Virginia Brackett asserts in her analysis of the novel that “Due to the monster's rejection by the cottagers and other humans, Victor serves not only as his creator but also as the only social construct on which he can build his reality” As the creator of the creature, Victor adopted the responsibility of his creation and the duties that accompany it, however, instead of answering the call of duty he fled and disregarded his obligation to the creature. The creature
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.
In the narrative, Mary Shelley carefully introduces various aspects of the tradition of Romantic literature and thus, the novel can also be understood as a mirror to the society of that era. Few of the Romantic thoughts evident in Frankenstein are, the idea of individualism, yearning for a utopic state, nostalgic remembrance, the symbolic use of nature and most evidently, the presence of gothic elements that showcase intense emotions and horror. Furthermore, Shelley uses the voice of three different narrators-Walton, Victor and The Monster, to engage the audience and make them understand all the three viewpoints. Through the epistolary and framed narrative, she also continues to establish new themes as the novel proceeds. The skilful use of literary devices such as allusions, monologues, imagery and metaphors helps to dramatize the text and create an impact on the readers’ mind.
Mary Shelley’s Frankenstein uses the conflict between Victor and the creature, specifically their predatory relationship in their pursuit of revenge, to emphasize how revenge will consistently push or even exceed moral boundaries. The conflict between Victor and his creature is outlined in Frankenstein through the monster’s attempt to hurt Victor through the killing of William and Victor’s destruction of the creature’s future mate, representing how revenge often cultivates a normalization of immorality. Before William’s murder, the monster had been rejected by the DeLaceys and shot at for saving a young girl from drowning. As a result, the creature’s wish for revenge upon all