Defined by Frederick S. Frank as ‘a second self or alternate identity, sometimes, but not always, a physical twin’, the doppelganger, or the double, has been a recurring theme in literature for centuries (1987:435). The themes that occur in literature tend to reflect the interests and attitudes of the society and time period from which they originate, and whilst the popularity of the doppelganger motif has remained constant over the past few centuries, the depiction and interpretation of doubles has not. As Rosemary Jackson explains, “recent studies of the Doppelganger in literature have acknowledged its shift in the Romantic period from a supernatural motif to an increasingly self-conscious psychological function” (1986:46). Directly translated …show more content…
The physical double is normally depicted as the result of a supernatural or paranormal presence, an evil twin out to haunt the original character. In the case of the split-personality doppelganger however, the double comes to represent the darker half of the main character, a physical manifestation of the repressed parts of the primary self. Due to its dark nature, the split-personality doppelganger often takes on a beastly form, such as can be seen in Mary Shelley’s Frankenstein, and, more explicitly, in Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. …show more content…
Jekyll and Mr. Hyde (1886). The concept of the Shadow is evident in Stevenson’s work, whether he was aware of Jung’s terminology or not. The idea of a darker part of humanity that must be faced and dealt with is a clear theme in his work: Here, Hyde becomes a physical manifestation of Jekyll’s repressed unconscious, showing how the doppelganger may appropriate the body in order to act out the original characters repressed thoughts, ideas and desires. Freud notes that the double is often a representation of the shadowy, hideous part of our personality – this is evident in the case of Jekyll and Hyde, where Jekyll represents the rational, civilized and intellectual self, and Hyde the irrational, beast-like
A woman dresses as a man who is pretending to be a woman. She is a flamboyant drag queen one day and a staunch feminist the next, an admired trendsetter and a shunned deviant. Her behavior varies with those she interacts with—if they admire intellectualism, she speaks of Monet, quantum mechanics, and Ulysses; if they appreciate a raunchy sense of humor, she mirrors their uncouth gregariousness. She has multiple identities of both gender and personality. They are all authentically hers—some were bequeathed to her and others she chose.
WHEN A SPLIT-PERSONALITY DISORDER COMES IN HANDY William Shakespeare’s A Midsummer Night’s Dream is a play that is set in Athens, containing characters with English names, and half of the story takes place in a forest filled with fairies. There is no single grounding to this story as it contains multiple narratives and through this, it questions the singularity of any entity.
Self-awareness is arguably the most fundamental issue in psychology, developmentally and evolutionary according to infant and child development specialist Dr. Philippe Rochat. From birth to age four or five a child will gradually form self-perception. Seeing and touching are ways in which a child perceives themselves through another’s eyes which is a very important time in a child’s life. Dr. Rochat as well claims that without the proper guidance and support, the process of self-perception becomes torturous for a child. Mary Shelley depicts the fight to perceive one’s self in her gothic novel Frankenstein, through the miseries of the Monster created by the central character of the novel, Victor Frankenstein.
Both texts, make use of of the reader’s interpretations to depict the character’s physical
When hearing the story of a murder, we seldom withhold our comments of how malicious the murderer is. The reasoning behind their actions might as well cease to exist, as we would not want to believe that they share the same state of mind as a criminal. However, in John Gardner’s Grendel, we see that Grendel has morals and feelings, contrary to how he is portrayed in the poem the novel is derived from, Beowulf. Similarly, the monster in Mary Shelley’s Frankenstein shares the same emotional characteristics as Grendel, along with innocence at birth, the desire for a companion, and the pain of being an outsider.
In the novel, Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson explores the complexity of human nature. He uses characters and events in the novel to present his stance on the major theme: “man is not truly one, but truly two” (125). Branching from this major theme are many more specific views on the idea that human nature is divided into good and evil. Dr. Jekyll and Mr. Hyde are two very different people who occupy the same body. Human beings struggle with good and evil and Stevenson goes to the extreme to to show this relationship.
In “The Lay of the Werewolf”, Bisclavaret was able to see the true identity of humans when he took on his disguised identity. An archetype of a disguised identity is present through Bisclavaret, and also his wife, which sheds light onto her betrayal to him. Archetypes are details, plot patterns, character types, or themes that appear in the literature of many cultures (Doc E). Bisclavaret represents the typical disguised identity because his normal form is a human but when the time comes he transforms into his second identity of a werewolf. During the Middle Ages, having the ability to transform could only occur in demon-
This is being portrayed through the author separation of characters into the two distinctive
The creature, Victor Frankenstein’s creation, had to suffer and tolerate life without care, love, or identity. The creature was never given a name because Victor didn’t want his monster to become more human-like. It can reinforce that the creature is property, and not a human being that is loved and cared for. Names are important for everyone because it is the easiest way to have self-identity. The creature never received a Christian name throughout the story.
Greeting class and Mr Jolly, as you should know I am Annabelle. Identity is who you are as a person including your beliefs and qualities. Everything you do effects and changes your identity. Identity can be represented by using Visual texts and techniques. Gris Grimly’s graphic novel “Frankenstein”, published in 2013, explores the darkened lives of the Creator and Creature, capturing their characters moving and changing throughout their existence.
Mary Shelley wrote about the monster in Frankenstein who said “why did you form a monster so hideous that even you turned from me in disgust” (Shelley 105). Edgar Allan Poe described the character of Roderick Usher as no longer looking human after some unexplained circumstances had taken place. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke.
Jekyll and Mr. Hyde" brings the double personality theme, but, the story itself is about the mystery behind Dr. Jekyll and Mr. Hyde's connection. The whole story goes around Mr. Utterson - a decent lawyer - trying to find out what is wrong with his dear friend, Henry Jekyll, and what is his relationship with the devilish man, also known as Mr. Hyde. On the end of the story, the reader finds out that Mr. Hyde is Jekyll's evil side: the doctor was fascinated by the duality of human nature and decided to do some experiments to separate his two sides, the good one and the evil one. Henry Jekyll wanted to do things that he couldn't because of his reputation and social morals, therefore, the best and only way of doing what he really wanted to was to have another side that no one knew. On the other hand, he didn't know how evil his other side could be: Mr. Hyde was purely evil and Dr. Jekyll wasn't purely good.
In Victorian literature the idea of duality and the double present as a theme which is common. This ever present theme within literature from the fin de siecle of the Victorian Era allow readers of the text to be able to gain an insight into Victorian culture and the socialial ideals of the period. In using Stange Case Of Dr Jekyll and Mr Hyde by Robert Louis Stevenson and also The Picture Of Dorian Gray by Oscar Wilde allows the reader to gain an insight into the previlence of this theme, dispite themes within these novels being rejected by soicitey at the time. I will write about both of these works with the aim to analyise, compare and contrast the depiction of the double within the Picture of Dorian Gray and The Strange Case of Dr Jekyll
In literature, a doppelganger is a device used to shape a protagonist’s double. This double exhibits the ability to impersonate their original, but can also possess different morals and ethics that revolve around bringing a dilemma to the protagonist. The Double by Fyodor Dostoevsky uses the idea of a doppelganger when the main character, Golyadkin, finds an exact double of himself upon travel. His double ultimately has a goal of destroying Golyadkin’s reputation because he has the social skills that Golyadkin doesn’t, which creates madness in both characters. Mary Shelley’s Frankenstein reveals that Victor Frankenstein, the protagonist, and his monster each control different aspects that make up one human being.
The “facet” of respectability, first of all. The first seeds of the concept of twentieth-century duplicity, more bond to the identity problem, these are. As a matter of fact, in a cultural context of the kind, adorned of white and black, marked by behavioral poles, an entity well distinguished by the person, the “double” is. According to, the 2 best-known instances of the kind, the English literature offers. Firstly, all of the double theme features, "The strange case of Dr. Jekyll and Mr. Hyde" written in 1886 by Stevenson, contains in