The Dynamic Character In Lucy Westenra In Dracula By Bram Stoker
In Dracula Lucy Westenra is a dynamic character. Lucy is portrayed as a dynamic character because of how she changes throughout the novel. Lucy was a young and innocent girl with morals. Although she had a faint desire to have a strong sexuality towards men, her weakness was abused by Count Dracula and changed her entirely. Lucy was transformed into a vampire which increased her sexuality in result her chastity and innocence were destroyed. She was a threat to men and when she was destroyed she was taken back to a harmless state and the men realized women should not trade morals and values for sexual desires. Bram Stoker portrayed Lucy in a sense of a young woman with morals that lost her innocence and personal values into a completely different
St. Lucy's Home For Girls Raised By Wolves Summary
1078 Words | 5 PagesLucy’s they realize they have no choice but to shape up and learn how to be civilized. Claudette watches herself proceed through the stages, and she watches her younger sister Mirabella struggle the most. Through the whole story the tone of desire is seen. In the text it says “…students may experience a strong sense of dislocation.”
Summary Of Homosexuality In Bram Stoker's Dracula
901 Words | 4 PagesThe essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).
Masks By Lucy Hardy
1357 Words | 6 PagesThe reader is made to believe Lucy's face was critical element to her life and her
Lucy In The House On Mango Street
1783 Words | 8 PagesLucy is the most rebellious out of the three, as even her name – the female version of Lucifer, the fallen angel – suggests. She rejects her mother’s attempt to make her the ideal daughter who is ethical, submissive and decent. She claims that she rather be dead than become the echo of her mother, as the fact that she is identical to her mother scares her. Lucy states: “I did not want to be like my mother…. ‘You can run away, but you cannot escape the fact that I am your mother…’”
What Does Religion Symbolize In Dracula
1196 Words | 5 PagesHer life has left her to Dracula, her soul is assumed trapped, and her flesh remains the same. The process even corrupts Lucy into a nightmarish version of herself. In her UnDeath Lucy specifically feeds on the blood of children (Stoker 198). It’s almost like Dracula corrupted Lucy into a dark version of motherhood. Instead of protecting children, she predates
Gender Roles In Bram Stoker's Dracula
1350 Words | 6 PagesThe fact that there were some role reversals in the novel, especially among the female characters, made most characters all the more dynamic. All the same, the novel was very obviously influenced by gender roles and when Stoker was writing Dracula there was an obvious dividing line between male and female characters that he would not cross. Stoker’s preoccupation with female sexuality in Dracula “is attested to by the fact that [gender roles] actually come to dominate the story, with the vampire hunters mainly concerned not with Dracula himself but with his effect on their beloved companions” (Dixon) While Mina, who represented the ideal Victorian woman, acted as a support system and assistant to the heroic group of men. While things have changed significantly for men and women alike in the modern age, Dracula will likely remain in place as one of the most famous and telling critiques of Victorian gender
Suddenly Sexual Women In Bram Stoker's Dracula Summary
1830 Words | 8 PagesFeminist Reading: Dracula between Beauvoir’s and Roth’s Ideas In her article, “Suddenly Sexual Women in Bram Stoker’s Dracula” Phyllis Roth argues that Dracula is a misogynistic novel which is obvious in the system of power in which men are dominant and active figures whereas women are just followers and obedient to their system. She draws on Simon de Beauvoir’s idea that “ambivalence as an intrinsic quality of Eternal Feminine”, in order to show that women are victims to men powers. In her chapter, “Myth and Reality”, Beauvoir discusses the way that anybody in the society, specially men, doesn’t do their job in taking a step towards the oppressed women, but to act just like what the system of myth impose them to act.
Sexuality And Gender Roles In Bram Stoker's Dracula
858 Words | 4 PagesLucy is illustrated as someone who is continuously driven by sexual temptations and flirtatiousness. Stoker puts emphasis on her beauty, which is what grabs the attention of men. Lucy ends up getting killed because her sexual openness was seen as a threat to Victorian society. Stoker uses a character like Lucy in his novel to portray that sexually assertive women who try and use their beauty to win over men will not make it in the Victorian culture. On the other hand, when Dracula intimidates Jonathan during his effort to attack Mina, she reacts in the correct matter of what the Victorian culture would want her to.
Lucy Westenra In Dracula
825 Words | 4 PagesLucy Westenra is the best friend of Mina Harker and thus the second female main character of the novel. Stoker describes with Lucy a representative of the New Women movement, as the time was seen by the British population. She is single and lives with her mother, who is suffering from heart disease. Her family, that was once very prosperous, consist only of herself and her aging mother. She is Dracula’s first victim /vampire child in England.
The Oppression Of Women In Bram Stoker's Dracula
1218 Words | 5 PagesShe has fallen victim to Dracula and becomes undead herself. She is one of two female characters, who is pursued by the vampire. Bram Stoker may have given the impression that Lucy was of that a ‘free’ and gossipy female. I do believe that from reading a few passages from Dracula that apply directly to Lucy, this portrayal could be false, and this is in reference to her once she has become undead. Lucy could be a victim, an innocent woman sabotaged by Dracula.
Morality And Morality In Dracula
1329 Words | 6 PagesDuring the Victorian period in which Dracula was written, morals and ethics were often strictly enforced. Some of the morals that were upheld had to do with personal duty, hard work, honesty, as well as sexual proprietary. It was very important during this period that one was proper in their sexual behaviors and conventional in whom they had sexual relations with. However, during this period, many authors sought to challenge the ‘norm’ with ideas of reform and change and Bram Stoker was no exception to this. In his novel, Dracula, Stoker provides a critique of this rigidity in his portrayal of Dracula and Dracula’s relationship with Jonathan Harker.
The Importance Of Dracula In Stoker's Dracula
1253 Words | 6 PagesWord Count: 1188 5. Describe the appearances Dracula makes throughout the novel. What does Stoker achieve by keeping his title character in the shadows for so much of the novel? In Bram Stoker’s 1897
Fear In Dracula
811 Words | 4 PagesThe downfall of Lucy Westerna and the arrival of Dracula arose fears in which only challenging their sense of humanity and understanding of the world could they be able to overcome the dangers which had surrounded them. A sense of urgency is created in when Bram Stoker uses exclamation marks, as the turn of Lucy begins. “Arthur! Kiss me!” she states it as if it must happen now, or it never will.
Dracula Literary Analysis
1384 Words | 6 PagesDracula is a household name; however, the actual meaning is not as well known. The novel Dracula by Bram Stoker contains a unique story, one which due to the structure of the book there are multiple main characters. The book is written in the form of letters, allowing the focus to be on many different people and viewpoints. Dracula starts out with Jonathan Harker an, Englishman, who takes a trip to Transylvania to meet Count Dracula. On his way to the castle he is warned of the dangers of Dracula, however, Jonathan chooses to persist.
Female Sexuality In Bram Stoker's Dracula
667 Words | 3 PagesIn the novel Dracula, Bram Stoker highlights the theme of sexuality that challenge ideas of sex to both the female and male characters. The author objectifies the female characters in the novel to be over sexualized and portrays sex to empower women. Stoker may present the theme of female sexuality; however, he demonstrates gender inequality triumphs at the end leaving women in the shadows again. Women in the eighteenth century hardly had any type of power outside of overseeing the household and they probably contained much less power expressing any type of sexual emotions. Stoker’s novel gives readers a different perspective of the female sexuality as if almost empowering women and stating that they too can be sexual creatures like men.
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