In The Odyssey by Homer, Odysseus is the main character of the epic poem. Three adjectives that describe him are brave, clever, and overconfident. Firstly, the adjective brave describes Odysseus. An example of him being brave is when he uses a spike to blind the Cyclops’ eye.
Jack has lost his good reasoning. His good senses are replaced with chaos, disorder, and evil. With jacks evil actions the his savagery is really starting to show us that he is getting violent. Jacks use of hunting turns him into the most savage out of all the boys. Everything he did after this point made him into the young savage that he was in the end of the book.
As a young conquistador coming to a strange land that has a large pyramid with thousands of people surrounding it as they were chanting and yelling while looking toward the very top of the stairs that led to the top of the pyramid. You see people at the top and notice how they are cutting out the hearts of these human sacrifices and tossing them down the stairs. You stare in horror and notice what a terrible and cruel place you have come across. There was human sacrifice going on and gruesome wars over land that ultimately led to more and more death. But then you take another look around and see their agriculture and all the amazing irrigation systems they have set up and you 're completely shocked about how well their farming systems are.
Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty. Make thick my blood. (I.v. 30-35) This is evidence towards Lady Macbeth wanting to have full masculine emotions.
In Poseidon’s perspective, he is a well-known womanizer and quick to anger. Poseidon is one to not “hesitate to send storms, floods, and earthquakes out to get you” and although “he is married to the sea goddess, Amphitrite, it does not stop him from sleeping from everyone in sight” (shmoop.com). Ferdinand is punished by Prospero for retracting his sword in such fashion, just as Poseidon was sent to the sea for all eternity. These two characters can relate to a large population of humans, who because of their wealth or power, most of which was handed to them on a silver platter, become overly confident in themselves and feel as if the world is below them. Poseidon and Ferdinand are both great examples of two characters who deal with being arrogant and narcissistic and lash out because of
An example from the text that shows this heroic trait in Book 9 of the Odyssey. In lines 282-285 , Odysseus says, Now by the Gods, I drove my big hand spike deep in the embers, charring it again, and cheered my men along with battle talk
The article “Consider the Lobster” by David Wallace opens a vivid, gruesome window, to a harsh truth that all lobster consumers push far back into the recesses of their minds. Wallace implores us to visit the controversial issue of boiling a live creature to death, for the sole purpose of our consumption. He uses a variety of literary persuasive tactics including the three rhetorical appeals Logos, Pathos and Ethos to drive home his argument to the reader. Throughout the article Wallace puts the reader on the front lines of a three-front war of convincing ethical, emotional and logical appeals.
Some people may think that the cyclops is the greatest villain for many reasons, he is loud, strong and angry. To begin, the cyclopes is loud. According to the text, the cyclopes was stabbed by a huge stick in the eye, and “he woke with a hideous scream and the greeks immediately scattered out of his reach (Homer 27).” This shows that the cyclopes is really loud because he woke with a hideous scream, it is true that the cyclops is loud. Additionally, the cyclopes is strong.
Montag became overwhelmed with aggression, which increased his overall unpredictability, further magnifying the notion that there was a major turn of events. The last part of the climax encompassed Montag’s meeting with the mechanical hound. “It made a single last leap into the air coming down at Montag from a good three feet over his head, its spidered legs reaching the procaine needle snapping out its single angry tooth. Montag caught it with a bloom of fire, a single wondrous blossom that curled in petals of yellow and blue and orange about the metal dog, clad it in a new covering as it slammed into Montag and threw him ten feet back against the bole of a tree, taking the flame gun with him.” (Bradbury 114) For the record, this encounter was the second most action-packed meeting Montag had in the story, preceded by only the conflict between Montag and Beatty.
Achilles, the Achaean forces’ prized fighter, demonstrates this attribute throughout the Iliad, particularly in his renewed participation after the death of Patroklus. The simile in “[he] swept everywhere with his spear like something more than a mortal” (line 493) describes Achilles’ godlike strength as he slays the Trojans. The reader sees how rage can cause Achilles to apply his strength in a ruthless manner. His clouded logic disconnects him from his own super-human endowment in the battlefield. Similarly, Beowulf, a revered warrior among the Geats, also displays his strength in combat.
Hardships and sufferings were by the hand of Poseidon, cursed for pure entertainment by the Gods of high Olympus. The day awakens; I am surrounded by vivid greens and bright colors, Waves crash against the rocks, as Zeus would throw a thunderbolt. They were waiting for me to pay for my past triumphs. I begin to gather
Fire also symbolised parts of Montag. Like a roaring fire, Montag was fierce, uncontrollable, and quite destructive. Acting spontaneously, Montag’ let’s his passion guide him when he pulls out the book in front of the other housewives, and when he burns Beatty to death
“Blazes, they’re here!” exclaimed Natro, “We must stop them.” They were creatures that controlled fire, and created the Sun, or so they 're believed. Without a shadow of doubt, the 2 kung-Fu masters relentlessly fought the sons of fire, and one by one they fell. Just as they thought 'finished ', a portal appeared behind the priest, and out came a mother blaze, size of a 10 – storey building. The priest was unaware of her, and was,by her powerful fireball, knocked out .
Furthermore, the cult of Baal appears even later on, with a temple located in Baalbeck in Lebanon built about A.D. 150; and transpires as another location where the celebration of cult orgies occurred, along with the cult of Bacchus. Conclusively, by cultivating his strength through numerous gods, such as Molech, Molock, Marduk, Dagon and others, Baal created a massive following and developed a consistent evil presence. Accordingly, through time, Baal’s enormous power conceivably melted into the spirit of Pan spreading and abiding to make Satan’s presence
Odysseus has portrayed courage through being persistent in every situation, especially when being stuck within Polyphemus’ cave in Book IX, New Coasts and Poseidon’s Son. In order to escape the grasp of Polyphemus, Odysseus had to face the cyclops by stabbing its eye. Homer describes the moment of defensive attack, writing in Odysseus’ point of view, saying, “I drew it from the coals and my four fellows gave me a hand, lugging it near the Kyklops as more than natural force nerved them; straight forward they sprinted, lifted it, and rammed it deep in his crater eye, and I leaned on it turning it as a shipwright turns a drill in planking, having men below to swing the two-handled staff that spins it in the groove,” (Homer, 412-419). Odysseus has been shown to pertain the qualitative trait of bravery and courage because he did not go against any mere foe, he went against a cannibalistic monstrous giant that has more physical strength than all of his men combined. Instead of running away in fear, Odysseus thought about him and his men’s live, strengthening his mental and physical ability in order to face Polyphemus, the cyclops that can easily break him in two.