The Ecstasy Of Saint Teresa Analysis

Giovanni Battista Gaulli, also known as Il Baciccio was a famous painter in the Baroque and Catholic Counter-Reformation period. His work of art “Triumph of the Name of Jesus” deals with classical and tenebrism themes, using light and dark contrasts with illusionistic perspective painting. “The nave fresco, with its contrast of light and dark, spills dramatically over its frame, then turns into sculptured figures, combining painting, sculpture, and architecture” (Janson, p.673). The illusion of clouds and angels floating down through an opening in the church's vault shows the technique called trompe-l'oiel.

In the excerpt from the novel Under the Feet of Jesus by Helena Maria Viramontes the protagonist Estrella goes through various changes as an outcome from prior experiences. To convey those changes Viramontes uses some literature elements such as tone and paradox.

While studying Renaissance art, particularly Italian art spanning from the 14th century through the 16th century, many similarities can be noted throughout paintings by various artists, yet major differences and variances can also be detected when it comes to the style that each artist chose to pursue. Each painting holds its own importance and displays its own outstanding aspects that make it great regardless of style.

Helena Maria Viramonte’s, Under the Feet of Jesus explores many aspects of rural life in the late 1960’s. The novel captures the conflicts between cultures, society, wants, and love. Viramonte’s navigates throughout the life of a family that is dependent on rural work that only receives two dollars a day for all of their hard work in the fields, while under the blistering sun. The protagonist Estrella, a girl close to crossing into womanhood. Her life has been depended on rural work, and she has learned what life is from her mother. As Estrella and her family work on the field where the land makes them invisible to the rest of the world. Within their work Estrella develops as a person as she grows into womanhood. Though her relationship with

Art is known to have impacted humankind as from time memorial. In many occasions when people wanted to pass the information, they were only using paintings to communicate. Many kingdoms were known to give information about their values and beliefs through paintings made on their walls. Most of the paintings use to speak a lot about the religion of the Kingdom, and sometimes romantic pictures were used to expound more on how such kingdoms were committed to taking care of individuals emotions. Baroque paintings were used especially for matters to do with religion. This paper is aimed at expounding on how different messages were passed through the utilization of both Romantic and Baroque paintings. However, both Baroque and Romantic paintings

Baroque music is a period of history that was widespread between 1600-1750 (newworldencyclopedia.org). Baroque changed music to make it more of an entertainment for people which helped generate its popularity amongst all types of people. The music was so widespread and diverse it is hard to label different musicians and songs under “baroque” but that what it is. The original meaning of baroque is actually “irregular pearl” which would help to understand that the music does not fit with say secular music it is to diverse and has become so widely used and accepted it just stuck (newworldencyclopedia.org). The Baroque period did not just affect the art of music, but the arts in general. It explored new ideas and thoughts and was more widely accepted by the people. It was patronized by the Roman Catholic Church and the middle class could afford it (Detrick “Baroque”).

In the Baroque era patronage is the most common way for an artists to get work. Patronage is the act of someone with a great deal of wealth giving their financial support to an artist to commission them to make a painting, a sculpture, a play or a piece of music. Since the Patrons hire the artists to not just make them beautiful art, but make them something that symbolizes their status and wealth, certain themes arise in these works of art. These are ones of ornamentation, grandeur, theatrical elements, and the notion that there is action happening beyond the frame. Artists like Bernini and Rembrandt are prime examples of how patronage affects their art, whilst still being part of the baroque era. These Baroque elements are so engrained in the system of patronage that even outside the Baroque era when an artist is commissioned through the patronage system their work can’t help but take on these and other baroque elements.

A new divide in art and religion occurred during the 17th century. The Reformation occurred and caused a major divide between Protestants and Catholics. In northern Europe, Protestantism took root, especially in the city of Amsterdam. In southern Europe, Catholicism stood fast, especially in Rome. In this paper I will argue that Amsterdam and Rome developed unique political and religious environments that created two different painting styles within the Baroque period. These different environments led to two very different subject materials: secular in Amsterdam and non-secular in Rome. Despite some similarities, these differences distinctly separate Protestant Baroque in the north of Europe and Counter-Reformation Baroque in the south of Europe and two paintings can accurately portray these differences and similarities: “The Calling of Saint Matthew” by Caravaggio and “The Art of Painting” by Vermeer.

The Baroque period was identified as the “Age of Absolutism” because it was a period where rulers practiced their full power to control subjects. Also during the Baroque time frame music became more leant about where it was played. Instead it only being played at churches and occasionally in some courts, it was being played at specific functions and operas. It was at this time that operas were established for the first time in history. Musicians at this time were employed for aristocrat’s courts, churches and operas although they were considered high positions yet still viewed as servants. Some characteristics of Baroque music focused on the unity of mood, rhythm, dynamics and melodies. As for texture it consisted of being polyphonic with an emphasis on the highest and lowest melodies. Also the importance of bass and soprano and imitation were present. Word painting and symbolism kept making an appearance too. Chords and basso continuo were key elements to this period. A basso continuo is an accompaniment made up of bass parts usually played by two instruments. It was here that baroque orchestras started to gather which contained about ten to forty musicians. Through

The Renaissance and Baroque periods of music are two very similar and different eras. The Renaissance which began after the end of the Middle Ages in 1450 and ended the beginning of the 1600s, this is where the Baroque period starts. The beginning of the Renaissance period was compromised of sacred and religious music cultivating from the middle ages. Before the Renaissance period music had to be copied and re-written by hand, which was a very difficult task to do continuously. During the Renaissance period however, printing was invented, which made producing music easier and also changed a lot of other things in other areas. The Baroque period on the other hand, spanning 150 years from the beginning of the 1600s to 1750, was divided into three parts: The Early Baroque period, The Middle Baroque period and The Late Baroque period. While these two eras start right after each other, there are a lot of differences between them, this shows how much music can evolve through time.

fuels her spiritual conviction and offers the way to elevate above the temporal wickedness of the world. Earlier in the passage, Agatha depicts herself as “God’s handmaid”, subordinating her worldly nobility to the divine calling of martyr, Christ’s servant and witness to his death. This spiritual elevation of Agatha contrasts the materiality Quintianus, whose understanding is restricted

Florentine type of depiction spread widely due to the painting. Its popularity among the masses can be understood by the fact that the image has been used by most religious foundation in expression of Jesus and His mother Marry during the child’s tender age (Gelfand, 2000). It’s one of the most treasured paintings in the world. When compared to the Italian standards, the panel is said to be very minor, but its regard is extensively expressed with respect to many other paintings that are said to be, in the ancient times, the most regarded.

Throughout mankind, the concept of art has developed and changed. We have observed a variety of artistic forms and styles through paintings and sculptures. Numerous amount of cultures and time periods we 're established in history from art. Some include the Greek, Roman, Early Christian, Gothic, Renaissance, and Baroque time periods of art. During each of those time periods, new artistic styles were created and transformed. Thousands of paintings and sculptures were made in these periods of time. In this essay, I will imagine myself being a curator of an art gallery that has a Greek room, a Roman room, an Early Christian room, a Gothic room, a Renaissance room, and a Baroque room. I will select two pieces for each room and discuss why I would put those paintings and sculptures in each room at the gallery.

Christ with the Symbols of the Passion is a work by Italian painter Lavinia Fontana, its medium is oil on panel and it was executed on 1576. In this piece we see, what seems to be, Christ after he was brought down from the cross. He is sitting at the center of the piece with multiple angels besides him. The color palette seems dark and obscure as well as the overall mood of the piece. He is surrounded by symbols that are significant to the process of His crucifixion such as the cross, the crown of thorns, a whip, and is also surrounded by three angels. This painting is an accurate representation of Italian Mannerist style, and has all the characteristics that defines it as so.

The lower class wore light, dingy shades because they could not afford dyes that would give a pure color.