The Ego And Insane In Shakespeare's Hamlet

A major controversy that has divided the literature community for hundreds of years is the debate of whether Hamlet, in William Shakespeare’s well known tragedy Hamlet, is feigning madness or is actually mad. It can be proven though textual evidence that Hamlet is not insane and his feigned insanity is just a ruse to distract those around him from seeing his superior conscience, given to him though the late King of Denmark, which makes him more aware than the average citizen. The higher sense of consciousness separates Hamlet from the others because it makes him a thinker instead of a follower. This can be seen in his interactions with other characters and how his feigned insanity affects Ophelia, who is also a thinker.

In Hamlet by William Shakespeare, it is clear that Hamlet was once sane, but the tragic events of his life led him to be insane. Grieving over the loss of a loved one, yet a parent, is extremely difficult. These hardships can cause a lot of problems in one’s life. In Hamlet, Shakespeare incorporates a theme of madness to serve a motive. In fact, Hamlet is not initially crazy, but plans to use the insanity as a trick to achieve what he wanted-- revenge. As the end of the play is reached, Hamlet's false madness becomes a reality. Hamlet converts from sane to insane in a matter of time due to plotting revenge on Claudius, losing Ophelia, and living with the new, quick marriage of his mother and Claudius.

When an individual thinks about the concept of love, positive thoughts come to mind such as affection, romance, and passion. Love is usually not associated with the negative possible outcomes. Love is often an important part of a story; it builds up excitement and gets the plot going. In William Shakespeare 's Hamlet and Kate Chopin’s The Awakening, the emotion of love is portrayed to drive a character insane.

Shakespeare’s Hamlet is a revenge calamity which concentrates on his wish and effort to solve his father’s murder. Throughout the course of the play, the relationship between Hamlet and Ophelia could be described as a rollercoaster. Although Ophelia is not in every single scene in Hamlet, her impact on the play is highly noted. One way a reader could interpret her presence is because of how tragic her experiences in life is. She experiences the misfortune of love and security, but in order for her death to be truly tragic, she has to come to terms with the realization of her powerlessness without the men in her life. In her madness, Ophelia eventually does make this realization and because of her lack of alternatives, she accepts death.

Though any character in Shakespeare's Hamlet could easily be the epitome of lunacy, there is no character more obviously unsound that Ophelia, whose personality is the embodiment of codependency. Every time Ophelia speaks the symptoms are apparent as she can not seem to converse about anything but men. This is stereotypical of women at the time,in society as much as in literature. One can not fully blame Ophelia however as she is a product of her time period and used by the other characters. Ophelia’s character not only confirms Hamlet's suspicions about women but serves as pawn in the metaphorical chess game between Claudius and Hamlet. Thought it could be argued that her abuse by then men in her life has contributed to if not caused her codependency, however, the characters in the play seem to think that it is because of her own weakness. When Hamlet speaks the words “frailty thy name is woman,” he was not referring to Ophelia, he may just have easily have been. There are two characters in particular that Ophelia tends to cling to, her father

When Ophelia returns all his letters and gifts he tells her that he has never loved her and that she should “get thyself to a nunnery.” This is one example how his mood changes throughout the play. Then after all this her father, Polinous, is murdered by Hamlet. The Hamlet is sent away to England All of these actions result in her feeling such stress that she becomes insane in the end.

Hamlet, a play written by William Shakespeare, dives into the transformations and developments of many characters. One character that is easily seen in the play is the transformation of Ophelia. The character of Ophelia changes drastically throughout the play from an obedient lover to an insane woman that ultimately drowns herself. Ophelia’s transformation is one that is caused by uncertainty and a love for someone who pretends to not love her back.

Redemption, is the action, regaining or gaining possession of something in exchange for payment, or clearing debt. In William Shakespeare’s play Hamlet, redemption is a common focus for the protagonist Hamlet, followed by Old King Fortinbras’ son, Fortinbras, and Laertes. These ambitious men embark on a quest for truth and redemption because of the loss of their father’s. In spite of the fluctuations in their quest, their journey for truth and redemption is successful because Fortinbras, Laertes and Hamlet all avenge their fathers’ deaths. Through Active Reversal, Fortinbras’ quest was successful, by Laertes’ Fear of Betrayal his quest to kill Hamlet was successful. Finally, by Hamlet controlling his psyche and destroying his core issue of

Both The Lion King and the play Hamlet, are extremely popular and successful among society. In theory, people believe that both these works portray many similarities, allowing them to make the claim that The Lion King is based off Hamlet. Although, upon taking a deeper look at more than just the plot, it seems that this may not be the case. Many of the characters in both The Lion King and the play Hamlet do not share the same motives for their actions. The characters in Hamlet are more further developed than the characters in The Lion King. Most importantly, the overall themes are too different from one another. While there are similar plot events, The Lion King is too elemently different to be truly based on Hamlet.

Women have been dominated and manipulated by men for many years. In Hamlet, the character Ophelia was living under the demands of her father. She didn’t actually decide anything for herself. She obeyed every demand she received from her father Polonius because for her it was a form of loyalty. When Polonius was killed by Hamlet, she became vulnerable since she no longer had the person who decided everything for her. Her life in an instant became a disaster because it was Hamlet the one she loved, the person who had killed her father. Ophelia’s death is debated as an accident or a suicide, but I believe it was an accident that ended in a suicide since she lost her father and Hamlet killed him.

In great works of literature throughout history and time, there has always been a general understanding of what a happy ending is. Happy endings - as perceived by scholars of times past and by society today - are joyful sessions where a heroine or hero saves a damsel in distress, true love is found through the toughest of circumstances, or a moral lesson is learned through acts of kindness, loyalty, or bravery. However; in Shakespeare's tragedy Hamlet, the protagonist of the play is facing death and has, finally, after a protracted and tedious journey, avenged his father’s death and has sated himself to realize and accept his own personal peace. Even as Hamlet is dying, his true love and what is left of his family dead, his kingdom being invaded

Hamlet is a story about revenge and power, due to the recent death of the King of Denmark. The following events include madness, which leads to Hamlet killing King Claudius’ advisor, Polonius. Word about the death of his father got to Laertes who was in England. Laertes returned to Denmark to find his sister distraught and drove to madness. Shortly after his return, Ophelia is found dead by the cause of drowning. Laertes believes Hamlet is to blame not only for his father’s death, but also for Ophelia’s death because the death of her father is ultimately what drove her to killing herself.

Similarly in eastern Promises, Nikolai undergoes a destruction of his identity due to his efforts for justice against the Vory V Zakone and his persona of criminality. Additionally, this destruction is depicted through paradoxical parasite imagery between Nikolai and Tatiana. Parasite imagery surrounds Tatiana through the baby that is forced unwillingly upon her by the aggression of the mob. Just as a parasite is an organism that feeds upon a host to the host’s detriment, Tatiana’s baby nourishes itself from her body and causes her death when she gives birth to it. Due to the aggressive circumstances from which Tatiana’s baby was created, Nikolai becomes an underground force inside of the Vory V Zakone that actively seeks its destruction through

Hamlet 's belief in that habit causes one to do evil without guilt can be connected to his own downfalls. Even so, Hamlet assumes that King Claudius is the habitual action that destroys good senses and strengthens bad behaviour. QUOTE. Hamlet is speaking to his mother about how habits can trigger the fall of an individual. The "monster" in this sense is Claudius, who Hamlet considers is the main cause of Gertrude 's sinful behaviour. Hamlet also goes on to say that custom can act like an angel, in that it strengthens good behaviour. He also mentions how frequent wearing causes clothes to become comfortable, which can be in reference to Hamlet 's disheveled appearance during Ophelia 's encounter. Hamlet 's "feigned madness" can be

In 1923, Sigmund Freud proposed his theory that the make-up of an individual’s personality is largely governed by three fundamental components: the id, the ego, and the superego. Working through the unconscious and shaping behavior according to psychological fixations and conflicts or lack thereof, these elements evolve through five levels of psychosexual development (Freud, 1962). However, in spite of its compelling approach to the phenomenon, Freud’s structural theory of personality is riddled with limitations and as such, is subject to much criticism.