Gothic Architecture Research Paper

Sistine Chapel Rome is full of history and beautiful monuments and buildings. One of the most well-known buildings in Rome is the Vatican, where the pope has resided in earlier years and where public ceremonies are performed. Within the Vatican itself, it holds St. Peters basilica, the Vatican museum and the well-known Sistine Chapel. The Sistine Chapel is something that everyone knows about. It is known for it beauty, especially with the frescos painted on the ceilings and the famous painting of the Last Judgment.

The most important manifestation of the Renaissance art and architecture is The Tempietto, which was designed by one of most renowned architect of the day, Donato d’Angelo Bramante in 1502. It’s funny how a small building such as The Tempietto could hold so much fascination. It stands to mark the crucifixion of St. Peter giving the message that the office of papacy began with St. Peter himself. The structure of this building entails a round dome which tells us that Bramante borrowed the idea from Early Christian tradition, bringing back the feel of the ancient round structures that had long been lost. The building brings to attention Bramante’s love for geometry.

There are many answers to this question, but much of it lies in patriotism and civic values, especially in sculpture. One of the best examples of this is in 15th century Florence, which was virtually the birthplace of the Renaissance. It is there that sculpture reached its culmination, as a result of pride in the city, its history, and its values. Long before Florence was even a thought, there was Rome. The center

Michelangelo (1475-1564) was a sculptor, painter and architect widely considered to be one of the greatest artists of the Italian Renaissance period—and arguably of all timehttp[://www.history.com/].His work demonstrated a blend of psychological insight, physical realism and intensity never before seen[://www.history.com/]. Michelangelo spent most of his golden years overseeing construction on St. Peter’s Basilica in the Vatican.He wasn 't originally chosen to complete the Sistine Chapel. He painted himself in the Sistine Chapel But not many people knew till now. Know more information in this next paragraph. First, KNow we michelangelo is a amazing artist but he did more than just paint he also was a master sculpture his most popular sculpture is the giant david.Ok, he wasn’t a

The fact that there were more than four architects that contributed their ideas and design into the building but the four that are named gave the most efficient design of reconstructing Saint Peter. The four architects have given many ideas and design of the plan layout of the new Basilica but Pope Julius the 2nd selected the plan that Bramante designed because of the foundation, shape and also the functions that can be carry out. The plan is formed with a huge Greek cross with a dome in the centre which is inspired by the Roman temple, the Pantheon. After the death of Pope Julius, other architects such as Raphael took over the job of reconstructing the basilica, Raphael did not make major changes to the plan as he only made slight changes to the front of the Basilica. Michelangelo, an Italian sculptor, painter, poet, engineer and also an architect, who had committed a lot in to redesigning the basilica but sadly he passed away before he can see the dome of the church being completed.

From 500 to 1500 AD Europe was not in a dark age, because of their advances with the Gothic Cathedrals, their conquests in the Crusades, and their organization within their Government. During 1163 through 1345 Europe had many architectural advancements, such as the Gothic Cathedral and the Notre Dame. According to the Gothic Cathedral document in Universities and Cathedrals it states,”Common features of gothic cathedrals included architectural innovations, including: large columns, high ceilings with ribbed vaults, flying buttresses, and large stained glass windows.” This quote supports that Europe was not in a dark age because it shows how many architectural innovations were made during this time period. The conquests of the Crusades support that Europe was not in a dark age because they brought many new trade items to Europe and they conquered new land and reconquered some land.

David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.

The second feature of Romans is architecture. The Romans building were design in a prodigious structure and technique to keep it last forever. In order to build such an enormous construction and elegant temples; Romans used many diverse type of materials such as marble, concrete, limestone, and fine stone during the classic era. They were the great innovator that quickly adopted new construction techniques, used new materials, and uniquely combined existing techniques with creative design to produce a whole range of new

Their books about Ancient Roman and Roman Empire fall inspired his political career. French Emperor Napoleon also contributed to his career. He always admired his military genius, especially how he made a comeback on battles. He had purposed to write his biography but time was never sufficient, he was always angered when Napoleon was compared to Hitler. He said; “It seems an insult to the great Emperor and warrior, he said, to connect him in any way with a squalid caucus boss and butcher.” ("Who were Winston Churchill's biggest heroes?"

Once the statue had been completed, it was so unique and grand that the Duomo committee decided to place it in an area that was more prominent, ultimately choosing the Palazzo Vecchio (Holroyd, 2006). Michelangelo made his David quite unlike the David of Donatello. It was not only gigantic but its heroism was much grander in form. He was not very pompous however, the David had over large hands to connote the reputation of David as being ‘strong of hand’. Here, the symbolism of David’s characteristic has been naturalized in his anatomy.