In both of the plays, , there is no escape from getting bothered from the past in the future or in the present, but both in Ghosts and in The Family Reunion, it is accepted that the ghosts of the sad memories of the past would be faced in order to form a future no matter how painful it can be. Mourning can be said to be a ritual for remembering the past. Mourning for the dead makes the dead real and bound to the present and in a way steal the quality that makes them ghosts. Ghosts tend to be unwanted as they haunt us. However, mourning makes the memory of the dead desirable and welcomes it. That is exactly why ghosts are not welcome in both of the plays as mourning is lacked in them. In Ghosts, Mrs. Alving rejects to mourn her deceased husband as she thinks that the death of his was salvation to her own well being and of her son’s. She sees the living memory of her husband was what was keeping her executing her own identity and her free will in a complete sense. The same thing is true for Amy in The Family Reunion . Not only has she refused to mourn the dead husband but also she refuses to mourn for the dead wife of her son. She sees both of those as beings that kept her from fulfilling her duties as a wife and a mother. And with the death of those two she thinks that the remains of the present can be lived in the …show more content…
S. Eliot are renowned plays that have their indistinct ways of asking questions about the society at the time they were written. But, they also might ask questions about the societies which future might hold when they are going to be read and talked about. And, today, each of those two plays contains the figure of a son who is disturbed by the sinful actions together with sinful intentions of the past that did not take place. Both of those sons cannot get rid of the ghosts of the past and are forced to live in a present and a future where the border between imaginary and the real turns out to be
Family encompasses our whole world, whether you are a part of one or you see one from a distance. In Barbara Kingsolver’s “Stone Soup”, she speaks of her own experiences with families and her take on the original story of “Stone Soup.” On the other hand, E.B. White, who is also the author of other famous works such as Charlotte’s Web, speaks of memories he experienced in the past with his family in “Once More to the Lake”. While both pieces have a sense of family, “Stone Soup” by Barbara Kingsolver relates to the feeling of a family being as one and a strong focus on a family’s inner workings, whereas “Once More to the Lake” by E.B. White focusing on reminiscing on childhood memories and reflecting on times with loved ones.
She loses her job first then her unborn child. She can’t imagine not thinking about the death of her unborn child. She is not going to survive without a job. She can only think about leaving not only the town but also, the
Part of that need for homecoming and general theme of unity means the ghosts have a need to tell the story of their deaths. This need is shown on pages 284 when “the melody… cuts their whispering but twines with it at the same time…and the multitude of ghosts lean forward, nodding.” Kayla’s song stops the ghosts from their constant retelling of their deaths by cutting their speech, but it also mixes with it and seems to validate their stories, judging by the ghosts’ responses to Kayla interrupting them. Another need for hearing the song is pieced together through Richie’s narrative. At first, he describes his belief that learning the details of his death will help him, saying that “I thought once I knew, I could… Become.
Contrasting and Comparing You may think the play and movie of “A Christmas Carol” are the same. Well you are quite mistaken. In the Play and Movie they are very different from each other. From watching the movie and reading the play the Climax, the Conflict, and the resolution are different from each other.
Eliot are distinctly dissimilar, the messages expressed through these two excerpts are the same. Lines 203-212 in act V scene i. of Hamlet and Lines 66-75 in section I of The Wasteland both reflect the idea of the speakers that our actions in life are futile. This universal theme that is expressed in both works tells us that we are all connected through
The barrier between her and the neighbours after her husband’s death forced her to become reserved and quiet. Her and her son only went into town if they had to. They preferred to stay close to the garden where they felt safe. The death of the husband is the cause of the mothers’ complete change in character. The death let the audience connect with her on a deeper level to understand her pain and suffering.
On the other hand, “Psychologically we can explain the presence of the ghost as being a figment of an imagination under the stress of grief” (Mediation and Multiple Narrative in Love Medicine). Because Grandma Kashpaw loves Grandpa too much so the way she treats him is the way to kill him. However, according to Kathleen M.
After finding Sarah’s baby buried in the garden, she nurses the baby back to health and houses both the mother and baby saying “I will take the responsibility” (70-71). Mother nurtures them without question, providing for the baby and Sarah as if they are her own family. After Sarah’s death, Mother continues to raise the baby as her own and after the death of Father and a year of mourning, she marries
The Long Christmas Ride Home by Paula Vogel is a play about a family of five, and their experience on Christmas day, as well as the future of the three children. I believe that this was meant to take place in the early-sixties to the late-seventies because of the mother’s housewife role in the play, and the way the grandfather would accept the mistreatment of his own daughter from her husband, but would stand up for the mistreatment of his grandson—a clearly sexist view that would not be accepted in today’s society. Another hint about the time period is that Stephen died from a disease contracted during sex, one that eventually killed him. This makes me think that this was before or during the AIDS epidemic. The children are Rebecca, age twelve,
Although they lead different lifestyles, Anne Bradstreet and Phillis Wheatley both deal differently with death in Before the Birth of One of Her Children and To a Gentleman… the latter in a way that is more optimistic than the former. Many similarities are present throughout the writings of the two poets when it comes to the way they speak of death and how to cope with it. Both poets acknowledge their christian beliefs in saying that God holds all power when it comes to death and we, humans, are powerless in that domain. When talking about the fragile subject of death, Bradstreet says, “No ties so strong, no friends so dear and sweet,/ But with death’s parting blow is sure to meet./ The sentence past is most irrevocable,/
Natalie Bauer Professor Glenn Simshaw Shakespeare’s Tragedies SC Core March 9th, 2018 Ceasing Civilisation Titus Andronicus, William Shakespeare’s play, is known for its violence. It focuses on horror and violence, gruesome suffering, savage mutilations, multiple slaughters, vengeance, and evil. The play includes fourteen deaths, one burial alive, four severed body parts, cannibalism, and one rape.
Andre’s Mother by Terrence McNally discusses some deep topics using an issue prevalent in modern society. The play takes place at the funeral of Andre, a gay man who died of AIDS. Readers see how different characters react to his death, from his lover to his mother. The funeral itself and the fact that Andre was gay present two major themes that are distinct but also connected. These themes are shown through the interactions between characters and the use of symbols.
Modernism was a period in the early twentieth century that often dates back to the publication of T. S. Eliot’s “The Love Song of J. Alfred Prufrock.” This movement broke the traditional ways of form, concepts, and style found in poetry and allowed poets to freely express their ideas and beliefs through various ways such as free verse, fragmentation, allusions, imagery etc. T.S. Eliot is known for modernizing himself on his own by using fragments that incorporate multiple voices into his work. Eliot’s use of fragmentation and allusions in “The Love Song of J. Alfred Prufrock” and The Waste Land demonstrates his belief that modern society is disordered and chaotic and his realization that reality is too disjointed to understand. Fragmentation
The attitudes to grief over the loss of a loved one are presented in two thoroughly different ways in the two poems of ‘Funeral Blues’ and ‘Remember’. Some differences include the tone towards death as ‘Funeral Blues’ was written with a more mocking, sarcastic tone towards death and grieving the loss of a loved one, (even though it was later interpreted as a genuine expression of grief after the movie “Four Weddings and a Funeral” in 1994), whereas ‘Remember’ has a more sincere and heartfelt tone towards death. In addition, ‘Funeral Blues’ is entirely negative towards death not only forbidding themselves from moving on but also forbidding the world from moving on after the tragic passing of the loved one, whilst ‘Remember’ gives the griever
In the play of Henrik Ibsen’s drama Ghosts, as well as in Amalie Skram’s short story Karen’s Christmas there is strong ridicule of the societal norms in late nineteenth century Scandinavia. In-depth reading of these texts display scorn for the way Scandinavia as a culture, during this time period, behaved and their ideals. These ideals have been developed through a history of social, political and economic change in Scandinavia, and the message from both authors is one highlighting the problems of societal norms and providing progressive ideas. Ghosts is a story of the past generations and their problems being past down. The characters in the play are selfish and the tragedy at the end of the story is one sealed by societies failures.