As a female hard-boiled detective writer, Sara Paretsky makes the choice of creating a character in a masculine world that must compromise between her newly acquired masculinity and natural femininity. Beverly Jenkins on the other end is already set in a familiar genre being a romance writer, however she creates a character who assumes a male –dominated career in a male-dominated world who wrestles with what she is told to do as a woman and what she believes she deserves as a person. Both authors present strong female characters engaged in worlds were they must make compromises between their commitment to their jobs and engaging in interactions where the traditionally feminine elements of emotion and love determine their actions and choices. However by establishing this situation of compromise between masculinity and femininity, Paretsky and Jenkins create a gap where the denial of one part for the other becomes detrimental to the entire …show more content…
Warshawki’s femininity creates “ an occasion for parody”(Paradis 86), when she constantly says she is focused on her job and cannot be distracted with the thought of her partner “stewing”(158) because she is not back home. However, her feminine edge at the same time dreams about having the family life with a husband and children. The conflict in her gender identity creates a scenario of self- denial that makes her appear to be unsure of herself and what it is she really wants out of life. V.I gives mixed signals saying she is satisfied with her career and satisfied with her life whilst at the same feeling that maybe she is not doing the best thing with her life (Paretsky 157). A balance in her personality where she is both focused on her career whilst still enjoying the community of family which she longs for is an idea Paretsky portrays as a “myth” (Paretsky157) but in the real world is actually possible. Paretsky’s technique creates room for questioning with regards to her inclination to feminist ideas. This imbalance Paretsky creates is a great resemblance to Raymond Chandlers, Phillip Marlowe, who lives under this “self imposed isolation” (Paradis 88), which is believed to help him investigate effectively without any form of attachment that could alter his credibility or full attention on a case. (Paradis 88) Does Paretsky mean to say women must act just as men in order to be successful in their careers especially in male-dominate professions? Paretsky puts V.I on the career extreme of the career versus family whilst Jenkins places Olivia on the love/family extreme of the argument. Jenkins choosing to create a story line where Olivia has to loose her job as a result of her relationship with Neil is evidence of an imbalance in the gender identity of Olivia. The idea of a woman having to sacrifice a
Warping the conventions of the hard-boiled detective genre facilitates the ability of the audience to distinctively explore ideas and attitudes present within Marele Day’s prose fiction, ‘The Life and Crimes of Harry Lavender’. The representation of the protagonist, Claudia Valentine, subverts both gender stereotypes associated with the hard-boiled genre as well as the conventions of the genre, which serves to provoke a renewed perception of the novel. In addition, Day uniquely personifies a city to embody the role of the femme fatale to cleverly challenge the audience to uncover the true nature behind a facade. Moreover, Day confronts societal values towards criminals by portraying the antagonist as a victim of his own upbringing. Day subverts
The author has constructed Valentine’s character to question the traditional male detective. The protagonist is introduced in a first person narrative, which is purposely gender non-specific, presenting
Katherena Vermette’s novel The Break, is centered around a sexual assault. Through the perspective of eight narrators the story unfolds over the day leading up to the attack, memories triggered by the assault, and the recovery of all those involved. The novel’s two strongest themes are a juxtaposition of gender disparity and the strength and resilience of the women and girls involved. Gendered performance is common throughout the book, for both men and women, although the focus is on the female characters.
A book editor for mass-market books and a female magazine writer, Danuta Kean (2012) found a startling trend of women writers producing more horrific violence novels that some men authors have. Confronted with the question about the trend, some women writers argued that they simply wrote about the fear that only women feel, like the fear of being raped that men do not understand. Unlike the current trend and the freedom that many women writer enjoy, Cherry character in the The Outsiders novel represents the transition of a woman’s writer views on their own roles and expectations in the
Gender roles are present everywhere and are more and more prevalent the further back you go. They define relationships and heavily influence people's actions. Gender roles can hurt those that are trapped in them because they are not allowed the freedom of living like they want. In The Crucible by Arthur Miller, one key relationship in the story is wrecked by gender roles.
Octavia Butler is an Afrofuturist, science fiction author who writes many dystopian stories that allude to questions about gender, social structures, and an individual’s ability to control her body and sexuality. When people think of speculative and science fiction they tend to think of nerdy white men writing stories about space and light sabers, but Octavia Butler challenges this stereotype herself by being one of the few African American women in this genre. In Octavia Butler’s speculative fiction short story “Speech Sounds” there is a reversal of gender roles and a strong idea of feminism that is portrayed through the main character Rye. There is also the use of simile and metaphor to help point out flaws in the social structure of the story and the world of the reader.
In this novel some men are betrayed worse than others, some are dangerous to the girls. “Yolanda makes out an undertow of men's voices. Quickly she gets in
Dickens uses juxtaposition to compare Lucie and Madame Defarge to show the archetype of the gender ideal. Dickens uses juxtaposition at least three times to show how similar and different these two women are. The first example where Dickens compares Lucie and Madame Defarge is on page 270-271, “La Force! Lucie, my child, if ever you were brave and serviceable in your life- and you were always both- you will compose yourself now, to do exactly as I bid you; for more depends upon it than you can think, or I can say. [...]you cannot possibly stir out.
Overall, this book shows a different viewpoint of the 20th century. In the Smolinsky household, the reader is shown an entirely new idea of family gender roles. Normally men are depicted as the “breadwinner,” and this ties with the idea of male masculinity. Men feel like it’s their duty to be to one who provides for the family, and this is a result of the idea that “profession and work” is a man’s proper
More specifically, gender’s role on women and their positions in the world. Being a young woman, I fall into the intended audience of the book. The rhetoric in the book appeals to the young girls around the same age of the main character
In the Ibo hierarchal society, women are the subject of unequal treatment and patronization. They are considered weak and are not given any power. As the novel, Things Fall Apart unravels, the author, Chinua Achebe reveals the distinct attributes of femininity. Feminine traits are also viewed with disdain in Umuofian society, especially by the protagonist of the novel, Okonkwo. His past experiences shape his disposition and give rise to his stereotypical mentality; however, several events contradict the prevalent perspective of women, leading to Okonkwo facing conflicts within himself.
Relationships are complicated, but can you imagine what it would have been like back in the late 1800’s and early 1900’s? Women were still expected to live in the stereotypical role where men were in charge. Men still have a lot of power, but women are becoming more and more independent. However, it is interesting to differentiate how a woman author and a man author portray relationships. In Kate Chopin’s “The Story of an Hour” and Ernest Hemingway’s “Hills Like White Elephants” there are different relationship dynamics portrayed.
Since the establishment of the roles of society, women have been entitled to feminine roles that focus on family and nurturing. This roles allows for the subordination of women in the workplace since it makes distinctions between ideological constraints between genders. This opens up for the construction of gendered processes, that focus on the placement of roles that only “women” are allowed to acquire because of their practices. The author makes the example of how the managers contribute to gender gap and placement of roles that do not allow for the advancement of women in an organization. Acker argued, “…the production of gender divisions.
There are elements of realism intricately woven within the fabric of the novel. Its depiction of sexuality is a positive portrayal of lesbian love, both sexual and non-sexual love. While Celie compares male sex organs to frogs, Sofia is tired of Harpo’s mechanical lovemaking. On the other hand, Celie’s act of lovemaking with Shug is devoid of any guilt and is liberating. Further, it is a powerful ‘womanist’ text showing productive and strong bonds between women characters and their work culture which together combat the elephantine patriarchal exploitation.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.