Boxing has been a popular form of entertainment for people for decades. Two boxers compete with skill, endurance and strength to win. In most cases, there is an underdog or boxer who is predicted as one who will lose. The greatest wins come from the story of the underdog who overcame obstacles and adversity to win. The Fighter is the story of the American dream where everyone can dream and with hard work they can be the underdog who comes out on top. This is the story of Micky and his hard work to overcame obstacles to become a successful boxer. In the movie The Fighter, different elements of cinematography such as speed and shot types are used to show the emotions and feelings that Micky and the people close to him face through his tough journey …show more content…
Shot types “refer to the implied distance between the camera lens and the subject being photographed” (Barsam & Monahan, 2016, p. 236). Many different shots are used in a scene to show the audience a different view and convey different emotions. During the scene when Micky is fighting Shea Neary for the World Boxing Union welterweight title, many different shots are used to show the intensity and action of the fight. A medium shot is used multiple times showing the Micky and Shea from the waist up. This shot is used as it is “most frequently used type of shot because it replicates our human experience of proximity without intimacy” (Barsam & Monahan, 2016, p.238). Another shot that was used during the fight was a close-up shot. This type of shot “pays very close attention to the subject, whether it is an object or a person, but most often used in close-ups of actors faces” (Barsam & Monahan, 2016, p. 238). A close up is used to show the emotions in Micky’s face as he taking different punches to show the pain and agony he is enduring. There is also a close-up of Micky and Dicky at the end of the fight when Micky and Dicky heads are touching that shows the audience how close of a bond they have and how much this moment meant to them both.
As previously discussed, it is important for filmmakers to utilize elements such as speed, location, and camera angle to enhance the characters and help the audience to relate to the movie. With these elements, the viewer can connect to the characters feeling and emotions. As it is in this movie, the audience easily finds themselves cheering Micky on as he overcomes the obstacles in his
In the documentary “Undefeated” by T.J. Martin and Daniel Lindsay, an underprivileged black high school football team tries to break the streak of never having won a playoff game as long as the school has been around. Through all of the struggles that these kids face, they learn to come together with the help of their football coach. While the film was nominated for an Oscar, there are two completely different views on whether the film was about overcoming difficulties, considering the situation or about made up miracles that are only seen in fictional movies. In both reviews of the documentary, the authors talk about both the characters and the directors and how well they delivered their message.
The shots make the actors more courageous or important. As it is in the film when the body of Claire lies on the glass while Norman stands over her, the low shot shows that he is the bad guy and is in control. A boundary that was never stated, although portrayed by the camera angles. Zemeckis, as a director, only allows certain things to be seen at a time to help the audience catch certain actions of the characters. When she walks backwards down the steps and the view is up the stairs, limiting the audience’s view of what’s behind Claire.
In the chosen scene, there are many different camera shots that make the scene. One of them being a median shot at the start of the scene, when The Sapphires starts singing. The Director put this camera shot in to show the sadness in all their eyes. The second shot is a close-up of Gail singing lead.
“A moment of pain is worth a lifetime of glory.” Louis Zamperini dealt with bullies at a young age when his family moved from France to America. He began to get in trouble with the authorities, often running from them, but when his brother noticed he could run, his life changed. Zamperini joined the school track team and excelled, eventually moving on to the Olympics. However, in a twist of events, Zamperini joins the army and finds himself stranded at sea, then stuck in a Japanese Prisoner of War Camp.
His grandfather had fought as an amateur and his father had boxed professionally. His first boxing match was when he was 6 years old, and he won the match. As he kept working out in the Resurrection Boy 's Club Gym, he started winning a lot of matches. By the end of his high school career he had an astonishing 225 wins, and only five losses. He had become a national Junior Olympic
Emphasis was given where it was appropriate. In the scene where Edie vowed to avenge her brother’s death (5:51), the camera focused on her face to show her determination. In the bar when Terry and Edie were drinking (42:00), Edie pleads Terry to help her but Terry insists that he can’t. In this scene, the frame of the camera only contained Edie’s slightly blurred, sobbing face in the foreground and Terry’s clear, troubled face in the background.
With the conjunction of the framing and the point of view shots, the audience is able to share Jeff’s perspective, thus sharing the role of voyeur. Such techniques are employed to demonstrate the entire spectrum of romantic
This shot captures all three characters in equal positions. This shot shows a sign of equal power among the three characters. Slowly, there is a zoom shot which focuses on Stan and Jerry, but Stan attracts the attention of the audience for covering a large portion of the screen. As Stan and Jerry continues simultaneously there is a hard cut into a over the shoulder shot of Wade and Jerry’s conversation. This shot shows that Wade is in control and the center of attention in this scene showing how Jerry is seen as less compared to Wade.
By having a shot like this, we as an audience start to get this uneasy feeling about him. Then this shot is followed by multiple close up shots between Hannibal Lector and Clarice. As we see in the shot, Hannibal Lector begins to show how manipulative and dominating he can be. When we see Clarice, we see the camera at a higher angle to show that she is inferior to him and vulnerable. They also made another point of view shot through Buffalo Bill.
Glory: Directed by Edward Zwick, Columbia TriStar Motion Picture Group, 1989. 122 Minutes Reviewed by Mike Edward Zwick’s Glory is a movie in which the balance between entertainment and history was perfectly managed. He uses the letters sent by contemporary Col. Robert G. Shaw to his wealthy family back in Massachusetts as the historical foundation of the movie while imagining conversations between characters. Through Col. Shaw’s eye, we are able to uncover the birth, the development, and the end of the 54th Massachusetts Regiment, the first colored regiment fought in Civil War. Just like any other war movie, Glory has several battle scenes that were unpleasantly bloody, yet they managed to stay authentic.
Then it pans to a close up on Sam and leans in as the intensity of her dialogue increases. It acts as a subjective narrative which observes the protagonists’ argument from an emotional point of view. The director intention was to allow the audience to be fixed on the emotions of the characters through their eyes, hand movements and facial expressions. Through such close ups, the emotional distance between the audience and characters are reduced. It encouraged audiences to experience the intensity of the argument by staring at the actors expressions.
These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.
This is a handheld shot, first of this type in the film. The clear contrast from having a steadicam to which it suddenly becomes shaky, stands out and shows that we have hit the exciting incidents in the narrative plot representing that they are having troubles in their relationship. This shows the importance of film shots and their impact it can give off to the audience. From then on, the film includes more shaky handheld shots, giving not only a contrast in film shots but also their own contrast in their relationship and that they are changing. From this scene in La la land, we can perceive the theme that people change.
A low-level shot is used on Nick in the inside of the house to make him appear smaller and emphasise the size of the house. A medium shot is used on Gatsby’s coffin under the staircase to show that he only made up a small portion of the large house he lived in, and what made up the house was the constant and extravagant parties. An overhead shot from the top of the stairs, looking down on his coffin, zooms in on the coffin as the camera moves down to symbolise that Gatsby lived a high life that was grand, but it was all for nothing as he died a tragic death, alone and without
Anto“ Golden Gloves” Antonio and Felix both want to be lightweight boxing champions, but they have different styles of boxing. Antonio has long range of attack because he 's tall, Felix is short and has a slugger style. Antonio and Felix both like boxing,they both are seventeen, they both wanna be lightweight boxing champion,and they both live at the same house. Antonio has a long range of attack, during the boxing match he wears red and he weighs 133, and Antonio is a light skin, Antonio trained Felix is short and stout Felix is african american and he wore blue during the match and he weighs 134, and he trained in bronx with big guys.