Film Techniques In Alfred Hitchcock's Psycho
When “Psycho” first came out in 1960, Alfred Hitchcock caused quite a stir by demanding a “no late admission” policy to his audience during the screenings of the movie. This decision was taken by the director in order to avoid spoiling the plot of “Psycho”; for the same reason, journalists and critics were also only allowed to watch the movie with the rest of the audience. Hitchcock was very particular about not giving any hints, so that in 1959 there were rumors he burned every available copy of Psycho, the book which inspired the movie, to prevent anyone from discovering the plot. This intent of his is also noticeable throughout “Psycho”: Norman (Anthony Perkins), the main character, is not shown until 20 minutes in the movie, and the presence …show more content…
The camera starts separating Norman and Marion by alternating between shots of him and her to follow the rhythm of the dialogue: as she is eating he is shown to be clearly nervous, stuttering on his sentences and playing with his hands. While Marion is the apparent portray of confidence, from her pose while eating to her sarcastic reply to Norman’s joke (“And you’d know, of course”), he seems to be a shy boy who does not really know how to talk to people. As the audience is slowly charmed by this innocent and almost sweet side of him, he reveals that his hobby “is stuffing things,” birds in particular because they are “kind of passive to begin with.” With these few lines already the director is subtly hinting at another level of reading behind the immediately apparent one. The seemingly innocuous similitude between Marion and a bird is not easy to ignore, especially given that the same term could be used, even then, as a derogatory definition of a woman. The line Perkins follows up with also contrasts vividly with the portray of Norman until now in the eye of the audience: even if “it’s more than a hobby” is justified by him stating he uses taxidermy to fill time, and not pass it, the sentence still appears as
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The Homeric Myth Of Demeter And Persephone
1893 Words | 8 PagesAlthough the psychiatrist contends that Norman preserved his mother after murdering her in an attempt to recant his crime and bring her back to life, the image of the bird controverts this assertion. As Norman explains to Mary that he does not agree with stuffing dogs or cats because they are “not passive to begin with” .As Creed states that the stuffed birds in Norman’s parlour are birds of prey that Norman has immobilised at the very moment when they are most menacing and dangerous . Similarly, Norman associates his mother with the deadly passivity of a monstrous bird of prey, waiting to strike its next
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Alfred Hitchcock's Use Of Symbolism In The Film Psycho
758 Words | 4 PagesThe painting contains quite a small bird which can be translated to a powerless and weak figure that can be related to Marion since she is the weak and helpless character in this film being prey upon by Norman who is seen besides hawks in certain scenes. The painting is placed right outside of the bathroom in which Marion is killed showing that the bathroom was the trap for her while Norman, the hawk in this case, killed her in the shower. The painting reflects Marion’s personality as weak and powerless and foreshadows that something wrong was going to happen to Marion similar to the Susannah and The Elders painting. The painting symbolizes Marion since the bird in the painting is also small, powerless, and weak. The painting does an effective job in letting the viewer relate bird to Marion and foreshadows her death since Norman in placed in scenes with bigger birds like a hawk.
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