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The Glass Palace Analysis

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Separated into seven sections, each area manages deals an imperative perspective. The initial segment is called “Mandalay,” portraying the Anglo-Burmese War of 1885. It concentrates on the rough greed that drives all people alike; this gluttony is shown to rise above one’s status, race, caste, group, or country. Besides, the pillage shown all over this part delivers as a presentation of the crude avarice of the colonizers, which drove them to plunder and control their settlements in the severe way that they did. The second part, called “Ratnagiri,” indicates frontier oppression and majestic strength. With the fuse of Burma with India as a solitary pioneer subject, the state of mind to surrender oneself and the contradictory approach to oppose are introduced. The third section, “The Money Tree,” demonstrates how Rajkumar thrives through timber business. The fourth segment, called “The Wedding,” manages with the second era. Rajkumar’s son Neel marries Manju, and individuals like Arjun and Dinu indicate interest for the British. The fifth section, “Morning Side” portrays the result of the Second World War in Malaya. The penultimate segment, “The Front,” illustrates how characters endure because of the flare-up of the Second World War. The last segment of the novel titled “The Glass Palace,” manages with the Indian National Movement at its pinnacle and India’s last accomplishment of freedom. VOHRA|05 THE QUESTION OF IDENTITY The subject of identity which has dependably been

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