Based on the evolution of film at the turn of the century, different audience groups, and different film venues, the clip of The Gold Rush featuring an orchestra would be more effective. The primary reason for this is because of the upper-class being associated with the orchestra. Because the middle class desired to be like the upper-class, they would be attracted to watching the film with an orchestral accompaniment since it would be the version the upper-class would watch. Because an orchestra was more expensive than a pianist, the lower class traditionally did not view films with an orchestra, meaning the middle class would further separate themselves from the lower class simply by watching the same film with an orchestral accompaniment. This increases the commercial effectiveness of the film because the middle …show more content…
Because the orchestra uses an array of instruments, a stark contrast is able to be created between the moments when Chaplin is dancing and when he is not. During the dancing the violins play higher notes, similar to how the piano does; however, the violin is also accompanied by bells, adding to the joyous instrumentation. During the preceding and following moments when Chaplin is not dancing, the violins play lower notes and without the accompaniment of loud bells. The addition of the bells causes the soundtrack to be significantly different than the non-dancing scenes. An additional effect of creating a unique sounding soundtrack is it makes the music appear to be almost diegetic. Because the music is playing while Chaplin is dancing, and in many cases matches his movements, it appears as if Chaplin was dancing to the music rather than the music simply being an addition to the film. This causes the film to seem as if it was produced using advanced technology or with a high production quality, both of which are effective to generating the interest of the
Many films of the silent movie era are melodramas, which was a term used back then purely as a descriptive word to describe a movie and not a ‘negative’ term the way we use the term today. Chaplin’s film is a melodrama that invokes the emotions of his audience. Some elements of melodrama are present in Chaplin’s film The Gold Rush, the characteristics of a melodrama aid in analysing how melodramatic a silent movie is. An element of melodrama is, a situation - an occurring conflict in the film created by the screenwriter to evoke an intense emotional response from the viewers.
Often during adaptations of a work, changes occur to better fit the new form of media. This is due to budgets, allotted time for production, or even a director with a different vision. In the musical reimagining of A Bronx Tale, certain features of the movie changed to fit the stage. The most notable change between the movie and musical was the tone. The different tone of the musical influenced other aspects of the show.
“During three months in the summer of 1848, a partnership of five miners collected $75,000 in gold” (Gillon 64). During the mid 1800s, people in America moved west for a fresh start in life or for cheaper land, this was called manifest destiny. Manifest destiny was the belief that the United States should expand from the Atlantic Ocean to the Pacific Ocean. Therefore, the gold rush had more of a positive effect on America because it created a flouring economy and had more people travel west for a new life or jobs.
In 1871 British Columbia joined confederation and was the 6th province to be apart of the country known as “Canada”. “On July 20, 1871, British Columbia entered Confederation as our sixth province, extending the young Dominion of Canada to the Pacific Ocean.” (http://www.canadahistoryproject.ca/1871/ ) One of the main reasons B.C. was able to join Canada, was because of the Fraiser River Gold Rush. This was when 30,000 miners from the United States came to British Columbia to get in on the gold rush.
The Bathurst region was originally occupied by the Wiradjuri Aboriginal people. See also: History of infrastructure development in Bathurst Colonial period (1800s) to gold rush era (1860s)[edit] John Lewin, The Plains, Bathurst, watercolour drawing, ca. 1815, State Library of New South Wales The government surveyor, George Evans, was the first European to sight the Bathurst Plains in 1813, following the first successful European crossing of the Blue Mountains in the same year. In 1814, Governor Lachlan Macquarie approved an offer by William Cox to build a road crossing the Blue Mountains, from Emu Plains, the existing road terminus west of Sydney, to the Bathurst Plains.
The documentary "American Experience: The Gold Rush" by PBS reveals why there was a surge of people coming to California during the mid-1800's. The documentary is able to provide the audience with a narrative while never showing any real footage of the event. It achieves a narrative by using two different approaches at the same time. The first approach, the narrator explains and shows throughout the film important events that happened in the 1800's using primary and secondary sources. For example, it uses photos, contracts, newspapers and other sources to give the audience assurance on how the gold rush occurred.
When the inventor died in Edward Scissorhands there was music that projected a sad mood. This helps the audience connect with the movie more and intrigues the audience more. As Edward and Kim were talking there was angelic, happy music that becomes louder as Edward and Kim hug. In Charlie and the Chocolate Factory, when Charlie finds the money on the ground, Burton uses happy music to project an exciting and magical feeling to the audience. In Big Fish, Charlie and the Chocolate Factory, and Edward Scissorhands Burton uses camera movements, camera angles, and non-diegetic music to set a certain mood that the audience should feel.
The music and direction was particularly impressive. Throughout the film, music was used as a tool to achieve the desired dramatic effect. During the first scene of the movie, Shaw is ready for battle, so the music is upbeat; however, when the battle begins and the South begins attacking, the music becomes ominous before the sounds of explosions, screams and chaos drown out the drums. The music mirrors the chaos and panic that Shaw is experiencing. Music is also utilized in the film to emphasize happy moments.
In this scene, Almodóvar adds non-diegetic sound. He chooses the songUna Patada en los Huevos by Alberto Iglesias to increase excitement of this chase scene. The sound of a violin not only creates excitement but also raises a tension between two
The music tends to play his emotions on the screen rather than against them. This is most evidenced by the music that plays after Gilbert, Arnie and Becky come back from the grocery store in the rain. Becky’s grandmother was able to get the truck started, meaning that Becky would have to leave, as the only reason Becky was even in town was because of their truck breaking down. Realizing this, Gilbert becomes immediately upset and hugs Becky, as to begin to say goodbye to her. The music still consists of the piano and guitar, but it played at a rather slow tempo and in a different key that causes the music to be more emotional, as to fit in with Gilbert’s feelings.
There are only two instruments used in the few scenes that have music, piano is used during the sad and to make the audience feel the anxiety felt by the character. An example of this is after Gilbert snaps and beats Arnie, then he drives away in his truck away from Endora with only this music playing. On the other hand, whenever there is a scene full of happiness a guitar plays. This usually happens whenever Gilbert and Arnie are having brotherly bonding or when there is a love scene between Gilbert and Becky. But the most compelling and used element is this movie is the lack of music.
There are many different techniques used in “Charlie and the Chocolate Factory”, involving the use of the camera. For example, when the oompa loompas are singing about each naughty child, the scene is shot as a pan or a long shot. By using these techniques, it may show the size of the oompa loompas or their dances to express their emotions together, this attracts the viewers. The use of the camera movements, produces a more interesting effect. Tim Burton knows how to use camera movements to his advantage in all of his films created.
In 1927, the release of Alan Crosland’s film The Jazz Singer revolutionized the movie industry with the first feature length movie to utilize synchronized sound. Prior to this innovative film the industry was primarily focused on what are now known as “silent films,” which would often be accompanied in the theatre with live music or sometimes even a recorded soundtrack. The accompanying music would set the mood for these dialogue-less films, and in many ways convey more intricate aspects of the story that could not be expressed through the cinematography alone with the technology at the time. With the utilization of synchronized sound in cinema, the industry adapted a new type of film known as “talkies,” which were just as often musical movies
There were many musical elements heard throughout these pieces and it was interesting to hear how they varied in each song and suite. In Intermezzo, it began with a quieter violin solo melody creating a monophonic texture. Soon after, it became accompanied by the other violins and cellos, then the full ensemble came in creating a moderate, flowing melody at about mezzo forte and switching to a polyphonic texture. Next, there was a harp solo at forte with many crescendos and decrescendos. The full ensemble enters again raising the dynamics to forte before decrescendoing and slowing down to end with a held note and final tone.
Early in the film, the importance of background music and its use can be seen. The music is used to create the mood, whether it be the eerie violin audio that often can be heard at times where suspense is anticipated or the same music to create sorrow for the overall significance of the film. The film being built upon a murder case creates fury and differing viewpoints between the main characters which often can be related to prejudice. The use of details not only makes the murder more interesting but also the overall scene more intense. The detailed dialogue among the characters is so precise it offers minute details such as the witness statement of the time of the crime, the entry way of the weapon, and the witness testifying without her glasses.