The Good Earth O-Lan Quotes

I read the book, Bound, written by Donna Jo Napoli. The book is about a young chinese woman, who is bound to her father’s second wife. This is because he passed away and, back in 17th century china, young woman had very little power or say in situations. Also woman were thought to less value of worth then their livestock. Throughout the day’s of dealing with her step mom she, loves to do poetry and calligraphy. She thinks of herself as having natural gift at these two things. The main character's name is Xing Xing, and her sister Wei Ping. Who has had her feet binded, which doesn't allow her to walk properly.

For all Jing-mei’s life, she has never understood her own mother. The Aunties were in shock to hear Jing-mei so unaware of her mother as a person along with her wish. Suyuan’s wish was one step closer to finally meeting up with her two daughters she abandoned. Jing-mei replies how she does not know what to tell her two sisters about their mother. The Aunties are uneasy by Jing-mei's statement “‘Not know your own mother?’ cries Auntie An-mei with disbelief. ‘How can you say? Your mother is in your bones!’” (Tan 16). Jing-mei little by little understands her mother's ways after her passing. Jing-mei and her father travel to her mother’s homeland to comprehend what her mother endured “She must not only hear her mother's words, and later, her father's, but also she must see the landscape that those words, or mini poems, interpret in order for her to discover her own individual place” (Wood 13). Once Jing-mei was with her sisters, her character grew or the better. In the end, Jing-mei finally understood and knew how Suyuan was in her

Throughout The Good Earth we come across many tough conflicts both internally and externally, but even so, many of them we can relate to. Wang Lung, O-Lan, Lotus, Ching, and the rest of Wang Lung’s family all must deal with conflicts between each other, with nature, and within themselves. But they aren’t so different from us and we find ourselves in many of the same situations that our beloved characters do. Wang Lung deals with guilt and greed throughout the novel and it is something that most people can relate to in the entirety of their life.

The common view in ancient societies was often that this was a world of men; that women were inferior. There’s often debate on the role of women in society, but in reality, women play an important role in any type of society, whether it is good or bad. Women in ancient Greece, China, and the Roman Empire were able to exercise influence into their culture despite the discrimination toward them. Although each society was different, women shared similar influences in their power, and restrictions in the aspect of marriage. Although most of these ancient cultures viewed women similarly, of these three locations, the women in the Roman Empire had it best.

“Her actions remind me that, even under unbearable circumstances, one can still believe in justice,” in David Henry Hwang’s foreword, in Ji-Li Jiang’s memoir Red Scarf Girl, commemorated even during the Great Proletarian Cultural Revolution anyone can overcome adversity (9). Ji-Li Jiang was a young teenager at the beginning of the Cultural Revolution, and living through a very political time in China’s history made Ji-Li into the person she is today. Ji-Li’s intelligence, her choices, and family devotion made her into the headstrong and successful person she is today.

Dave Berry once said, “There 's nothing wrong with enjoying looking at the surface of the ocean itself, except that when you finally see what goes on underwater,you realize that you 've been missing the whole point of the ocean. Staying on the surface all the time is like going to the circus and staring at the outside of the tent..” By the outside, someone may look like they fit in, while the adversities one deals with internally are hidden on the inside. The struggles one goes through needs to really be brought up to attention and the attempt to understand what one goes through day to day must happen. In From Silence to Words Writing as a Struggle, Min-Zhan Lu explains the struggles experienced growing up in China and the influences of

At the opening of “White Tigers,” Kingston vividly describes the importance of storytelling to girls in the Chinese community. Kingston states, “When we Chinese girls listened to the adults talk-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen. Even if she had to rage across all China, a swordswoman got even with anybody who hurt her family. Perhaps women were once so dangerous that they had to have their

Maxine Hong Kingston's use of talk stories in The Woman Warrior emphasizes that individuals will find a more fulfilling life if they defy the traditional gender norms place on them by society. While contemplating beauty standards in Chinese society in “No Name Woman” Maxine Kingston thinks, “Sister used to sit on their beds and cry together… as their mothers or their slaves removed the bandages for a few minutes each night and let the blood gush back into their veins” (9). From a young age girls are expected to be binding their feet and are told that it is to look beautiful, but in reality that is not why. When a womans feet are bound they are restrained and silenced. These girls could be free and happy but they are restrained by men through this binding. Kingston reveals another example of how defying gender roles can lead to a better life in her story “Shaman.” As her mom is

In “The Field of Life and Death”, Xiao Hong uses the characters’ suffering and symbolism to demonstrate the breaking of traditional male and female roles. As Howard Goldblatt mentions in the translator’s introduction, “the villages’ fatalistic attitudes and repeated mention of the four distresses (birth, old age, sickness, and death) are unquestionable” (xiii), Xiao Hong represents these distresses with the main female characters without reservation in the process of childbirth, aging, disease, and death. Through childbirth, men shrink from responsibility 1. Childbirth and responsibly 2. Old Age and 3. Death and control 4. Disease and greed

The story of Jung Chang’s parents shows that the lack of efficient institutions, the stratification of society, and plight of the common man made China vulnerable to nationalism. Through “Wild Swans” one sees that as the Chinese people became more empowered, nationalism became more favorable. Essentially, “Wild Swans” shows how and why Mao was able to influence the Chinese through nationalism. The story of Jung Chang’s parents is the medium through which Chang describes nationalism.

One dynamic that false expectation strains is the relationship between Suyuan and her daughter Jing-Mei. In a vignette told from the perspective of the latter, Suyuan has the notion that Jing-Mei should be able to perform something at the level of a prodigy. She begins

The author of Lives of the Nuns name is Shi Baochang and he constructed this article during the Tang Dynasty (618-906 CE). Shi Baochang was a Buddhist himself, his intention of writing these pieces is to spread the belief of Buddhism throughout the world. Lives of the Nuns is not the only Buddhist piece he has constructed , he has written many more to prevent the belief of Buddhism from going extinct. His theme in his writings is not to just spread the idea of the religion, but also to show the people what Buddhism really is about. Shi Baochang, writing pieces were so influential, they made the people of the empire have more of an open minded thinking of the idea Buddhism and saw it differently.

Before Buddhism’s rise to popularity, Han China focused on distinctive practices, such as the Confucian way. This raises the question, how did Buddhism affect the role of women in China after the popularity of the Confucian practices in the Han Dynasty? Ban Zhao’s Lessons for a Woman explain how based on the Confucian doctrines, a woman’s fundamental duty was to serve others by putting others before herself, and this is observed even from their birth, all the way to their duties as a wife. In contrast, Buddhism, would change women’s role positively because they were regarded as equals to men, and they had agency, as illustrated in the Buddhist Doctrines and Practices by Wei Shou et al. However, some scholars may argue that Buddhism did not

“Two Kinds,” by Amy Tan, essentially revolves around the struggle of Jing Mei and her constant conflict with her mother. Throughout her life, she is forced into living a life that is not hers, but rather her mom’s vision of a perfect child; because her mother lost everything, which included her parents and kids, so her only hope was through Jing Mei. Jing Mei’s mom watches TV shows such as the Ed Sullivan Show, which gives her inspiration that her daughter should be like the people and actors. First her mom saw how on the television a three-year-old boy can name all the capitals of the states and foreign countries and would even pronounce it correctly. Her mom would quiz Jing Mei on capitals of certain places, only to discover that she would

The Woman Warrior is a “memoir of a girlhood among ghosts” in which Maxine Hong Kingston recounts her experiences as a second generation immigrant. She tells the story of her childhood by intertwining Chinese talk-story and personal experience, filling in the gaps in her memory with assumptions. The Woman Warrior dismantles the archetype of the typical mother-daughter relationship by suggesting that diaspora redefines archetypes by combining conflicting societal norms.