The Governess's Insanity In Henry James Turn Of The Screw

Ladies and gentlemen of the jury, we are here today to discuss the murder of John Wright. On November 15, Mr. Wright was found in his bed with a rope around his neck, presumably strangled to death. His body was discovered by his wife supposedly and did not bother to notify to the local authorities. At eight o'clock in the morning, Mr. Hale went to look for Mr. Wright and found Minnie, Mr. Wright’s wife, sitting in a rocking chair inside of the house. Mr. Hale asked Minnie for her husband and she stated that John Wright was dead in the bedroom. Mr. Hale and his son, Harry, went upstairs and found the body in the bed with a rope around his neck. Alarmed, Mr. Hale told Harry to go to call the police through a telephone across the road while he stayed behind at the Wright's’ residence. The police then arrived to the scene of the crime and took Minnie into custody. We are here today to prove that Minnie Wright is guilty of the premeditated murder of her husband, John Wright.

Reznek, Lawrie. 1997. Evil or Ill:? Justifying the Insanity Defence. Toutledge, Florence. Accessed September 9, 2015. DOI: 10.4324/9780203980774

In the preface of the novel, a man named Douglas sets the stage for the rest of the novel, explaining the relationship between the Governess and the master. When talking about the Governess, he says that “she was in love” (James 3). Love very often drives people to act rashly or do things they would not otherwise do. In the case of the Governess, her love for the master and her desire to impress him cause her to find reasons to talk to him about the well-being of the children. She begins to hallucinate and tell tales of dangerous phantoms so that she can speak to the master and possibly win his affection, thus making her insane. Her love for the master does not make her insane, but the way she acts upon that love does. In describing the Governess’s first meeting with the master, Douglas says that “he struck her, inevitably, as gallant and splendid, but what took her most of all and gave her the courage she afterward showed was that he put the whole thing to her as a favor” (James 4). This shows that the Governess is at once infatuated with the master. She thinks he is perfect and describes him as angelic, which proves she is in fact in love with him. Her obsession with his beauty stop her from reasoning rationally where he is concerned, and this translates to her behavior around Miles and Flora, who are his niece and nephew. Because her love for the master affects her behavior, the Governess can be deemed insane. The Governess is in love with the master of the house, and although he is not an important character in the novel, the affect he has on the Governess drives her to

In·sane /inˈsān/ (adjective) in a state of mind that prevents normal perception, behavior, or social interaction; seriously mentally ill. No one ever expects to go insane, no one knows when they are going insane, and in “The Tell-Tale Heart” by Edgar Allen Poe, the narrator doesn’t think he’s insane either. There is a debate on whether or not he is insane, but despite his opinion, and whoever else's, this narrator is insane, and this is proven by his lack of reason and his auditory hallucinations.

What exactly defines one as “insane” versus “sane”, and where is the boundary between the two? Charlotte Perkins Gilman’s “The Yellow Wallpaper” explores exactly that: the short story initially seems to be a tale of a 19th century woman forced into the notorious rest cure popularized at the time by male doctors--however, as the plot progresses, it becomes a much deeper commentary not only on societal limitations imposed on women, but also on the blurred line separating sanity from insanity. Gilman explores the boundary between sanity and insanity with the usage of different literary elements; she expresses how the boundary is “paper-thin” through the usage of symbolism, shows the subtle conversion to insanity by utilizing a stream of consciousness

Since the early times, people have discussed whether those among them are truly sane or not. During the Shakespearian Era, nobody actually understood who was insane and those who were merely more eccentric than most. One of the most debated plays of all time is Shakespeare’s Hamlet. Many professors and scholars have analyzed and questioned Hamlet’s sanity. Hamlet displays the characteristics of sanity throughout the play.

Intro: “It is sometimes an appropriate response to reality to go insane” (PHILIP K. DICK, Valis). In present day America laws have been placed that prevent people who are “insane” to be guilty of the crimes they commit. In short, insanity is the state of being seriously mentally ill relating to madness. This is presented in the book Medea written by Euripides through her point of view. In Medea, a surge of insanity purges her after she is betrayed by her husband Jason causing many cruel and harsh actions to follow from her. The ending result a murder scene. Is she really at blame for her actions and should she be punished? Believing that she is truly insane this would entail that she is completely innocent and therefore not to be punished.

Despite their deeply religious values, the members of the Puritan Society in Arthur Miller’s The Crucible are equally as sinful as the rest of the world. The Puritans, known for turning to God when given any matter at hand, lay blame on the Devil, regardless of their contradictory values. By blaming on him for their wrongdoings, the Devil earns power through the Puritans restoring to involve him whenever any one thing goes wrong. Power is defined by one’s reputation, status, wealth, gender, and age; although the natural deciding factor of one’s power in the Puritan society is land, the Devil himself holds ultimate power. Despite the fact that he does not appear as a human figure, he controls the thoughts and actions of the Puritan society, serving as the ultimate threat. The Devil influences the villagers of Salem, Massachusetts by using their ongoing fear of him to manipulate their thoughts and actions in a manner to set himself in the highest position by the end of the Act 1.

Modern artists today generally use images of physical and mental illness in literature. In The Tell-Tale Heart and The Fall of the House of Usher by Edgar Allan Poe, both short stories show the usage of illness, madness, and fear. The narrators in both stories try to convince the readers that the characters are physically and mentally ill. Edgar Allen Poe creates these vivid characters which successfully assist the building of plot and ideas. Poe demonstrates how a person’s inner turmoil and terror can lead to insanity through illustrative language.

Not everything is as it appears, for example in Poe’s “Tell-Tale Heart.” it appears like the narrator is a sane man. He ushers the police officers into his home,

Arthur Miller's The Crucible takes place in Salem, Massachusetts; a town that is soon to be plagued with dark times. When accusations are made that girls of the town are performing witchcraft, everyone is thrown into mass hysteria. With total chaos, some of the members see this as an opportunity to seize control of the situation. These individuals establish and maintain this power through spreading terror and fear over the majority. This is done by threatening other characters, using their unjust credibility and abusing authoritative positions.

The terrifying story, “The Tell Tale Heart” by Edgar Allen Poe is down right bizarre. I believe the narrator is definitely a little strange whether you may disagree or not. Edgar Allen Poe had a very interesting way of applying the narrator to act like he is not crazy, but at the same time basically baby feeding the readers that he really is crazy. There are several ways the narrator himself is actually proving he is insane.

responsible for some action they have committed, if and only if (1) this individual is able to

“Insanity: n. mental illness of such a severe nature that a person cannot distinguish fantasy from reality, cannot conduct her/his affairs due to psychosis, or is subject to uncontrollable impulsive behavior” (Hill). This definition describes the narrator, a sweet yet deadly man, of “The Tell-Tale Heart” by Edgar Allen Poe seamlessly. (Appositive) A few prominent characteristics demonstrate the narrator’s insanity, and those include his motives, his actions, and his thoughts.

Insanity is defined in many ways. It’s all up to the person and their point of view. The actual definition of insanity is “a mental illness of such a severe nature that a person cannot distinguish fantasy from reality, cannot conduct her/his affairs due to psychosis, or is subject to uncontrollable impulsive behavior. Insanity is distinguished from low intelligence or mental deficiency due to age or injury.” (via http://dictionary.law.com/Default.aspx?selected=979) The narrator from the short story “The Tell Tale Heart” is a lot of things. One of the ways I describe him is insane.The narrator from “The Tell Tale Heart” is insane because he killed the old man due to his pale blue eye, kept hearing the heartbeat when the