The repetition of the word ‘lust’, combined with the sexual associations of Desdemona’s bed, reflects and draws attention to Othello’s preoccupation with sensual matters. Othello even refers to his precious wife as ‘whore’ (III.iii.356), a ‘subtle whore’ (III.ii.20) and a ‘cunning whore’ (IV.ii.88), in a way to appreciate him. Shakespeare actually has indirectly revealed Othello’s fear of Desdemona’s sexuality. Even though Othello seems to be very confident in him and his control over Desdemona, he is actually tentative and afraid that Desdemona will cheat on him, proving his
Desdemona’s father accuses Othello of using magic to get Desdemona to fall for him but Othello reassures him that he does not use magic, he just tells stories. “...She loved me for the dangers I had passed And I loved her that she did pity them. This only is the witchcraft I have used” (1.3.66-168). Barbantio thinks that it is unnatural for his daughter to love an older black man. Because Othello understands Barbantio’s uncertainty he explains to Barbantio that despite their differences Desdemona
Hamlet and Ophelia “This was sometime a paradox, but now the time gives it proof. I did love you once… I loved you not” (3.1.114,119). Confusion clouds the audience’s judgement reading this quote from Hamlet. His paradox insinuates that he is insane and truly did not love her. Contrary to belief though, this quote was a way to set his “mousetrap” and force her to be in the background of his grand scheme.
Holden’s childish ways cause him to never mature and figure out who he is as a person. We see many signs of Holden insecurities throughout the book, like the fact that he contradicts himself. An example of this would be when Sally and Holden are in the taxi and he tells her he loves her, he then counties to say, “It was a lie, of course, but the thing is, I meant it when I said it” (Salinger 139). Someone who is confident would not lie and play with the emotions of someone else. Another example of Holden contradicting himself would have to be when he hired Sunny, a
The book ruckus mainly begins when Gatsby asks Nick to basically be his wingman to help him meet with the love of his life, Daisy. But the only problem is… she has a husband with a big ego. Knowing Nick is judgemental he sprung to Jay Gatsby’s side in this awkward situation between Gatsby and Daisy. Nick Carraway also thinks highly of himself and his traits. So when somebody is so irritable, he decides to see the little things about that person and just pick that character apart when he’s judging them.
“He looked… as if he had ‘killed a man.’ For a moment the set of his face could be described in just that fantastic way. It passed, and he began to talk excitedly to Daisy, denying everything, defending his name against accusations that had not been made” (Fitzgerald 134). In Nick’s recount of the incident, Fitzgerald’s audience experiences the regret that Gatsby felt after Daisy found out the truth.Mitchell also takes note of Gatsby’s lack of openness with Daisy, stating that, “If he loved her, he would want intimacy with her; but intimacy means knowing and being known, and Gatsby does not want Daisy to know him” (Mitchell 65). Similarly to the revealing of the criminal activities that Gatsby was involved in, Gatsby’s lack of “intimacy” can be reasoned with possible embarrassment, shame, and even worry that Daisy will no longer love him is she finds out information about him and his past. While it seems that Gatsby is considerably concerned with Daisy’s opinion, which can arguably be said to be because “He projects onto her a kind of royal status” (Mitchell 64) and thinks highly of her, the same
At the end of the play, the tragic flaw is unveiled to the tragic heroes in what is called a moment of recognition or anagnorisis. In this play “Antigone” there were two central tragic heroes, Antigone and Creon, with both similarities and differences. Antigone’s tragic flaw was relatively due to a positive quality, which is extreme loyalty to her brother in addition to another negative quality, which is being revolutionary. On the other side, Creon’s tragic flaw had a negative motive of extreme tyranny and stubbornness against the laws of nature and gods and human emotions, which caused tragic effects that could not be reversed despite his efforts at the end; consequently, Antigone and Creon’s characters meet at the point of recalcitrance. In this artistic drama, the writer delivers a significant message that utmost obstinacy and pride results in harsh punishments known as “the blows of fate” which are surely acute for anyone to
The Narrator thought, “Her officer—why should he have a name?” (Carver, 2) Evidently, the imbecilic Narrator was feeling jealous through his thoughts and actions. The Narrator is also jealous of Richard. Later on, before Richard came over, the Narrator says, “Maybe I could take him bowling” (Carver, 3). Even though the Narrator thought that he was amusing, his wife rejected the joke. After hearing this, she said, “If you love me..you can do this for me.
I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!” Blanches magic is seen through her illusions and delusions. In Blanches world Mitch doesn’t fit however she has reached a point of intimacy by being honest about her first husband and the guilt she endures as she begins to share the painful moment of her life with him. Stanley’s intrusion ruins her plans of marriage with Mitch and yet again she had to retreat in the world of her delusions. Stanley who represents realism in this novel and play pops Blanche’s illusion bubble through seeing the realism in scene ten he says: “not once did you pull any wool over this boy’s eyes!” Not only Stanley had broken her world of illusion, but also Mitch who is influenced by Stanley and destroys the protection of darkness by exposing her to the bright light.
His lack of empathy towards her allowed him to do the logical and sensible action on what to do for Blanche. Blanche has attempted many men to feel empathetic for her; two of these men are Mitch and Stanley. Mitch, who is greatly in love with her, becomes empathetic for her when he learns about her sad history. His resilience is weak when he learns about the rest of her story. Then there is Stanley, whom doesn’t care for