The Green Grass Cloggers
Introduction:
Considering that clogging has always been of interest to me, I decided to research the Green Grass Cloggers for my annotated bibliography. I have danced nearly my entire life, exploring styles such as ballet, jazz, and tap, except clogging. Tap and clogging are similar yet very different. I hope to learn more about the Green Grass Cloggers and what clogging is all about.
Book:
Jamison, P. (2015). Hoedowns, reels, and frolics: Roots and branches of Southern Appalachian dance.
Concise Summary:
In Hoedowns, reels, and frolics: Roots and branches of Southern Appalachian dance, Phil Jamison discusses past and present types of dance practiced in southern Appalachia. When talking about clogging, Phil Jamison
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E. (2012). Green Grass Cloggers: Folk Dance Group. North Carolina Folklore Journal, 59(2), 26.
Concise Summary:
In Green Grass Cloggers: Folk Dance Group, Leanne Smith discusses how popular and unique the Green Grasses Cloggers are. At first, some people didn 't want to categorize their style as clogging or folk because of their origin, appearance, and they hadn 't been taught from locals. But the group got attention from musicians who admired their creative style and pushed for people to learn from them.
Critical Commentary:
After reading this scholarly journal, an individual can get a better understanding of the Green Grass Cloggers. This source had a lot of information on the Green Grass Cloggers and seemed to focus on why they are so well-known and respected. Novices would find this source accessible. Since it’s a scholarly journal, an individual can trust that the information is reliable. The journal was a quick and easy read. This source has been very helpful in researching the Green Grass
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(2015). Carry It On... Live!. Old-Time Herald, 14(1), 47-48.
Concise Summary:
The Fiddler Magazine discusses a show called Carry It On...Live!, which is about the Wheatland Music Festival’s 40th Anniversary Celebration. Some of the cast dancers in the show were inspired by the Green Grass Cloggers and some were even part of the Green Grass Cloggers. Many people have been inspired by the Green Grass Cloggers because they truly love what they do and this show includes that love.
Critical Commentary:
The Fiddler Magazine provides an excellent example of how the Green Grass Cloggers effect people. Carry It On...Live was not only put on to celebrate, but to inspire others the way the Green Grass Cloggers inspired many in the 1970’s. The magazine deals with a particular aspect of the Green Grass Cloggers, which is their effect on others. The section of the magazine was quick and easy to read. Also since it was a popular magazine, it was definitely
Not all tribes partake in Powwows and or Stomp Dances. However, before anyone performs, a shaman/medicine man or veteran cleanses the circle (with tobacco and cedar). Before any dancer comes into the circle they must cleanse themselves “smudging” (tobacco, sage, sweet grass and cedar) and then sprinkle tobacco on the floor as a symbolic gesture. There are several different dances for men and women. For the men there is the Southern Straight Dance- which is a traditional dance, to (southern tribes)
This was in line with the societal idea of “playing” and finding ways to experiment with norms or popular beliefs. To prevent conforming to the pre-established rules of dance, Tharp tested the limitations and experimented with a range of new possibilities such as combining genres and creating pieces with diverse sets of
For my final paper, I have decided to analyze the piece "Hoe Down" from Aaron Copland 's ballet, Rodeo. Rodeo is a upbeat piece that is a celebration of the American west and reflects a specific picture we have of ourselves. Rodeo originated from the Ballet Russe de Monte Carlo, with the music composed by Copland and the dance choreography by Agnes de Mille. The Ballet had it 's premiere at the Metropolitan Opera House on October 16, 1942. The ballet 's scene starts at Burnt Ranch where a cowgirl is competing with other visiting "city" girls for the attention of some local cowboys, like the Head Wrangler.
These dances were created to keep balance on earth and bring rain to the desserts of Arizona. They would do these wordships to help their crop land grown and bring wealth to their communities. The Hopi people devoted lifes in creating a better environment for its people. For these folk’s religion and work became inseparable. “Just before their emergence, the Hopi and other peoples were given their pick of subsistence activities.
There were ballplayers who claimed that greenies were good for everything from
Powwows are celebrations that showcase Aboriginal music, dances, dance apparel, food and crafts. Powwow dances are beautiful expressions of indigenous spirituality, history and culture. Two of these dances that are performed both traditionally and competitively at powwows are the Hoop dance and the Jingle Dress dance. These dances have both similarities and differences that I will outline below. Both the Hoop dance and the Jingle Dress dance are performed by the Anishinaabe (Ojibwa origins), the third largest tribe in North America.
Among the Plains peoples, the Ghost Dance largely consisted of people dancing in a circle for hours or even days at a time. It was their belief that if they danced long enough, the Creator
The broken leg technique leg bent, foot flexed) is seen a lot in the choreography of this sequence. Ochres yellow dance sequence shows all 7 dancers staying very close to the ground, crawling and grabbing these movements effectively represent the role of the females in the culture which is predominantly as gatherers of food from the earth. Movements close to the ground are able to show their strong connection to the land and how they live off it. “The sun and seasons she nourishes gathering, nesting and birthing along her travels”.
Savannah Live was a musical preformance held in one of the oldest continuing theater halls in the nation. The theater, appropiately named the Historic Savannah Theater, origionally opened in 1818, yet do to years of wear and tear and several fires, the modern theater was retrofitted to look like its 1940s, art-deco self. Although the stage was in the traditional Proscienim style, the play was anything but traditional. The stage hall itself seemed like something right out of the hay day of Broadway, with lights surrounding the procienian arch, red velvet chairs and carpet, the hall was like a time caplse bringing me back into the 20th centry. Mimicing the transformations of the hall throughout the years, the musical took the audience on a journey through musical, and theatrical history.
Tap dance is a genre of dance when metal plates are fitted to the bottom of heels and when hit on a hard surface, a loud or soft sound, depending on the strength, can be made; these shoes are made to produce audible beats by rhythmically striking the floor. (Encyclopedia Britannica, 2018) Tap dance originated in the United States dating back to the 1800’s- 20th century, this style of dance was inspired from the African and Scottish dances; ever since then tap dance has been evolving into a more intricate and individual style of dance. Tap dance has now become a popular expression of dance; it is performed live and is also aired on TV and the internet. Tap Dogs and Hot Shoe Shuffle are a popular example of tap dance due to their distinct style.
Mambo Girl (1957), a movie musical, follows Kailing, a talented young woman widely admired for her singing and dancing capabilities, as she searches for acceptance after learning the truth about her background. Shall We Dansu? (1996) follows Mr. Sugiyama, a Japanese accountant who goes on a secretive and intimate journey into the world of ballroom dance. Both Mambo Girl and Shall We Dansu? emphasize the close relationship between intimacy and Latin dance by linking Kailing and Mr. Sugiyama’s manners of dancing Latin to the emotional connection each has with other characters.
“Artworks have ‘aboutness’ and demand interpretation” (Barrett 71). This statement creates a foundation for writing, specifically about dance, as each dance piece is always about something, no matter how simple it appears to be. As I began to write about dance I knew not only to provide a description of the piece, but utilize the description as evidence as I develop a possible meaning. Additionally he explains, “There can be different, competing, and contradictory interpretations of the same artwork” (Barrett 73). When I would begin to develop an explanation from the description I provided, I had to remind myself that my interpretation was only one view of the dance and I should not try to provide one comprehensive interpretation for the
In 1929, Cab Calloway and the Alabamians would tour to New York City, where they were hired to play at the Savoy Club. Unfortunately, their opening night went horribly. They blamed the failure on not being familiar with the dance music that was popular in Harlem. In a ‘Battle of the Bands,’ the Alabamians were thoroughly stomped by the Midwestern band the Missourians. Calloway’s band would disband soon after.
In complete contrast to Glastonbury's counter-culture origins the festival, along with many others is now firmly implanted into the culture of a British summer. Future of the Event
Charlotte Plehn Dance Analysis Paper Singing in the Rain Upon viewing the performance here at UWL titled, “Singing in the Rain,” I was shown a variety of different styles of dance that were discussed during class. This production consisted of many different performers and movements. These movements ranged from tap dancing to line dancing. While there was a variety of different dancing styles, they all had the same common elements of dance.