He hated his creator to such a degree that he was willing to do anything to hurt him. The monster was right, however, in hating Victor because of Victor’s terrible treatment and disposition towards the monster. The first wrong that Victor committed was making the monster unbearably ugly. When he first creates the
[and it] bent [its] mind towards injury and death” (Shelley 99). These events caused the monster to devote its sole purpose to enacting revenge on those who wronged it.
The creature does not like Victor’s decision of ending the creation of the second creature, so he decides to commit one last crime. Due to the act of the monster he causes Victor pain. He killed Elizabeth, the only person he loved. Victor was unhappy due to many deaths that were committed by the monster. This is why he is seen as the villain.
The monster is also capable of wanton destruction when he burns down the DeLaceys’ house and dances “with fury around the devoted cottage”(123) like a savage. Finally, the monster seems to enjoy the pain he causes Frankenstein: “your sufferings will satisfy my everlasting hatred” (181) he writes to Victor. Were these pieces of evidence taken out of context, the reader would surely side with Frankenstein. But Shelley prevents such one-sidedness by letting the monster tell his version of the story. The monster’s first-person narrative draws the reader in and one learns that the creature is not abomination
Comparison can be made between Ahab and the monster in Frankenstein on the basis of revenge that the monster wanted to take from Victor. Victor lost all the power over his creation when the monster killed William. Frankenstein immediately felt responsible for the crime because he never made his creation to go around and kill people. After destroying the work of second creature, the monster threaten Victor saying that, “Remember that I have power; you believe yourself miserable, but I can make you so wretched that the light of day will be hateful to you. You are my creator, but I am your master;—obey!”
The problem Victor tried to avoid was the reproduction of the two monsters. This would leave him responsible for an entire race of monsters, holding him accountable for all disasters and misery. Victor, also, is interested in creations by himself without the help of a woman. Victor’s destruction of the female monster can be viewed as an act of anti-feminism.
The creation of Frankenstein's monster leads to murderous outcomes because of the constant rejection from its creator. For example, when Frankenstein runs away from the monster, his thoughts were, “I sought to avoid the wretch, whom I feared every, turning of the street would present to my view. I did not dare to return to the apartment which I inhabited” (29). Frankenstein’s thoughts towards his monster, is the way the monster sees himself. Being rejected by someone affects the way you carry yourself as an individual.
In the novel Frankenstein by Mary Shelley, the main protagonist, Victor Frankenstein, creates an indomitable monster who soon becomes a menace and threatens his existence. However, the creature was not primarily a belligerent being; the awakenings about the cruelties in society was what corrupted the innocent being. As a result, the creature longed for compensation for the pain inflicted upon him and soon resorted to destruction as a form of revenge. The monster, being left with no protection, was forced to understand the cruelties in life.
Mary Shelley’s Frankenstein follows the story of a scientist and his experiment gone wrong. Victor Frankenstein, the scientist, abandons his creature at the first sight of it coming to life. The monster, left alone and afraid, transforms from a warm, loving character to one that seeks revenge as the toils of nature and reality begin to take control. Their title changes of “master” and “subordinate” are often referenced in Frankenstein, and plays off the feelings of vengeance they have for each other. Shelley has built the novel around this relationship in a way that captures not only the audience’s attention but also the character’s feelings of regret and hatred as the consequences of exceeding these moral boundaries come to haunt them in the decisions they make and influence the people around them.
The word “monstrous” can be confused with the definition of “monster” as something inhuman, something or someone who has lacks of remorse or caring for things that a normal human being should care for. In literature, the word monster is used to refer to men/women who have done horrible mistakes like murder or those who have no regard for life and nature. Victor Frankenstein is the real monster of the story because he condemned everyone around him to dead because the isolation that he provoked by cutting everyone of his life caused him psychological damage. Through Frankenstein, Mary Shelley attempts to show the idea of how it is unnecessary to be a creature in order to be a monster. We could be human but we still act like monsters.
This shows him being misunderstood as he only wanted to become friends with anybody he could, but he was just assaulted instead. The monster eventually begins to become self-destructive and says he will get revenge on all mankind and he will kill all of Frankenstein 's family, even after he caused the death of four others (122). Eventually, Frankenstein dies and the monster goes to see his dead body. The monster is immediately filled with regret and explains how he is truly sorry for everything that he has done and that he knows there is no way for him to fix all the mistakes he has made (180). He then says that he will end his own life in order to put himself out of his misery.
Perhaps the greatest similarity between Frankenstein and the Creature is their great hatred for one another. The Creature told Frankenstein himself that he " I declared everlasting war against the species, and more all, against him who had formed me and sent forth to this insupportable misery”(113). The Creature hates Frankenstein for not only creating him, but more so for abandoning him. Victor also hates the Creature, however for a different reason. Victor shouted in rage, "Scoffing devil!
Frankenstein by Mary Shelley is a famous classic amongst books and contains some of the most memorable literary figures. In fact, Frankenstein’s literary influence subjects it to lots of criticism. One common argument that occurs is the debate on which of the two main characters is truly at fault for the suffering of the other. At first glance, Frankenstein’s monster is a hideous beast who causes severe mental pain to his creator, despite the fact Frankenstein had done no direct harm to him. However when one recognizes of the consequences of indirect harm, it can be argued that Victor Frankenstein was the one at fault.
Throughout history, mankind proclaims a future world close to utopia; however, the results of the present day veers far from ambitions. Repeating the words from The Great Gatsby’s, Nick Carraway, “ No amount of fire or freshness can challenge what a man will store up in his ghostly heart,” reveals that the vivid imaginations of humans always surpass the true extent of the situation. Furthermore, evidence proves Carraway’s assertion through classic novels such as, The Great Gatsby, Frankenstein, and Jane Eyre. Each of these storylines’ characters fall into an optimistic reality compared to the tangible society surrounding them.
Throughout the novel, the creation is constantly being “childlike”, wanting revenge, and does whatever it takes to get his way; including killing Frankenstein’s wife Elizabeth, and his brother, William. The creature is also described as very ugly, and no one can bear to look at him. Every human that sees him flees, including his creator, Victor Frankenstein. This is an example of what happened when the DeLacey family first met the creature. The creature grows an attachment to the DeLacey family and observes them for months through a hole in the , which can be seen as a human characteristic, however, when he finally comes in contact with them, they are frightened and chase him away.