I am currently enrolled in a First-Year Seminar that covers Feminist theory, backlash and development. In this seminar, I have developed my own idea of feminism for the first time. My newfound knowledge has helped me read stories that focus on women and women’s sexuality in an entirely enlightened way. In a similar fashion, García Márquez, having deep roots in Machismo culture, uses his background to reveal his conception of women’s sexuality. Through this contrast, he creates an emphasis on the role women are capable of playing in a male dominated society. Márquez’s work suggests that he views women’s sexuality in the range between sex critical and sex negative feminism, where women live in a state of subordination confusing rape and intercourse …show more content…
While Márquez does allow the women to feel sexual gratification, it is still coupled with a need for male approval. Women openly experience sexual fantasies; however, they are first questioned for their desires and only accepted when men experience them too. The author uses their attraction to describe the man saying, “Not only was he the tallest, strongest, most virile, and best built man they had ever seen, but even though they were looking at him there was no room for him in their imagination.” (248). This imagined sexual pleasure is shamed by the men: “the men thought the fuss was only womanish frivolity” (251). The men viewed sexual pleasure in a selfish manner as something only they should experience, while it was considered “womanish frivolity” for women. We see the men are allowed to imagine sexual pleasure “one of the women mortified by so much lack of care, then removed the handkerchief from the dead man’s face and the men were left breathless too.” (252) However, in The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother, the author suggests Eréndira’s sexual pleasures were motivated by freedom, not true desire. Eréndira has two encounters that can be perceived as sexual pleasure: one with Ulises and one with the truck loader. “Eréndira and the loader were relaxing from good love behind the parapet of …show more content…
There are no children and the people have grown old. The woman in the story says “ ‘Come here you dummy’ ... ‘It’s been years since we did it like rabbits’ ” (246). This sentence is part of a passage that suggests that consensual sex is offered but neither person overpowers the other and that desire doesn’t exist. The phrase, “it's been years since we did it like rabbits,” emphasizes the lack of desire in their relationship. The absence of male dominance throughout the story coupled with this passage suggests that sexual pleasure and gratification can lead to a culture of male dominance. The author is pointing to the idea that sexual desire is part of the foundation of a society that diminishes women and exalts
Immediately following the statement they kissed each other's necks is the statement that the girls also 'We sucked each other's breasts, and we left marks, and never spoke of it upstairs / outdoor, in daylight, not once' (11). The clear and simple statement that the girls sucked each other's breasts extends into a longer sentence, which generates the sense of the intensity of the memory dissipating and the desire generated in the action remains unfulfilled. This is immediately followed with another affirmation, present again in a sentence which extends itself: 'We did it, and it was / practicing, and slept sprawled so our legs still locked or crossed, a hand still lost / in someone's hair' (11). The first line of this pair perfectly manifests the tension between memory and loss which is present in the poem. The line break after the word 'was' presents a reading of the words before it as simply an affirmation that the desire between the girls and their physical intimacy actually and really existed.
The worst bearing of both Rowlandson and Equiano has to face was being separated from their own love ones. Rowlandson was separated from her family and relations when her village was attacked then eventually lost her only child that was with her. Nevertheless, Equiano also endured tormented pain when he was parted from his sister while she was the only comfort to him at once. He was a young boy in a fearful atmosphere with nothing to convey a positive perspective. “It was vain that [they] besought than not to part us; she was torn from [him], and immediately carried away, while [he] was left in a state of distraction not to be describe”.
Anne McClintock wrote her essay “Gonad the Barbarian and the Venus Flytrap: Portraying the female and male orgasm” to examine pornography and how it has changed throughout history and its effects on how women perform as sexual beings. McClintock focuses on the various roles of pornography such as its emphasis on voyeurism, pleasure, and the male ego. She wants her readers to know that women are still not represented in pornography to satisfy their own desires, but they are there to cater to men and their subconscious. I will analyze how McClintock argues that due to the history of sexism towards women, the roles that men and women have in pornography are inherently different because of the societal belief that women are only seen as objects of sexual desire and are solely there to satisfy the male audience.
Discuss the ways in which Rosario Castellanos challenges and subverts gender stereotypes in her work? In this essay I am going to examine and discuss the work of one of Mexico’s most important literary figures, Rosario Castellanos, with particular emphasis on her feministic beliefs and the ways in which she used her writing to catapult her views into the forefront of society. Her writing reflects bitterness regarding the desires and misfortunes of the female population of her nation. Castellanos used poetry, novels and plays as a platform to voice the many inequalities that she deemed prevalent in society at that time.
Novelist, Roxane Gay, in her essay “The careless Language of Sexual Violence”, voices her concerns about rape culture and how it is perpetuated in today’s society. She uses anaphora, imagery, and rhetorical questions in order to demonstrate how society “carelessly” (131) normalizes rape. In her essay, Gay uses rhetorical questions and anaphora to further stress her concerns and talk about how writers are gratuitous when talking about rape. She opens her essay using anaphora comparing “crimes” to “atrocities.
The title of the book “Virgins” communicates more than the first sexual act. It depicts the inability to make personal decisions without basing off other people’s opinions and beliefs. The story is an analysis of the progression of two females and their interaction with men. Though different, each girl has a different perception of sexual anatomy and hence Evans is able to communicate his message that virginity or sexuality is something that is a sole decision of someone despite whether they have had vaginal sex or not. Throughout the story, Erica is unsure with men.
Women who are also known to have slept with other men are dishonored. Also as the girls get older the author shows them independent and successful, even with a man. Which shows that the Garcia girls aren’t just some ordinary family. The feud between men and women has being going on for hundreds of years with not one that is completely better than the other.
Sor Juana Inés de la Cruz, a self-taught philosopher, poet and forward thinker, wrote many empowering poems that captured how she felt during the time she was living in. Two of which “Foolish Men” and “On her Portrait” express how she didn’t like the stereotypical roles women were put in during her life. These poems show true anguish and express a slight distain for men. In the poem “Foolish Men” Cruz starts off by explaining how men are so quick to blame women for their ailments but in actuality it is themselves causing them.
Everyday people are judging and being judged by others with unique criteria that we, as inhabitants of Earth deem necessary checkmarks to be met to afford and be afforded tokens of civility. In Judith Ortiz Cofer’s “The Myth of the Latin Woman” the memoir is brimming with personal accounts of fetishiztation and discrimination the author experiences as a Latin woman that have vast influence on her life. Throughout the text Cofer conveys the significance of how deep the status “exotic” to describe Latina women is held inside the minds of people which the author alludes to on page 879, “I thought you Latin girls were supposed to mature early,” [1] after being given a sudden, non-consensual kiss at a dance by her date. The author expresses the cultural dissonance between
The Decolonial Imaginary, an undoubtedly challenging book that makes the reader question not only their knowledge of history and theory but also the way in which it has been told through the centuries. Emma Pérez, a Chicana historian with her bachelors, masters, and doctorate from the University of California, Los Angeles, put into perspective the ideas of Freud, Foucault, archeology and genealogy to lead the reader through the deconstruction of Chicana feminist historiography. Pérez then reconstruct history in a way that breaks the destructive cycles of patriarchy. She crosses many boarders as she takes nationalist history and traverses it into a Chicana Feminism, and by doing so she rewrites history from the perspective of a decolonial imaginary.
The narrator continues with the metaphors, explaining that their partner “fell in love” with being with them, and how the narrator does not particularly like
Other readings have discussed the history of sexuality—A history of Latina/o Sexualities. Throughout history, women were supposed to be passive. Women were there to please the man and ofter were viewed as the inferior. Sex was viewed as something that was essential only for reproduction; it was only to be pleasurable during a marriage and through very strict guidelines set by the church. This is still an influential way which women are being treated today.
Inside and beyond the myth and the social impact of the subject as One or Substance. Alan H. Goldman’s essay ‘Plain Sex’ is a central contribution to the academic debate about sex within the analytic area, which has been developing since the second half of the ‘90s in Western countries. Goldman’s purpose is encouraging debate on the concept of sex without moral, social and cultural implications or superstitious superstructures. He attempts to define “sexual desire” and “sexual activity” in its simplest terms, by discovering the common factor of all sexual events, i.e. “the desire for physical contact with another person’s body and for the pleasure which such contact produces; sexual activity is activity which tends to fulfill such desire of the agent” (Goldman, A., 1977, p 40).
Moreover, this restriction on expressing sexuality encourages passive behavior amongst women. In addition, linking a woman’s ethics to her body reinforces the double standard related to sexuality between men and women. Ultimately, being sexual is “stigmatized in women, but encouraged in men” (Heldman, Part 2). This double standard, combined with the expectations of passivity, reinforces the concept of rape culture. Women are expected to refrain from sex in order to embody purity and thus, are defined by what they do not do.
Her unsuppressed sexuality produces the appearance of a wild and uncontrolled woman, but in her relations with men she proves to be tamed and submissive. She is used, and often abused, by her powerful lovers, firstly, the colonial representative, the Englishman who fathered her child, and, secondly, the new neocolonial delegates: the General and the tycoon. For the renowned movie star, these men were “all the same… Carrying around her used panties as if they were a fetish, like a piece of her they had carved off, like her skin” (Hagedorn,226). Sex, for her, is the means of support, it provides her with luxury and she willingly accepts the price she has to pay in return.