“You remember what you want to forget and you forget what you want to remember,” (McCarthy 12). With most aspects of life, the horrendous moments are the times that no one can erase. This applied to The Road by Cormac McCarthy. Towards the end of the novel when the son loses his father proves to be the most indelible moment with the assistance of the feelings experienced during that part. The son encounters a variety of emotions including loneliness, loss and hope. In enduring these complex emotions, this section was the most remarkable part.
In the late 1800s, nearly all women were viewed as subservient, inferior, second class females that lived their lives in a patriarchal and chauvinist society. Women often had no voice, identity, or independence during that time period. Moreover, women dealt with the horrors of social norms and the gender opposition of societal norms. The primary focus and obligation for a woman to obtain during the 1800s was to serve her husband and to obey to anything he said. Since women were not getting the equality, freedom, or independence that they desired, Kate Chopin, an independent-minded female American novelist of the late 1800s expressed the horrors, oppressions, sadness, and oppositions that women of that time period went through. Her works focused
In comparing and contrast both drama A Doll House by (Henrik Ibsen), and Trifles by (Susan Glaspell). The authors shine a light on how a woman had no place in society in the nineteenth century .A woman place was in her home and her responsibility’s consist of taking care of her husband, her children and her home. Mrs. Wright was introduce to the reader as woman that was held for murdering her husband after a long time of abuse. Nora was introduce to the reader as woman that had everything in life. However both woman had endured abuse and are victims of a male dominated society.
In the award winning article, “Passages in Mary Shelly's Frankenstein: Towards a Feminist Figure of Humanity?” Cynthia Pon addresses masculinity and feminism in terms of conventions, ideals, and practices (Pon, 33). She focused on whether Mary Shelly's work as a writer opened the way to a feminist figure of humanity like Donna Haraway argued. The article has a pre-notion that the audience has read Frankenstein and Haraway's article. Pon has a slight bias, due to her passion as a feminist writer. It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.
"Rules are the obedience of fools and the guidance of wise men" (Harry Day). Although boundaries and guidelines are important for the success of a society, it is also invaluable to know the gift of freedom. If one is foolishly obedient and follows only the orders they are given, there is no growth for their future. People will start to become robots and will never learn some of life's most crucial lessons. In the book The Giver, by Lois Lowry, there are three main themes; conformity, tradition, and compliancy.
The Paper Menagerie is a short story written by Ken Liu. This story is written from first point of view and it has a plot of a child named Jack becoming more mature through his mistakes made during his adolescence. Author Ken Liu uses characterization to demonstrate the universal truth of pain of our human need to belong. There are two important points the author made. The first Point is associated with Jack’s alienation, how he got excluded because of his looks and food. The second point connects to Jack’s mother’s experience of being an orphan, because her parents went missing.
Kate Chopin’s short story “The Story of an Hour” is set in the late 1800s – a time when women were considered inferior to men. Women had traditional roles as wives and mothers. In this 19th century patriarchal society, Chopin shows us Louise Mallard, the main character, who does not comply with the female gender norms of the Victorian period. When Louise learns about the death of her husband, her reaction and the reaction of her sister and the doctor tell us a great deal about gender stereotyping during this time.
Women’s rights have drastically improved since the 1800’s. The model of patriarchy was widely accepted as a social norm in America and many other countries until the early to mid 1900’s. Today women are still fighting the belittlement that the patriarchal model deemed acceptable. The character of the rebellious strong women is still one today that many women look up to; especially women in very oppressive middle east countries. In Kate Chopin’s The Awakening, Chopin strives to argue social emancipation for women
In Henrik Ibsen’s A Doll’s House, the three-act play, set in 19th century Norway, explores the progress of Nora’s marriage as she attempts to hide her debt and forgery from her husband. Ibsen conveyed social commentary on gender roles and societal expectations, a topic still in controversy, through the use of symbolism, irony, and dramatic elements. In A Doll’s House, Ibsen presents the problems associated with the position of women in a man’s world of business as his central focus, even if other social or individual problems become more prominent as the play progresses.
Gender representation is a theme in which is common when focusing on the form and content of both Henrik Ibsen’s A Doll’s House and Samuel Beckett’s Waiting for Godott. Even though they are represented in different manners they both highlight the gender norms during the time period they were written. Within Beckett’s writings masculinity is prominent, centralizing the powerful and protruding gender focal point. Whereas Ibsen includes the female perspective and allows the readers to become aware of the gender representation as such. Cultural values of a specific time period are suggested to have an impact on the writings and themes. As Bonny Ball Copenhaver stated in their writing discussing the portrayal of gender and gender roles in plays,
During the 1890’s until today, the roles of women and their rights have severely changed. They have been inferior, submissive, and trapped by their marriage. Women have slowly evolved into individuals that have rights and can represent “feminine individuality”. The fact that they be intended to be house-caring women has changed.
This play consists of a lot many themes. To cite a few: Rewriting the tale of Cinderella and Sleeping beauty, Class, language and phonetics and Independence. But in this paper, I would like to work on the feminist aspect of this play for this aspect, is the one which impressed me more. As this paper is based on Gender analysis I am restricting my analysis to the theme of Feminism in this play.
In the play of Henrik Ibsen’s drama Ghosts, as well as in Amalie Skram’s short story Karen’s Christmas there is strong ridicule of the societal norms in late nineteenth century Scandinavia. In-depth reading of these texts display scorn for the way Scandinavia as a culture, during this time period, behaved and their ideals. These ideals have been developed through a history of social, political and economic change in Scandinavia, and the message from both authors is one highlighting the problems of societal norms and providing progressive ideas.