"The essence of being human is that one does not seek perfection.” –George Orwell. In this classical drama “The Tragedy of Romeo and Juliet,” the author, William Shakespeare, illustrates how everyone grows to understand that perfection is unachievable. Therefore, human beings and body dramatic fatal character flaws, many people tend to have poor matter manners comma what others have behavioral impediments such as this honesty comma quick temper or rudeness. These difficulties can bring about hardships throughout a person's life.
The unresponsiveness of memories, relate the expressive outburst from Hamlet. It shows his frustration and that frustration trailed into madness. The OED defines madness as a moment of psychosis, which is where connections with the external world are lost because of mental and emotional impairments. The mental impairment that effected Hamlet was the memory of his father. Hamlet was unable to see the other characters as he once had because the memory of his father occupied his perception.
However, the author quickly juxtaposes this idea with demeaning details that reveal McTeague’s downfall. McTeague is “sluggish”, “stupid, docile [and] obedient”. These characteristics convey a lazy ambition and weakness to push boundaries. This juxtaposition creates a sense of pity due to the promise and strength that McTeague possess yet his indolent mind holds him back.
A system of monstrous tyranny holds individuality captive making true happiness rare. When one is muted by society’s harsh regulations, they suffer internally and externally. In the novella Anthem, Ayn Rand creates a character named Equality who feels tremendous sorrow for the way his life is, but will eventually locate the power behind his own voice. He will use his experiences to guide his acts of defiance and overcome opposing obstacles. Dispar and the negative attitude of others pushed Equality to become determined to transform his life.
However, this quote speaks directly to the idea of natal alienation in society. Natal alienation goes directly to the heart of the problem with the misunderstandings in the play. There is a sense of loss of ties between the both the ascending and descending generations in the play. This type of alienation from formal history, blood, and religion created a detachment from the culture and belief systems of the past. Therefore, the slave was used as the ultimate human “tool” such as to be as disposable as a wrench when no longer needed.
This theme is a mirror for the theme of duty and responsibility that each man is nothing but his actions and his courage to carry the responsibility of the consequences. Moving on to extract the theme of paradox and denial, such theme can be seen in each character. Owing to the anger of guilt Keller begins to falsely justify his actions living in a paradoxical state of mind leading him to live in denial for years. He lives unable to decide his reality whether guilty or “didn’t kill anybody” (II. 67), whether a killer or a respected successful man (Bloom, 36).
Firstly, in the text, he states that he has a hidden determination to find his true self, but has yet to do so. Additionally, hubris can be interpreted as excessive pride. Oedipus exemplifies hubris in a way that can be defined as a façade, the way he wants to be until he finds his true self. The actions of Oedipus in this playwright can clearly show that Oedipus is the classic example of a man whose central problem is that he does not know himself.
In “Waiting for Godot”, written by Samuel Beckett, absurdism is a major theme within the play as an existentialist view of human reality is hugely reflected. The play revolves around the mocking of religion and faith in regards to futility. Ironically, however, the play would not exist without this idea that life has no meaning. The first example of the absurdism present in the play is how the main characters, Vladimir and Estragon spend the entirely of their time waiting for someone who they do not know will arrive.
Auden is unable to see a future and follows the five imperatives with a poignant declarative “For nothing now can ever come to any good” Auden does this to communicate the anger and sadness he is feeling. He also displays the agony he feels through his use of powerful verbs, ‘moaning” is a words associated with response to pain and ‘scribbling” shows frustration, like he is out of control; he is not able to manage his emotions. It is followed by the capitalisation of “He Is Dead,” by emphasising and pronouncing the diction, he is convincing and assuring himself of the reality. Hardy’s tone make is evident that he has responded to death very differently to Auden. Hardy does not display