EDITING FINAL ASSESSMENT
Mohit Hassija
A2011614005
December 18, 2015
Introduction
The Paper intends to define what editing is and what are the way editing is carried out in a film-making process. It will however explain in detail what is continuity editing and how does it impact the formation of sequence and also how it is perceived by the viewer.
In film-making editing is one of the most important phase. It is where the director and editors aim to achieve the production of a meaning or message the film was set out to convey. A single image conveys a different meaning than a combination of images presented as a sequence. Rearranging the shots can completely change the meaning that is conveyed to the viewer. There are a lot of predetermined
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The editor fades one shot to black and then fades in the next. Often used to indicate a change in time and place.
Final cut the finished edit of a film, approved by the director and the producer. This is what the audience sees.
Iris
visible on screen as a circle closing down over or opening up on a shot. Seldom used in contemporary film, but common during the silent era of Hollywood films.
Jump cut a cut that creates a lack of continuity by leaving out parts of the action.
Matched cut a cut joining two shots whose compositional elements match, helping to establish strong continuity of action.
Montage
scenes whose emotional impact and visual design are achieved through the editing together of many brief shots. The shower scene from Psycho is an example of montage editing.
Rough cut the editor's first pass at assembling the shots into a film, before tightening and polishing occurs.
Sequence shot a long take that extends for an entire scene or sequence. It is composed of only one shot with no editing.
Shot reverse shot cutting usually used for conversation scenes, this technique alternates between over-the-shoulder shots showing each character
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To make it seem jump-less one has to play with shot magnification or different angles. It also helps haste the movie time. Say a real 2 minute walk can be shown in 30 second using match cut yet it won’t seem jumpy or seamless.
Eye line match
It as an editing technique associated with continuity editing technique. It is done for a conversation taking place or exchange of information of any kind between to people/objects. The eye line of character A and character B are placed in such a way so as it seems they are actually at same place. Even if the shots are taken of each character in the absence of the other, it would seem as they were together after the shots are edited and placed after each other. It helps viewer maintain the illusion of continuity.
Re-establishing Shot
A re-establishing shot in film re-establishes the location or subject. Like an establishing shot it is usually a long- or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place. In relation to continuity editing it is one of the important shot that keeps bringing back into the notice of viewer the subject or location the whole sequence is about.
The shots make the actors more courageous or important. As it is in the film when the body of Claire lies on the glass while Norman stands over her, the low shot shows that he is the bad guy and is in control. A boundary that was never stated, although portrayed by the camera angles. Zemeckis, as a director, only allows certain things to be seen at a time to help the audience catch certain actions of the characters. When she walks backwards down the steps and the view is up the stairs, limiting the audience’s view of what’s behind Claire.
This is the technique that is being used because it is the most affective editing skill and the most common, it also looks the
Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the
Moreover, the film depicts the relationship as reminiscent of another time, often with the use of medium close up shots as the two interact in a disengaged demeanor. However, once Rick and Ilsa converse passionately, the shot distance converts to a close up in order to capture the tension between them. The
This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.
“Mise-en-scene” is a French expression that was originally a theatrical term that refers to “staging” (Thompson & Bordwell 1999). When this term was transferred to film production, its practices involved the framing of the shots (Hayward 2000). According to Karam (2001), Mise-en-scene involves a choreographed set of visual elements that correspond to a set of ideas. Mise-en-scene involves the use of multiple elements that are used in a scene to create a certain mood or to influence the audience’s perception (Thompson & Bordwell 1999).
It uses cinematography and film techniques such as misé en-scene, shot duration,
Close Analysis – Memento Memento (2000) has been purposefully edited in reverse order, to complement the character of Leonard Shelby and emphasize the film’s unique non-linear narrative structure. The audience is further enabled to observe the film through the perspective of Leonard: fragmented and out of order. The distinctive editing patterns used in the film, in its temporal structure for example, reflect Leonard’s thought process and way of organizing what he knows. His method to piece all of the information he gathers is through polaroids he takes and the specific short descriptions he scribbles down of the various people he meets. Leonard’s end goal, being finding out who raped and killed his wife, is prolonged by the fact that he suffers from a rare, untreatable form of memory loss by the medical term, anterograde amnesia.
Parallel editing was present in the film wherein it was edited in a way that two scenes were alternating to make it appear that they were happening simultaneously (Lorber, 2010). High and low angled shots were also present, and panoramic shots as well. The editing that I liked the most was in the scene when The Machine Man was made to look like Maria. The surge of electricity in this particular scene and the orbits going up and down The Machine Man was what amazed me. It is shocking that in order for this to happen, the people responsible for editing had to film this frame by frame so imagine the hours, days, weeks or even months that were put into this particular scene.
Many works of art, especially literature, has a large focus on deception and how deception pushes a plot and story along the line to completion. This had been used in the long history of literature an uncountable amount of times by a lot of different authors, but one of the most popular works which has a heavy focus of deception and the consequences thereof is the drama, The Tragedy of Hamlet, Prince of Denmark, by William Shakespeare. This drama, often just called Hamlet features incredibly heavy themes of deception as almost every character is being deceitful in someway, which all has varying effects on the advancement of the main story and plot. Arguably the most deceitful character in the entire drama is the namesake Hamlet. Hamlet has
For example, during the book burning scene, a variety of high to mid-low shots are used to position the audience in the crowd or as one of the speakers up front. In addition, the way the objects in the scene are positioned and the frame are composed creates an intimidating effect. All the large Nazi flags are positioned symmetrically around the town square, yet the camera is framed slightly off centre, making the whole shot feel off and like something is wrong [Fig. 5]. This certainly shows that Percival utilizes Percival employs cinematic techniques such as camera angles and the framing of the shots used to communicate and allow the audience to explore the power of the human spirit when dealing with adversity in his film The Book
Then it pans to a close up on Sam and leans in as the intensity of her dialogue increases. It acts as a subjective narrative which observes the protagonists’ argument from an emotional point of view. The director intention was to allow the audience to be fixed on the emotions of the characters through their eyes, hand movements and facial expressions. Through such close ups, the emotional distance between the audience and characters are reduced. It encouraged audiences to experience the intensity of the argument by staring at the actors expressions.
This creates a connection between the viewer and the characters in the film. In Lost in Translation, this technique is used to show the growth of these characters emotionally as they interact throughout the film. This is seen when the two characters just looked at each other as they sat in the hallway without talking to each other. In such a way, it shows the emptiness and loneliness in their
La La Land, directed by Damien Chazelle, has won many awards and is about the love story between Sebastian and Mia, who come together because of their common goal of making it big time in Hollywood. The scene that follows is when they are having dinner after some time apart. It portrays the theme of how change can affect relationships. Initially in the scene, the camera is placed over the shoulder of Sebastian, with the view of Mia as they are having a conversation over dinner. This is a two shot scene accompanied by very minimal editing, indicating they are sharing the frame as a couple.
The shot will start out with just the full hotel shot, then zoom into one of the windows to show what is happening in a specific room. The next way Anderson and Yeoman use the zoom shot in this film is to have a up close shot of a character then zoom out to show more of what is going on in the world. For instance, a character will be talking to another person that is in a car, then the camera will zoom out to show the car driving away leaving the other character behind. The last shot that Wes Anderson uses is the