Eurocentric fashion has been an integral part of many contemporary societies for some decades. In many places of the world, Western style clothes are thought to be synonymous with being modern and free. Many women now prefer a pair of jeans and a tank top to their traditional dress. Eurocentric fashion has been invading cultures worldwide, influencing the way people dress and how they feel about themselves. In Myanmar, the situation is not so different. Even though it is still an underdeveloped country, and many traditions remain intact, it has been touched by the process of Globalization. In Myanmar, a woman wearing a traditional dress is far from a rare sight. However, even though cultural values still play a role over the choice of dress, women who embrace Eurocentric fashion are becoming …show more content…
Western values
Since Colonial Times, Myanmar people have associated Europeans with efficiency, sophistication and excellence, among other things. Still today, Myanmar people who can speak fluent English, or live or work in Europe, are looked up to by their peers. So, it is no wonder that one may feel, at least subconsciously, that he can possess the good qualities of a European when he dresses like one. In fact, according to my survey result, 53.7% of the people surveyed believed that wearing Eurocentric clothes makes them more modern and sophisticated, compared to 28.4% who didn 't and 16.4% who had no idea.
Comfort, freedom of movement and practicality The problem with Myanmar traditional dress is that it lacks freedom of movement and practicality that the postmodern age demands. The traditional "longyi", which is worn around the waist like a long skirt, restricts lower body movement. Women are especially at the danger of it falling off when they run or move very fast. Also, Myanmar traditional blouse has no pockets. These kinds of impracticalities forced a lot of Myanmar people to wear Eurocentric clothes, which have many practical uses, and stick to the body
In Australia, there are over 5000 fashion labels and more than 2000 companies exporting. One of the most influential Australian fashion designers is Carla Zampatti. In 1960, she started her brand with only a small collection that was launched two years later. Carla’s first boutique opened in 1973 and in the 1990’s the Australian Fashion Industry named her “Fashion Designer of the Year”. After multiple achievements and high honors, in 2015, Zampatti celebrated the milestone “50 Years of Fashion”.
With World War I coming to an end in late 1918, the country was focused on having a good time. Because of this, fashion went from tight and constricting clothing to unfitted clothing. Dresses became looser, with hemlines rising to knee length (Pendergast et al. 715). Dancing was also a large influence on fashion. Tassels, fringes, floaty layers and feathers became part of the dresses, to draw attention to the movements of the dances, and the shiny fabrics emphasised the dancers (Thorton).
And in Thailand, women spend excessive amounts of time and money to always be seen as beautiful– a slim figure, white skin, a small head and nose, etc. Among these examples and many more, it is seen that Asian people are held to impossibly high standards in their home countries. And though America is seen as being a land of opportunity where people can break free of the shackles that other countries’ societal standards have put on them, Asian Americans receive the
Take for example, the wearing of dreads by those who are not of African descent, or the display of a Bindi on people who do not have a link to Indian heritage. While these incidences may be brushed off or accepted, the truth is that the people who are behind the culture are often put to shame for their non-European
1. According to the article, minority clients can often be misdiagnosed because the clinician lacks an understanding of the client 's culture. The article points out that many of our counseling practices are "Eurocentric" and therefore problematic for minority clients. What does this mean and how might it effect Neesha during her own counseling experience?
Fashion has played a major role in how society has developed an obsession with being
Thesis: As evil corrupts the morals of the characters, they exhibit a tendency to move away from reality. Showcasing animalistic and materialistic perceptions. How does clothing imagery affect a person's opinion on another person? There are many ways in which a person can use their appearance. Clothing can be seen as a representation of the disguised nature of people, rather than to express who they truly are.
I wear skinny jeans and t-shirts on the regular, I enjoy wearing makeup and I love anything with sparkles. But through my adolescent years, I have asked myself, why do I wear what all the other girls wear? I slowly began to understand why: my cultural identity is influenced by my group of friends at school, what I see in the magazines I read and the celebrities
Cultural appropriation is the product of globalisation in the 21st century. Fashion designers from around the globe are continuously appropriating from one another. Cultural appropriation refers to the adoption of cultural elements from other cultures (Young, 2008). Appropriation has given the freedom to the dominant group to dress beautifully; however, it has devastating consequences for the minority group being appropriated, particularly the Native Americans. For decades, social activists were unsuccessful in stopping companies from selling Native inspired designs (Trevor, 2016).
The people of Somalia have different sets of clothing specifically for each gender. In order to accommodate with the hot weather of Somali, men commonly wear a Ma’awiis, which is a sarong like garment wrapped around the waist. Men also wear a long white garment called Khamiis; it is mostly worn to the mosque for prayer or Eid celebrations. Refer to Fig. 1.
Oftentimes people look down on the fashion world because they deem it to be shallow and vacuous, probably because people typically associate fashion with women, and things associated with women are frequently dismissed out of hand. However, as depicted in Zhu Tianwen’s “Fin-de-Siecle Splendor”, not only is fashion an integral part of the protagonist’s life, but fashion reflects the trends and attitudes of changing modern society. In the increasingly transnational world in which “Fin-de-Siecle Splendor” was written, fashion represents globalization. In “Splendor”, Mia reflects on her feelings toward other cities.
The phrase, don’t judge a book by its cover, is commonly used in modern society when discussing the treatment of others. Yet in Elizabethan England, this phrase did not apply among the people. In fact, the population was encouraged to criticize others based on their appearance and the clothing they wore. Citizens of all genders were evaluated based on the complexity and material of their clothes, as well as the colors. The government also supported class clothing distinction by creating laws.
Fashion never remains the same and with the advancements in technology fashion has become even more wavering. Fashion is highly influenced from the social, technological and economical changes. A series of events that replace current societal patterns with the
Fashion is more common in current society than in the ancient tribes or peasant communities. Modern society is an open one where class differences are not as severe as in primitive society. Its urban and mobile class structure allows people to develop its own personality taste and implement its new course. The modern world is more open-minded to differences and consequently places few restraints on the cycle of fashion. Our principles of judgment have also changed.
Yes, I lived in a very fashionable country, but there was always some form of disconnect with everyone else, and a boundary I couldn’t cross. Girls were always prim and proper, never having a strand of hair out of place; boys with their neatly rolled up sleeves never taking a risk with dirty combat boots and ripped up jeans. For the reason, I never had the freedom to express who I was. To me being a girl in a conservative society, there was only so much I could do in terms of expressing my personality. Fashion was a form of escape for me; dressing up as another character for a day, putting on a dreamy display for the world.