Embark on a captivating journey through two compelling novels, delving into the complexities and resilience of Indigenous communities in Canada. Drew Hayden Taylor's Motorcycles and Sweetgrass immerses readers in an indigenous community, exploring the impact of systemic issues on personal and familial identity. Meanwhile, Eden Robinson's Son of a Trickster follows a troubled teenage boy navigating addiction, family struggles, and supernatural forces. Through the characters in Son of a Trickster by Eden Robinson and Motorcycles and Sweetgrass by Drew Hayden Taylor, the themes of identity, family dynamics, and hardships are intricately woven together, providing insight into the challenges faced by Indigenous communities in Canada. These themes …show more content…
Within the narrative, the author shows the significance of preserving one's Indigenous heritage while simultaneously embracing the transformative power of change. These dynamics are brought to life, showcasing the challenges and conflicts in these relationships. In one scene, the characters express their exasperation, with one remarking, “‘He’s such a tool.’ ‘Yeah. There’s always one in the family.’” (Robinson 82). This statement captures the frustration and familiarity that often arise within familial relationships. The characters' shared acknowledgment of the presence of a problematic family member suggests a recurring pattern within their family, highlighting the complexities and conflicts. This quote exemplifies how family dynamics can encompass emotions and shared experiences, contributing to the overall exploration of familial complexities in the book. Within the exploration of family dynamics in Son of a Trickster, a pivotal moment emerges when the complexity of familial relationships is highlighted. This is evident in the quotation, “Jared didn’t want to live with his dad. [...] He just didn’t want his dad to be homeless” (Robsinson 60). This statement emphasizes the theme of family dynamics by showcasing the profound range of emotions and responsibilities within the relationship. It highlights Jared's internal …show more content…
The theme of hardship is illustrated as John, who is the trickster figure, struggles to manifest in his physical and emotional weariness. This is exemplified in the quote, “He looked … worn, beaten and exhausted” (Taylor 323). This statement provides a pitiful depiction of John's physical and emotional state. This description relates to the theme of hardships, as it exemplifies the toll that challenges have taken on John. By presenting John as worn-out and exhausted, the quote highlights the hardships he has endured and emphasizes the resilience required to face and overcome such adversities. It serves as a powerful reminder of the immense challenges and struggles that the character has encountered throughout the narrative, further underlining the theme of hardships and the perseverance of the characters in the face of adversity. Building upon the exploration of hardships depicted through John's experiences, Motorcycles and Sweetgrass further examines the theme through Maggie. The quote states, “So here she lay, a woman in political power but apparently having absolutely no control over what was going on in her life” (Taylor 253). This quotation underscores the contrast between Maggie's influential position and her inability to exert control over her personal circumstances. It underscores the pervasive nature of hardships, illustrating that even
Despite what some might think, the oppression of Indigenous people is still extremely prevalent today. In Canada, the historical treatment of Indigenous people has been particularly horrible. Indigenous people have faced hundreds of years of mistreatment and abuse at the hands of the Canadian government; although it may not be as obvious now as it was in the past, oppression and racism are still deeply rooted in modern Canadian society. The Outside Circle by Patti LaBoucane-Benson brilliantly addresses this. The Outside Circle is a graphic novel that centres around an Indigenous young man named Pete, living in Edmonton with his brother Joey, their mother Bernice and her abusive boyfriend.
The acclaimed Canadian author Joseph Boyden is often praised for providing an insightful look into Indigenous culture and history through his debut, Three Day Road. While the novel does explore the haunting memories of an Indigenous soldier, it also tackles concepts about storytelling and the power of words. Consequently, this essay investigates the question; How does Joseph Boyden use literary devices and narrative structure in Three Day Road to illustrate the power of stories and language? The novel serves as an examination of the power of words and the different roles they play in communication,
Life is a journey of discovery and self-improvement, one who does not know themselves, cannot live their life. The book Motorcycles and Sweetgrass by Drew Hayden Taylor follow the self-growth and development of Virgil Second, caused by the actions of his family, and new characters in his life, as he blossoms into a man, connected more to his heritage/culture, with a stronger bond to his family, and a character with goals aspirations and a direction in life. From the start of the book, it is apparent that Virgil like the rest of the Otter Lake community is extremely disconnected from his culture. As he and the community were recovering from the stripping of First Nations culture due to residential schools, where a whole generation was punished
Cherie Dimaline’s The Marrow Thieves explores Indigenous identity and community in a dystopian future. Indigenous identity and community are portrayed as resilient because of the risks they overcome of being hunted for their bone marrow, which contains the unique ability to dream. However, despite threats to their lives, indigenous people remain resilient, relying on their culture, traditions, and community to cope. Indigenous identity and community are portrayed as resilient. Firstly, they are proud of their culture and traditions, which helps maintain their identity.
Monkey Beach is an adaptation of “Queen of the North,” both written by Eden Robinson. The texts both touch on the theme of intergenerational trauma within Indigenous communities. Through the lens of different main characters, however, Monkey Beach approaches the topic differently through its portrayal of the transmission of trauma. In “Queen of the North,” the transmission of intergenerational trauma is most clearly seen through Josh reenacting trauma onto Adelaine. In contrast, as a novel, Monkey Beach offers a more nuanced depiction of the methods of intergenerational trauma transmission, such as the loss of Lisamarie's cultural identity.
Gender performance is perpetuated by the conditioning and experiences of children from birth which also perpetuates the gender safety gap. Women and men are not as biologically different as once thought. They are simply held to different expectations in society, as explained by Nicholson’s Interpreting Gender. The Break is able to explore the lived experience of being an indigenous woman and how their relationships have evolved over time. As well as remaining strong when faced with the intersections of sexism and
Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
The objective of Story is to remind indigenous youth to grow by being given specific information in crucial periods in time of North American Indigenous history, and having the duty of passing on those stories to others when they reach adulthood. Cherie Dimaline employs oral history to relate the storyline to real-life events. “ We suffered there. We almost lost our languages. Many lost their innocence, their laughter, their lives.
The indigenous people are literally crashing into the buildings produced by the colonizing culture, “Look out! Bob shouts. There are Indians flying into the skyscrapers and falling on the sidewalk.” (King 63) and it adequately represents the lack of adaptability of the Native Canadians. Thomas King taps again into the effects of colonialism and notions the indigenous people as uneducated and an untamed species.
Marcus Garvey said, “People without the knowledge of their past history, origin, and culture is like a tree without roots.” For the citizens of Otter Lake, a fictional reserve set in Drew Hayden Taylor’s Novel Motorcycles and Sweetgrass, they are disconnected from their cultural roots. Much of the older generation is suffering psychologically from the effects of residential schools, where their culture was taken from them. The younger generations in return feel no ties to their past as they were raised by people who feelings towards it were conflicted as they spent years being abused and told that their culture was wrong. As an author, one of their main roles is to convey a message.
State Thesis (central argument) Wagamese sheds light on Saul’s journey entering into and working to heal from trauma which emphasizes the importance of family in addressing hardship in Indigenous communities. Analytical Essay – Conclusion: Rephrase Thesis (in different words – do not copy and paste the thesis) Upon further examination, Richard Wagamese’s description of Saul’s endeavors as he tackles hardship emphasizes how families are a key determiner in Indigenous peoples’ inner
Conflict is an expressed struggle and it is ubiquitous by nature. Indigenous communities experience significant suffering and hardship due to conflicts planted by colonial oppression. Keeper’n Me, by Richard Wagamese, presents the epitome of internal conflict experienced by Indigenous people and communities. Wagamese illustrates this through Garnet Raven’s character, as well as his journey to overcome the lasting repercussions of colonial oppression. Garnet faces inner conflict due to cultural displacement experienced during his childhood.
The farmer, Bill, is portrayed as having control over the female protagonist, Annie. When Annie finds a cow giving birth, Bill tells her to wait for him, and she complies, even though she knows the cow needs help. This quote highlights the power dynamic between the two characters, with Bill dictating what Annie can and cannot do, and also reveals the lack of regard for the cow's welfare. Despite Annie's concerns for the cow's wellbeing, Bill decides that the animal is not worth the vet's bill if she can't have the calf on her own, displaying the utilitarian view of animals held by many in society. Furthermore, the text also sheds light on the power imbalance between white Australians and Indigenous Australians.
Although Olsen lived with Indigenous people, she still claims to have no particular expertise on knitting or Indigenous life. Yet, there has been a new trend in non-fiction writing on Indigenous topics to include Indigenous voices. This phenomena can be observed with non-Indigenous written books, such as Catherine C. Robbins’ All Indians Do Not Live in Teepees (or Casinos) (2011) or Martine J. Reid’s Bill Reid and the Haida Canoes (2010). Using Indigenous voices allows for different perspectives to prevail in the narrative. By employing knitters’ quotes, Olsen is honouring the creators behind the famous
Son of a Trickster by Eden Robinson is an Indigenous mythology-based story that follows sixteen-year-old Jared as he struggles with his powers, relationships and overall life. The theme of family, specifically the decisions and roles of Jared's family, significantly affects his personal growth. More particularly from the actions of Maggie Moody, Phil Martin and Nana Sophia. Maggie Moody, Jared's mother, affects Jared's morals and how he feels about violence, Phil Martin, Jared's father, affects Jared’s emotional maturity, and Nana Sophia embodies the feelings resulting from the abandonment of a family member. Maggie's violent approach to life has desensitized Jared to violence, making him less emotionally vulnerable since violence requires a lack of empathy.