In "Everyday Use" Walker establishes the symbol as respect for family heritage. The author shows that Dee was being ungrateful and shocked that her mother would give the quilts to Maggie instead of her. " She gasped like a bee had stung her" (64). This simile portrays that Dee has disrespected not only her mother but her heritage. She acts this way because this is the first time she did not get what she wanted.
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
(Walker 1229). Dee also shouts, “She’d probably be backward enough to put them to everyday use.” (Walker 1229). The mother feels shocked, and takes the quilts away from Dee. The mother knows that Dee will never value the old quilts.
Says Lena, “‘Won’t she be mad when she finds you?’ ‘Nah, she’ll just be glad I’m not dead or something’”(114). . In observance of this situation, Lena begins to wonder how Teresa thinks of her. She says: “Maybe she had listened through the walls and heard nothing, the stagnant silence of our unhappy house” (114). Lena is associating the loudness of her neighbor’s home with the love she expects from her own mother, and the silence of her house so strongly opposes that which she expects.
Alice Walker’s “Everyday Use” Alice Walker’s “Everyday Use” is about a family of three women who have a weak relationship due to jealousy, burdens, and insensitivity. The characters are the narrator, Mama, Maggie, and her eldest daughter, Dee. The setting is the Deep South in the early 1970s. Dee, the antagonist, comes back home to pick up a few items she wants for her new home and wants the quilts Mama’s family has passed down for years, but Mama refuses. Dee believes her family is not intelligent enough to understand their family heritage and thinks she would be better off with the quilts and use them as an art piece.
Dee knew the answer would be yes before she even asked. “And I want the dasher too,” Dee says. She just came home to visit, and she’s already wanting stuff. It also bothers me how in lines 231-233 Mama says, “Dee moved back just enough so that I couldn’t reach the quilts. They already belonged to her.”
Giving us a sense that there is no right or wrong perceptive of heritage but how you view it. Although both sisters are expressed in the short story, Dee’s views of heritage stand out the most. From the beginning we get a sense of the unattachment towards her old home, which was destroyed by a fire years before. Her mother wanted to ask her, "Why don't you do a dance around the ashes?" expressing Dee's distaste for the home ( ).
Nanny is successfully able to convince her granddaughter through her own traumatic experiences and make her feel “sympathy” as she tells Janie she doesn’t want her life to be spoiled like her own life was. At first, Janie refuses to marry Logan Killicks. Nanny being the older one, defends herself by saying “put me down easy” since she can no longer care for Janie and only her wish is for Janie to get married and be protected from the dangers she and her own daughter faced. By calling herself a “cracked plate” Nanny further elucidates that she went through many hardships in her own life and wants to do the right thing for her granddaughter by
Her mother is persuaded to send her to a covalent home and Emily had a difficult time there because they didn’t allow any of the girls to keep personal belongings or "love anyone" (Olsen). After Emily came back from the covalent home, she became distant and refused her mother's attempts of comfort. A bright spot in Emily's life is her gift in comedy. The biggest obstacle for Emily would be not believing that she is helpless to the hardships life has thrown at
A repetitive notion made in the story, as June is used as a meter to compare Connie too; which naturally, no one would like: “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn 't do a thing, her mind was all filled with trashy daydreams” (308). Ellie 's character, even as quite as he remains, presents a conflict with Arnold. First when he over steps his boundary with Arnold and asked "You want me to pull out the phone?" (318), then being told by Arnold to "Shut your mouth and keep it shut" (318), only to ask about the phone again. To which Arnold responds with more conflict: "you 're deaf, get a hearing aid, right?
She thought her mom had stole the letter she was waiting for from an agent who could get her into her career; she assumed her mom stole it because she thought her mom would have wanted her daughter to do what “normal” women do. Also, she is not considered a “normal” wife; “normal” for that time meant she was supposed to stay inside and do chores and cook. Instead, she goes around, talks to the men working and hides from her husband. Curley’s wife is lonely because no one talks to her to prevent trouble. George said to Lennie, “well, you keep away from her, ‘cause she’s a rat trap if I’ve ever seen one (Steinbeck 32).”
Polly was a very lonely girl. Her sister and her Aunt died, yet her friends didn 't call to ask if she was fine or come visit her. She got mad and decided to meticulously impair Jessie, because she blamed Jessie for Alice’s death, her mind made her forget by making her think Clark was iniquitous and evil. “Michael grabbed her by the shoulders and shook her. “Clark’s gone.
In this quote, Scout is talking about how Aunt Alexandra doesn’t ever let a chance to nag people about how pure her family is and how impure their families are. This, however, is just her facade so she could hide her true self. In the following quote, it will show how Aunt Alexandra really is and this is after Atticus tells her, Scout, Calpurnia, and Miss Maudie that Tom died trying to escape jail. “I thought Aunt Alexandra was crying, but when she took her hands away from her face, she was not.
Dee comes across as arrogant and insensitive, and Mama sees even her admirable qualities as extreme and annoying. Dee was never told no. She was use to getting her way with everyone. But for the first time she was told no, “Dee (Wangero) looked at me with hatred. “You just will not understand.
Lastly, In the story her husband never lets her talk about house she feels, so she keeps it all bottled up in her head which eventually drives her crazy. As “The Yellow Wallpaper” States “It 's hard to talk to john about my case, because he loves me so. But I tried to last night” (777 Gilman). This show another great example of women cruelty because back then women were not allowed to state there own opinion and also